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Copyright of Saúde e Sociedade is the property of Universidade de Sao Paulo, Faculdade de Saude Publica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nupeart is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Another element that is part of the catalog of buildings that have disappeared in Cieza in recent years is the old health service clinic. A building that was the first medical care center to be established in Cieza in a dignified way for health care since its establishment in Spain and which also functioned as a space for social contact and human relations between the different users who spent many hours in its premises, sheltered by facilities in which they tried to solve medical problems with care and interest on the part of their professionals. [ABSTRACT FROM AUTHOR]

Copyright of Revista Iberoamericana de Educación (Version impresa) is the property of Organizacion de Estados Iberoamericanos (OEI) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Opinião Jurídica is the property of Revista Opiniao Juridica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this article is to analize the intolerance through censorship. We studied this topic through the Brazil Bank advertising, published in 2019. This advertising had its oficial placement prohibited after a negative validation by Jair Bolsonaro, president of Brazil. This analyze shows that the advertising piece had a readability and intelligibility criteria processed by some resistance discourses disseminated by social media. This resistance discourses circulated in social media interacting to the prohibition targeted against the advertising piece. We analyze both discourses: the advertising piece and, also, the dissemination of the resistance discourses. We used the Pecheuxtian Discourse Analize as a methodological option. As partial considerations, the virtual space functions as a medium to the production of intolerance discourses. The virtual spaces also functions as a medium to some resistance discourses. The analyzes shows that the discursive functioning of the virtual space allows both practices: the intolerance through censorship and, also, resistance through irony. [ABSTRACT FROM AUTHOR]

The Tucuruí hydroelectric dam was built on the Tocantins River in Pará between 1974 and 1984. This article deals with the establishment of the society of the dam through the installation of a company town, to house the various workers involved in this construction. Focusing on the institutional and entrepreneurial point of view, we will deal with the implantation, organization and functioning of this particular space, trying on the one hand to characterize who are the workers who participate in the construction of this dam. And on the other hand, to reflect upon the way in which this type of space controlled by a company participates in the discipline of bodies and workers' lives inside and outside the construction site, aiming at maximizing productivity. As a space of control, there are inevitably reactions that will also be part of this analysis. This research follows the course of the institutional and technical sources of the construction of dams to try to characterize the implementation and management of a construction site during the military dictatorship. [ABSTRACT FROM AUTHOR]

Copyright of Brazilian Journal of Applied Technology for Agricultural Science / Revista Brasileira de Tecnologia Aplicada nas Ciências Agrárias is the property of Brazilian Journal of Applied Technology for Agricultural Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Samba is considered a symbol of Rio de Janeiro, and it is very common meeting in specific groups to share this musical style. These meetings function as a space for representation and sociocultural expression, interactions and celebrations, in which the consumption of various types of dishes result in the production of meanings that articulate the festivity and food. This study investigated the process of constructing meanings of the traditional feijoada at the Portela samba school. Visits to Portela were carried out to recognize the local, particularities and identify the research interlocutors that would mediate entry into the study field and then undertake a participant observation. The results indicate that, although it has undergone changes in preparation, Portela feijoada has become an event in which symbolic exchanges occur, contributing to the construction of meanings that reflect and construct the very notion of "tradition" elaborated by members of the samba school. [ABSTRACT FROM AUTHOR]