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Os rearranjos do sistema do capital em face demais uma das suascrises c?clicasdesencadeadas a partir do final do s?culo XX e in?cio do XXI, trouxe ? voga o tema do cooperativismo como possibilidade de absor??o da m?o de obra desnecess?ria aos mecanismosformais de trabalho. Aliado a esta estrat?gica do sistema sugiram movimentos antissist?micos que postulavam sa?das alternativas para a classe trabalhadora que se transformassem em instrumentos de supera??o da l?gica do capital. Entramno cen?rio os empreendimentos da Economia Social e Solid?ria com uma proposta de nova sociabilidade, calcada na l?gica da produ??o cooperativista com princ?pios autogestion?rios capazes de produzir a emancipa??o dos trabalhadores livremente associados. Como tem sido o papel do Estado, neste per?odo hist?rico, em que pol?ticas p?blicas incidem no sistema do capital ou s?o formuladas para esse novo ?modo de produzir? a vida?.O desafio de construir um modelo de cooperativismo distinto, ideol?gicoe politicamente do cooperativismotradicional e que, de certa forma, redimensione a l?gica do trabalho associado colocando-seno cotidiano dos trabalhadores dos empreendimentos da Economia Social e Solid?ria em todo o mundo, e no caso espec?fico, no Brasil. Em tempos de reestrutura??o do capitalismo, as alternativas podem constituir-se em estrat?gias de resignifica??o do trabalho como potencial de desenvolvimento do ?Homem Novo?. The rearrangements of the capital system, faced with yet another of its cyclical crises triggered starting at the end of the 20th century and the beginning of the 21st, has brought to vogue the theme of cooperativism as a possibility for absorbing the workforce that is unnecessary to the formal employment mechanisms. Allied to this strategy of the system, anti-systemic movements have appeared that postulated alternative escapes to the working class so that these would turn into instruments for overcoming the logic of capital. Thus enter the scenario the enterprises of Social and Solidary Economy with a proposal of new sociability, based on the logic of cooperative production with self-managerial principles capable of producing the emancipation of freely associated workers. What has been the role of the State, in this historical period, in which public policies focus on the capital system or are formulated for this new "form of producing" life? The challenge of building a new cooperative model, ideologically and politically distinct from the traditional cooperativism and which, in a way, resizes the logic of associated work, puts itself in the everyday life of workers inthe enterprise of Social and Solidary Economy in the whole world, and more specifically, in Brazil. In times of re-structuring of capitalism, the alternatives can constitute strategies of reframing of the work as a development potential of the "New Man".

Critical Review from book Immortality of our Millenary Cultures., Resenha crítica do livro La Inmortalidad de nuestras Culturas Milenarias

This article aims to examine the ways in which television represents Argentina’s recent past, through three specific links between TV and social memory. Three approaches for research are proposed, which are different in analytical terms. These approaches allow us to focus on the role this medium plays in configuring public agendas (that is, television is approached as an entrepreneur of memory); its effectiveness as a medium which communicates past events to new generations (i.e., as a vehicle of transmission among generations); or its role as a constructor of meanings through images, sounds, and words (that is to say, television is approached as a stage for memory). All of these roles co-exist and are intertwined, but there is also tension among them. This article especially focuses on the experience of state terrorism in Argentina, in the framework of the military dictatorship in 1976-1983, as well as on the constructed memories about the disappearance of persons. The analysis of the links between TV and memory allows us to think how the obstacles to narrate an extreme experience are combined, in complex and not easily intelligible ways, with the sale of a product and entertainment., Este artículo propone indagar las maneras en que la televisión representa el pasado reciente de la Argentina, a través de tres articulaciones específicas entre TV y memoria social. Se sugieren tres abordajes, distintos en términos analíticos, para la investigación. Estos abordajes permiten enfocar el rol de este medio en la configuración de agendas públicas (o sea, se aborda a la televisión como emprendedora de la memoria), su efectividad como soporte para difundir acontecimientos del pasado entre las nuevas generaciones (es decir, como vehículo de transmisión intergeneracional), o su rol como constructor de sentidos a través de imágenes, sonidos y palabras (es decir, la televisión se aborda como escenario de la memoria). Todos estos roles coexisten y se articulan, aunque también entran en tensión. El artículo se centra particularmente en la experiencia del terrorismo de Estado en Argentina, en el marco de la dictadura militar de 1976-1983, y en las memorias construidas en torno a la desaparición forzada de personas. El análisis de los vínculos entre TV y memoria permite pensar de qué modos los obstáculos para narrar una experiencia límite se combinan, de maneras complejas y no fácilmente inteligibles, con la intención de vender un producto y de entretener al espectador.