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Purpose of the study: the aim of that study was an investigation of the level of adipokines, myokines and growth factors in the blood of athletes involved in acyclic sports — martial arts.Materials and methods: we have investigated 15 male athletes aged 15–19 years. The control group included 15 healthy men of the same age who did not engage in sports. In the blood serum of the all subjects, leptin, adiponectin, resistin, apelin, irisin, adipsin, myostatin, FGF21, osteocrin and oncostatin were determined using a multiplex analysis.Results: studies have shown that long-term regular martial arts training is accompanied by a decrease in the level of leptin, resistin and oncostatin M in the blood of athletes and a change in correlations between the content of the studied myokines, adipokines and growth factors compared with their values in the control group.Conclusions: regular long-term martial arts training is accompanied by a decrease in the level of leptin, resistin and oncostatin M in the blood of athletes. Their occurrence is associated with changes in the state of regulatory systems that control the production and secretion of myokines, adipokines and growth factors in adipose, muscle, nervous and bone tissue. The resulting shifts ensure adaptation of the athletes’ bodies to physical activity.

The article examines the trilogy by Dina Rubina “People of the Air” (2008—2010) and “Russian Canary” (2014). The relevance of the study is due, firstly, to the low degree of study of the trilogy “Russian Canary” (the onomastic space of the work is analyzed and the features of the book are determined in the context of a family novel of the 20th century); secondly, the need to differentiate the author’s artistic methodology, which is different in the studied macro-texts. The novelty of the research is seen in the fact that the authors, comparing the two trilogies by Dina Rubina, come to the conclusion that the author uses various semiotic strategies for constructing texts, thus revealing the homology of storylines, methods of constructing character series and general principles of world modeling of trilogies. The results of a comparative analysis are presented, which allow us to see the patterns of the artistic search of a modern author and his stylistic innovations. It is proved that with the parallelism of character series of two epic cycles, the author in the first case resorts to the artistic method of magical realism (“People of the Air”), and in the second case uses realistic principles of writing (“Russian Canary”).

The article is devoted to the foundation and development of the onthopetic ideas and the fiction methods communicated with them in Nikolay Gumilev’s poems. The article shows that the poet identifies a word with a fire, spacializes it in the marine images, in later poems connects it with an image of metal. The images communicated with a word become things and somatic and have the akmeistic nature.The conception of the magic akmeism leads to the onthologic understanding of a word as a being and a word is explicitly identified with the alive and thing beings which allows to take the profound principles of Gumilev’s poetry with the sincrcetic principles of a mythology as a praart.