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Objectius: El present article vol oferir l'estat complet dels estudis fílmics en les revistes indexades a SCImago i ESCI vinculades a les ciències socials en els darrers quinze anys. -- Metodologia: Després d'estudiar-ne l'univers complet (5.343 articles), hem analitzat amb una metodologia quantitativa d'anàlisi de contingut el volum de la producció específica dels estudis fílmics: un 3,9 % de l'univers publicat a Scopus (104 articles) i un 9,7 % de l'univers publicat a ESCI (266 articles). -- Resultats: Es conclou una clara predominança dels treballs amb una sola signatura masculina, en recerques entorn de la narrativa audiovisual a partir d'anàlisis qualitatives centrades en el discurs, amb preferència sobre enfocaments historicocontextuals o d'índole quantitativa. Objective: Our work tries to offer the concrete state of the film studies on the journals (SCIMAGO and ESCI) indexed in the Social Sciences category. -- Methodology: We have studied the complete universe (5343 papers), and applied a quantitative approach based on a content analysis methodology over the film studies concrete production: 3,9 % of the whole SCOPUS universe (104 papers) and 9,7 % of the ESCI universe (266 papers). -- Results: We have found a clear predominance of the papers signed by a single male author, using qualitative analyses based on the discourse analysis methodology on the audiovisual narrative field, over other possible approaches as the historic-contextual processes or the quantitative methodologies.

Objetivos: El presente artículo pretende ofrecer el estado completo de los estudios fílmicos en las revistas indexadas en SCImago y ESCI vinculadas a las ciencias sociales en los últimos quince años. -- Metodología: Tras estudiar el universo completo (5.343 artículos), hemos analizado con una metodología cuantitativa de análisis de contenido el volumen de la producción específica de los estudios fílmicos: un 3,9 % del universo publicado en Scopus (104 artículos) y un 9,7 % del universo publicado en ESCI (266 artículos). -- Resultados: Se concluye una clara predominancia de los trabajos con una única firma masculina, en investigaciones en torno a la narrativa audiovisual a partir de análisis cualitativos centrados en el discurso, con preferencia sobre enfoques histórico-contextuales o de índole cuantitativa. Objective: Our work tries to offer the concrete state of the film studies on the journals (SCIMAGO and ESCI) indexed in the Social Sciences category. -- Methodology: We have studied the complete universe (5343 papers), and applied a quantitative approach based on a content analysis methodology over the film studies concrete production: 3,9 % of the whole SCOPUS universe (104 papers) and 9,7 % of the ESCI universe (266 papers). -- Results: We have found a clear predominance of the papers signed by a single male author, using qualitative analyses based on the discourse analysis methodology on the audiovisual narrative field, over other possible approaches as the historic-contextual processes or the quantitative methodologies.

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This article analyzes the adoption of project management practices in development cooperation NGOs and their influence on project performance. This paper illustrates the impact in the implementation of methodologies, techniques and tools on outcomes, measured by success criteria of several projects recently implemented. Information from the project managers of the organizations was collected, and complemented by a literature review. We analyzed the correlation among the variables that determine the adoption of a project, and the criteria that determine its success. The positive effect of project management adoption in the performance of cooperation projects is demonstrated, in spite of the low use of methodologies, techniques and tools within the sector. The article shows the importance of project management in cooperation and aid projects, with the purpose of increasing researchers’ awareness about the field as applicable knowledge and about the benefits of its use in the sector. The paper shows that project management can improve project efficiency and accountability in other sectors.

This paper examines the integration experiences of Portugal and Spain in the European Union in order to study how it has affected their economic structures and economic performance. It analyzes the relationship between regional integration, economic growth, and economic reforms, draws some lessons based on their EU integration experience, and looks at the impact of European Monetary Union (EMU) integration in the Portuguese and Spanish economies. While the overall benefits of EU/EMU membership are undeniable in both countries, their economic performance diverged starting in 2000. In particular, the paper will examine the reasons for this divergence during the 2000-2007 period. The examination of these cases will show that the process of economic reforms has to be a domestic process led by domestic actors willing to carry them out.Este artigo analisa as experiências de integração de Portugal e de Espanha na União Europeia, estudando as suas consequências ao nível das estruturas e do desempenho económico dos dois países. Examina a relação entre a integração regional, o crescimento económico e as reformas económicas, retira conclusões baseadas nas suas experiências de integração e observa o impacto da união monetária europeia (UME) sobre as economias portuguesa e espanhola. Apesar de os benefícios gerais da integração serem inegáveis para ambos os países, os seus desempenhos económicos revelam divergências desde o ano 2000. Este artigo discute, em particular, as causas desta divergência durante o período de 2000-2007 e procura mostrar que as reformas económicas devem ser empreendidas a um nível nacional por actores empenhados na sua prossecução.

Copyright of Sociedade e Estado is the property of Sociedade e Estado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyzes the patterns of cooperation in Spain researchers in history of science, through an analysis of co-authorship in scientific publications in the area, contained in the databases Social Science Citation Index (SSCI) and Science Citation Index (SCI) for the period 1990-2009. The results show an increase in scientific output over a limited period and scientific collaboration, as only 18,61% of the papers have been signed by more than one author.

This paper analyzes the poetic corpus generated in Cuba during the Napoleonic occupation of Spain. Selected poems do not represent a whole, but within the levels shown are an obvious sign of growing diversity metrics in its various manifestations, as well as Francophobia fueled by the emotional charge "patriotic" and the creative will of the residents poets in the largest of the Antilles.

Este trabajo estudia la recuperación, para la historiografía, de los artistas del exilio español de 1939; un retorno simbólico que no ha sido homogéneo y cuyo estudio en los años ochenta coincidió con una atomización de la disciplina que ha obstaculizado los planteamientos generales, el estudio de los contextos. Desde la Bienal de Venecia de 1976, en la que, desde el Pabellón de España, se colocaba bajo el significativo epígrafe “Futuro perdido” a la exposición “Después de la alambrada” (2009) se ha generado un corpus amplio, diverso y multidireccional que conviene revisar. Abstract This paper studies the recovery, for historiography, of the artists of de Spanish exile of 1939, a symbolic return that has not been uniform and whose study in the 80’s coincided with a fragmentation of the discipline that has hindered the general approaches, the study contexts. From the Venice biennale 1976, which from the Pavilion of Spain was placed under the significant heading “Future Lost”, to “After of the fence” (2009) has been generated a large corpus that should be diverse and multidirectional reviewed.

El presente trabajo cuestiona la delimitación historiográfica de un “cine de o en el exilio” y propone una aproximación más abierta a la aportación de los exiliados republicanos de 1939 a las diferentes cinematografías de los países de acogida. Ofrece, asimismo, un estado de la cuestión sobre los estudios dedicados a los hombres y mujeres republicanos que se dedicaron profesionalmente al cine y, al mismo tiempo, plantea una reflexión teórica sobre la problemática que rodea al estudio de esa parcela de la cultura exiliada. Abstract This paper questions the historiographical definition of a “film of or in exile” and proposes a more open approach to the provision of both exiles from 1939 to the different film industries of host countries. Also offers a state of affairs on studies on men and women who dedicated themselves professionally Republican to the movies and at the same time, poses a theoretical reflection on the issues surrounding the study of this portion of the culture in exile.

Este trabajo analiza la compleja posición dentro de la literatura española del siglo XX que ocupa el corpus de la narrativa exiliada y plantea, de una forma sintética, las posibles causas de este anormal fenómeno. Para ello, hace un breve recorrido por los diversos tratamientos que la narrativa del exilio ha recibido en la historiografía literaria. Nos fijamos en las claves de exclusión durante el franquismo, pero también en los matices y la repercusión que sobre las visiones públicas de la herencia cultural han tenido los procesos de exclusión y recuperación de la literatura narrativa del exilio. Abstract This paper analyses the complex position of Exile narrative corpus within the 20th Century Spanish Literature and proposes a condensed exposition of the most likely causes of this abnormal phenomenon. Consequently, a brief study of the diverse treatments the Exile narrative has received in Literary Historiography is carried out. We will focus our attention on the keys for its exclusion during Francoism as well as on the certain nuances and its consequences which the processes of exclusion and recuperation of Exile narrative has had on the public vision of its Cultural heritage.

Este trabajo es una lectura del Lazarillo desde la óptica de los movimientos espirituales de la España del siglo XVI. Desde esta perspectiva la novela puede relacionarse con otras obras de reforma de la cristiandad surgidas dentro de la Iglesia católica. De este modo el autor del Lazarillo queda relacionado con aquellos moralistas que, en línea con el erasmismo, claman por la elevación del nivel moral y formativo del clero. Con estos presupuestos se analiza el Lazarillo como recreación narrativa de lo que Erasmo denominó antisilenos, en la idea de que sus páginas reflejan en una primera lectura la ascendencia que han adquirido en la sociedad los valores reversos, mientras que, en una lectura más profunda, sería un aldabonazo en la conciencia del lector para persuadirlo a regirse por las auténticas virtudes cristianas. Abstract This paper is a reading of El Lazarillo de Tormes from the perspective of the spiritual movements in Spain during the 16th century. From this perspective, the novel may be related to other works of reform of Christianity which arose within the Catholic Church. Thus the author of El Lazarillo is related to those moralists who, in line with the Erasmianism, called for raising the moral level and training of the clergy. Taking into account these assumptions, El Lazarillo is studied as a narrative recreation of what Erasmus called antisileni. In this sense the novel reflects the importance which reverse values have acquired in the 16th century society, whereas in a deeper reading, it would be considered a knock on the conscience of the reader to persuade him to live with the true Christian virtues.

This paper aims to present a model on the perception of University Social Responsibility (USR) by students and to analyse its usefulness to predict two dimensions of university experience, namely quality of service and satisfaction. To this end, after reviewing the previous literature on USR, a survey study was conducted with a sample of 200 last-year students at the University of León (Spain). Data were analysed through factor and PLS (Partial Least Squares) techniques. Factor analysis identified a solution of six factors defining the students’ perception regarding university impacts, whereas only three of them influenced their overall perception regarding USR. Furthermore, this perception acted as an antecedent of quality of service and satisfaction. The analysis of the obtained results allows significant implications for the design of marketing strategies focused on students’ retention and attraction, as universities that use USR strategies will have a competitive advantage as a tool for improving the university experience.

O objectivo do artigo é oferecer uma perspectiva geral acerca da dicotomia “vencedor/vencido” como resultado do novo equilíbrio de poder que emerge em Espanha após a guerra civil. A administração deste equilíbrio por parte do regime franquista inclui a gestão do contingente dos vencidos. Argumenta-se que a distinção “vencedor/vencido” proporciona o fundamento sociológico necessário que converte a metáfora meta-histórica das “duas Espanhas” numa realidade social durante o franquismo.The aim of this paper is to offer a general perspective on the “victor/vanquished” dichotomy as a result of the new power balance in the period following the Spanish Civil war. The power balance administered by the Franco regime includes, inevitably, the “vanquished” management. I argue that the “victor/vanquished” distinction provides a sociological background to speak about the “two Spains” meta-historical metaphor as a social reality during Francoism.