Search

With the development of society and the diversification of culture, the inheritance of history and culture has become an important issue. As a new generation of intellectuals, college students bear the heavy responsibility of inheriting and developing history and culture. The purpose of this paper is to explore the enlightenment of national music education to the historical and cultural inheritance of college students. Based on the comprehensive analysis of relevant literature and empirical research, this paper studies the basic connotation of folk music and its relationship with college students' education, puts forward the ways of promoting college students' folk music education from the aspects of internal research and external research, and analyzes the role of folk music in college students' historical and cultural inheritance. It is found that the countermeasures to carry out the education of folk music in ordinary colleges and universities are to arrange the curriculum reasonably, improve the teaching staff, make use of the campus environment, create a good atmosphere of folk music culture, make use of local folk music cultural resources, and carry out folk music teaching. Through the implementation of these methods, we hope to expand the influence of folk music and promote the inheritance of folk music culture among Chinese youth groups.

The health industry and tourism industry infiltrate and integrate each other, making wellness tourism develop into a new form of business. One of the leading industries in Hainan Province is tourism, in which ethnic culture tourism has its uniqueness. Ethnic cultural scenic spots with ethnic cultural symbols as the theme are sought after by more and more tourists. With the gradual development of Hainan's tourism industry, the majority of tourists are increasingly pursuing the meaning interpretation of tourism experience and the participation and interaction of tourism experience. This paper first defines the concept of wellness tourism, and constructs the RMFEP model framework; Secondly, through empirical research, this paper analyzes the resource advantage, market demand, function positioning, and tourism experience of Hainan's current wellness tourism. Finally, combined with the above content, this paper determines the development principles of Hainan cultural wellness tourism products, put forward development ideas, build a product system, and finally fit the development strategy.

Disney films began in 1937 and often featured the typical Disney princess. However, in later years, inspired by the feminist wave, Disney decided to change the concept of the Disney princess image. Changes in the Disney princess tropes include characterization, symbolism, themes, and issues. This paper intends to adopt an eclectic approach and analyze from the perspective of feminism. Based on Princess Jasmine's the image characteristics, this paper analyzes the embodiment of the awakening, expounds on the spiritual connotation of Disney princesses in different times, and further analyzes the gradual awakening of feminist consciousness in the image of Disney princesses. It also explores the relationship between Disney princess movies and the development trend of feminism from a new perspective, providing a new way to promote the development of contemporary feminism.

This paper aims to provide a communication service path without experience certificate for Yao costume patterns, and expounds on the relationship between the dissemination of intangible cultural heritage and the value of the cultural creative industry. Based on analyzing the classification of Yao costume patterns in Guangxi and the relationship between the spread of intangible cultural heritage and economic development, this paper uses the analytic hierarchy process and user research method to determine the first and second indexes of users' demand for Yao costume patterns in Guangxi and calculates the weights of each level of indexes. At the same time, it puts forward the closed-loop industrial measures for inheriting and promoting Yao traditional decoration and analyzes the game and value between traditional decoration intangible cultural heritage culture, and cultural creative industry. The following conclusions are drawn: a balance should be maintained between cultural inheritance and economic development; The government and all sectors of society should work together to protect and promote cultural diversity and cultural innovation, and at the same time give full play to the economic value of cultural industry to achieve a win-win situation between culture and economy. The construction of the value system of intangible cultural heritage should be emphasized so that it can play a more important role in the process of modernization.

Advancements in technology and the emergence of new media have significantly influenced people's perceptions of library branding, leading to a heightened demand for personalized and artistic library logos. Contemporary library logo design is no longer confined by traditional design conventions, production limitations, or publishing technology constraints. Instead, it strives for diversified development to achieve the highest levels of visual impact and personalization. This ongoing innovation in modern library logo design has given rise to several new design styles, modes of expression, and modeling languages. The concept of emotional expression in library logo design pertains to the spiritual and cultural elements conveyed through the logo's conceptual form. This paper examines the current state of library logo design and identifies existing challenges. By considering the historical evolution of library logos, emotional expression, and brand recognition, it elucidates the pivotal role of library logo design within the visual recognition system. Furthermore, the paper outlines the fundamental principles of library logo design and supplements these insights with illustrative examples, offering a comprehensive exploration of effective methods for library logo design.

This research paper explores the profound influence of the characteristic style of Guangdong traditional music on the structural elements of Guangdong piano music compositions, employing a cultural typology framework. Guangdong traditional music, renowned for its distinct scales, instruments, and performance techniques, serves as a rich source of inspiration for contemporary piano music composers in the region. Through a meticulous analysis of both traditional and modern musical works, coupled with interviews with composers and archival research, this study unravels the intricate web of connections between these two musical forms. Drawing from these foundations, the research then establishes a clear link between the traditional and contemporary, elucidating how Guangdong traditional music's timbral nuances, melodic motifs, and rhythmic patterns have become integral to the fabric of modern piano compositions. Employing the concept of cultural typology in music studies, this paper not only highlights the influence but also seeks to categorize and systematize the interplay between these two musical genres. The findings, presented with the aid of figures and tables, offer a comprehensive view of the intricate relationships and cultural typologies that have emerged over time.This study contributes to a deeper understanding of the cultural dynamics in music composition, emphasizing the significance of Guangdong traditional music as a living heritage that continues to shape and inspire contemporary artistic expressions. It also underscores the broader implications of cultural typology in the context of music studies, opening doors for further research into cross-cultural music influences.

Due to policy support and capital promotion, retelling traditional mythological stories in animated movies has become a cultural creation trend. Among them, New Gods: Nezha Reborn (2021) is a typical controversial work in recent years that deserves in-depth analysis and discussion. From the perspective of retelling traditional myths and based on the need to build a local Chinese "IP Cinematic Universe", this article discusses the narrative flaws of this movie from four aspects. This article analyzes individual cases and tries to sort out the narrative elements of retelling traditional myths in Chinese animated films. Firstly, the concept of the "Fengshen Universe", which is currently being discussed in China, is compared with the more mature Marvel Cinematic Universe (MCU), and how female characters are portrayed under the premise of constructing the "IP Cinematic Universe" is presented. The "Fengshen Universe" concept is compared to the more mature the MCU. Then, based on the evolution of Nezha in mythology and the logic of commercial narratives, we discuss the setting and portrayal of protagonists and villains. Third, we analyze the need for animated films to incorporate a space for realism in the narrative retelling of myths. Finally, it discusses integrating the postmodern landscape into the narrative of retold myths in Chinese animated mythological films. This paper concludes that retelling traditional myths in Chinese animated films is not a retelling of ancient stories nor an arbitrary dissolution and parody of myths. Still, it is necessary to endow traditional myths with contemporary contexts and realist meanings through narratives.

The purpose of this paper is to explore the historical inheritance of the Hai Hun Hou culture and the design of contemporary cultural and creative products. By introducing the culture of the Hai Hun Hou and analyzing the significance of its historical inheritance, we recognize the importance and value of the culture of the Hai Hun Hou in history and its impact on modern culture. At the same time, this article also introduces the concept, development trends, design principles, and current development status of contemporary cultural and creative products. It explores the combination and exploration of Hai Hun hou culture and contemporary cultural and creative product design. Through investigation and comparison with other cultural and creative products, the development direction of cultural and creative products is understood, and specific practical cases and suggestions are provided. Summarized and emphasized the importance of the historical inheritance of the Hai Hun Hou culture and the design of contemporary cultural and creative products, and proposed possible future development directions and suggestions. This study has certain reference significance for promoting the inheritance of Hai Hun Hou culture and the design of contemporary cultural and creative products.

The reality of national music culture and national values is reflected, and there are also differences in the styles and characteristics of national music in different periods. Previous studies on ethnic music lacked pertinence, especially on the characteristics of ethnic music in the 20th century. The 20th century was a critical period for the diversified development of national music, and under the influence of European and American piano music, the characteristics of national music became more obvious, and the overall development direction of music was clear. In order to improve the research value of national music in the field of music, it is necessary to explore the connotation of national music and summarize the characteristics of national music. This paper takes five pieces of national music with national characteristics in the 20th century as the research object. The mammoth 150 microphone was used to collect the data of the survey sample, and the REW 2.0 software was used to analyze the rhythm, timing, melody, dynamics and other signals of the collected data, and summarized the characteristics of piano performance in the 20th century and the characteristics of national style. The results show that the 20th century was a critical period for the transition from national music to modern music and the merger of national music and Western music. It can be seen that the 20th century was a critical period for the development of national music, and the styles and forms of piano were more diverse. Therefore, in the 20th century, the piano's national music performance style presented diverse and complex characteristics, which not only integrated the characteristics of national music, but also gave full play to the melody and rhythm advantages of Western music, so that national music was promoted.

Dance is one of the oldest art forms of mankind and an important way to inherit history and culture. The integration and collision of historical culture and dance education provide the direction for their effective inheritance and development. Dance art, which has the advantage of natural "embodiment", is the movement education that every student needs. However, imitation-oriented and teacher-led teaching makes the current dance education of students tend to be "divorced from the mind and body", which restricts the development of dance and history and culture. The descriptive qualitative method was used in this study. This paper takes the historical development of the Chinese tea dance as an example to carry out research on the inheritance optimization of primary school dance teaching based on embodied cognition theory. Based on extensive reference to relevant literature, the origin of the tea dance is scientifically researched. Secondly, the development history and historical evolution process of the tea dance are analyzed, and the value of the tea dance based on historical changes is summarized. Finally, the embodied cognition theory is introduced to propose a five-dimensional optimization strategy for tea dance to realize protective cultural inheritance through primary school dance teaching. The results indicate that the reform of primary school dance education in the perspective of historical and cultural heritage is of great significance for the dissemination and development of intangible cultural heritage such as the tea dance in modern society, and that the application of embodied cognitive theory theories in this process is able to better inherit historical and cultural heritage.