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Th is paper proposes to present clothing as a memory support through content analysis applied to oral accounts. Based on the perspective of clothing as a social phenomenon (Crane, 2006), urban sign (Volpi, 2014), and on the memorial processes as something reconstructed in the present from the memories of the past. Content analyses were done through coding and thematic categorization presented by Bardin (2004). Finally, in addition to the relationships drawn with the interviews, we highlight this materiality as a memorial access point to the past. [ABSTRACT FROM AUTHOR]

Copyright of Revista Memoria em Rede is the property of Revista Memoria em Rede and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of MATRIZes is the property of Universidade de Sao Paulo, Programa de Pos Graduacao em Ciencias da Comunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista HISTEDBR on-line is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Teoria Jurídica Contemporânea is the property of Teoria Juridica Contemporanea and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Departing from the parallelism between large-scale human rights violations and the complex notion of ecocide, some conceptual remarks will be drawn within the realm of green victimology and restorative justice. By questioning the frameworks of victimhood and the irreversibility of ecocide, some conclusions about the meaning of informal practices of memorialization in mass victimization can be discussed. To illustrate these ideas, the Prestige case in Spain will be briefly presented as a case study. Partiendo del paralelismo entre las violaciones de derechos humanos a gran escala y la compleja noción de ecocidio, se realizarán algunas consideraciones conceptuales dentro del campo de la victimología verde y la justicia restaurativa. Al cuestionar los marcos de la victimidad y de la irreversibilidad del ecocidio, se debatirán algunas conclusiones sobre el significado de ciertas prácticas informales de memorialización en procesos de victimización en masa. Para ilustrar estas ideas se recurrirá de forma sucinta, como caso de estudio, a las consecuencias del Prestige en España. Available from: https://doi.org/10.35295/osls.iisl/0000-0000-0000-1044

Over the last century, Europe and the world have witnessed two world wars, civil wars, terrorist attacks, and abuse of power both by dictatorial regimes and in various institutional settings, all leading to serious violations of human rights. Today we continue to see the effects of such violations affecting large numbers of people. This special issue of Oñati Socio-Legal Series is about commemorative practices and their role in post-conflict societies regarding processes of social reconstruction and transitional justice. It also considers current alternatives and complementary systems of justice, like restorative justice and transformative justice to face mass-victimisation. Through practices of memorialization victimhood is defined, constructed, acknowledged or neglected. Their materialisation is often a result of negotiated outcomes involving a number of actors, legislation and institutions. By presenting case studies, the authors hope to enhance practices of memorialization and to critically contribute to the transitional or transformative justice agenda.Durante el siglo pasado, Europa y el mundo entero han sido testigos de dos guerras mundiales, así como guerras civiles, ataques terroristas y abusos de poder por parte de regímenes dictatoriales y varias instancias institucionales, todo lo cual ha conducido a graves violaciones de derechos humanos. Hoy día, aún vemos los efectos de dichas violaciones que afectan a un gran número de personas. Este número especial de Oñati Socio-Legal Series trata sobre prácticas de conmemoración y el papel que desempeñan en sociedades posconflicto en relación con procesos de reconstrucción social y justicia transicional. También toma en consideración alternativas actuales y sistemas complementarios de justicia, como la justicia restaurativa y la justicia transformativa, para enfrentarse a la victimización masiva. A través de prácticas de memorialización, se define, construye, reconoce u obvia la condición de víctima. Su materialización es a menudo consecuencia de resultados negociados que implican a una serie de actores, legislaciones e instituciones. A través de estudios de caso, los y las autores/as esperamos realzar las prácticas de memorialización y contribuir de forma crítica a los planes de justicia transicional o transformativa. Available from: https://doi.org/10.35295/osls.iisl/0000-0000-0000-1121

Copyright of Direito e Práxis is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudos Ibero-Americanos is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In 1936, an edition of the Revista Brasileira de Música in commemoration of the birth centenary of Antônio Carlos Gomes (1836-1896) was published. In this volume, an interesting article by Paulo Silva dealt with the studies of counterpoint and fugue of the author of Il guarany. Silva, professor of counterpoint and fugue at the National Institute of Music, selected examples of Gomes' exercises conducted in Italy, under the guidance of Lauro Rossi, professor and director of the Milan Conservatory. In many of these examples, errors or slips are pointed out which Silva attributes, at least in part, to the shortcomings of Rossi's teaching method. The present work seeks to find the motivations, aesthetic and ideological, underlying the comments present in his article. The figure of the partimento and its consequences in the contrapuntal formation of Gomes were the starting point for the discussion on the teaching of counterpoint in Europe and Brazil in the Nineteenth and first half of the Twentieth Century. Furthermore, a mention is made of the Brazilian musical milieu at the time in which Silva's article was published. [ABSTRACT FROM AUTHOR]

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Educação is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)