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El ideario filosófico del filólogo alemán, parecería ser controvertido e incluso contradictorio. No obstante, la problemática que se presenta se desenvuelve bajo la metodología de la hermenéutica analógica, misma que ha brindado un panorama de apertura a una perspectiva que da pulimento a la fuerza del pensamiento moral y existencial de Nietzsche. Esta perspectiva de dos autores, corre en una reflexión paralela, que culmina con una síntesis de suma importancia para los tiempos actuales. Una síntesis que supera a la misma posmodernidad, esta es la perspectiva de una racionalidad analogizante.

A través de una sumatoria de elementos se intenta esbozar una orientación hermenéutica o una libre lectura personal de Kazantzakis, lectura que ayudará a percibir con más acercamiento el universo kazantzakista, el cual corrientemente ha quedado definido bajo el peso de la tradición que lo intenta calificar de escritor, o de un literato más en el mundo de las Letras Universales. Una serie de elementos nos llevan a defender que Kazantzakis sin dejar de ser artista, o un reconocido cultivador de la literatura, es también un hombre intelectual y, por ende, un pariente de los filósofos en el sentido de que su literatura no desdeña las búsquedas de los grandes pensadores de todo tiempo. Más bien, convive con ellos.Through a sum of elements intend to outline a hermeneutic orientation or free personal reading Kazantzakis, reading to help them earn more than the universe kazantzakista approach, which currently has been defined under the weight of tradition that tries to qualify for writer, or a more literate in the world of Universal Literature. A number of elements lead us to argue that while Kazantzakis be an artist, or a renowned cultivator of literature, is also an intellectual man, and therefore, a relative of the philosophers in the sense that their literature search does not disdain of the great thinkers of all time. Rather, lives with them.

This article is part of the results of a survey on emigration from Goiás to the Republic of Ireland, held between 2009 and 2011. Through a multi located ethnography (BrazilIreland), it aimed to understand how the elements of regional identity of these immigrants are reinforced, traded or denied in the context of living abroad. Both the ethnography and the data collection were done in Brazil and in Ireland, between 2009 and 2011, in the cities of Anápolis, in Brazil, and Tullamore, Kilbeggan and Gort, in Ireland, since these have a considerable number of Brazilians. The record of womanly interpretations of the emigrating process aims to enhance the gender perspective and the places of speech of the women, which is often silenced by the general representations about immigrants. [ABSTRACT FROM AUTHOR]

This article is part of the results of a survey on emigration from Goiás to the Republic of Ireland, held between 2009 and 2011. Through a multi located ethnography (Brazil-Ireland), it aimed to understand how the elements of regional identity of these immigrants are reinforced, traded or denied in the context of living abroad. Both the ethnography and the data collection were done in Brazil and in Ireland, between 2009 and 2011, in the cities of Anápolis, in Brazil, and Tullamore, Kilbeggan and Gort, in Ireland, since these have a considerable number of Brazilians. The record of womanly interpretations of the emigrating process aims to enhance the gender perspective and the places of speech of the women, which is often silenced by the general representations about immigrants. [ABSTRACT FROM AUTHOR]

Since it was published by Max Brod, Kafka's work has created excitement, anger, inspiration, ambiguities and followers. What made a true metamorphosis in the work, raising questions about how Brod published the originals, and questions about the will of Kafka behind the request for 'destroying the original “(made to his friend by the time of his death). Thus, interpretations (in Brazil and abroad) about his work grow in the same proportions as the suggested paths for its 'true' understanding. In this sense, this text aims to analyze some of its readers and their readings of the work (In the Penal Colony, The Process and The Castle) of Kafka. [ABSTRACT FROM AUTHOR]

Durante el siglo XIX tiene lugar en Venezuela una extensa y variada producción historiográfica, constituida en su gran mayoría por obras de carácter testimonial y por trabajos de compilación documental y que representa, por así decirlo, la base y fundamentación primigenia de la historiografía venezolana. No obstante, la valoración de esta producción historiográfica ha sido realizada de manera parcial y desde una perspectiva muy general. No se han llevado a cabo estudios que nos permitan conocer los distintos géneros historiográficos que se desarrollaron en esa época, ni tampoco algún tipo de análisis que dé cuenta de los aspectos característicos de cada uno de ellos.