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Copyright of ABEI Journal: The Brazilian Journal of Irish Studies is the property of Associacao Brasileira de Estudos Irlandeses and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mural Internacional is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyses the deposition of ceramics in funerary contexts of Iron Age Britain. The study focuses on the Yorkshire region during the 4th-2nd centuries BC, drawing on data obtained from a total of one hundred and twenty-three burials. The paper begins with a discussion of the contexts of the ceramic finds, including an exploration of the artefacts' previous uses in relation to commensality rites. It next addresses the use of mnemonic strategies during burials, with a particular focus on the intentional breaking of vases. Thirdly, the discussion delves into the profiles of the people buried with ceramics, with particular regard to sex and age. In this vein, it seeks to indicate the existence of certain patterns of distribution -- particularly among adult females -- which vary significantly according to the age of death among both sexes. The paper ultimately concludes that the deposition of ceramics in burials indicates a reality of relative fluidity among genders in the funerary sphere. Alongside the central analysis, the discussion also provides a critical assessment of the historiographical debate on the aesthetics of British Iron Age pottery. [ABSTRACT FROM AUTHOR]

Copyright of Revista Ibero-Americana de Estudos em Educação is the property of Jose Luis Bizelli, editor of Revista Ibero-Americana de Estudos em Educacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Exacta is the property of Exacta - Engenharia de Producao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Direito Internacional is the property of Revista de Direito Internacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Organon (01026267) is the property of Revista Organon and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article follows up on the book The French Anarchists in London, 1880-1914 (2013), by exploring some primary material uncovered since this publication, and considering the ways in which research into the history of anarchism as a transnational movement has evolved. In the years since the publication of this book, a great deal of research has furthered or challenged its findings, especially in relation to print culture and the study of global anarchist networks. The mass digitisation of periodicals (both anarchist and mainstream) and archives in the last ten years offers new tools to find detailed information about the personal and political lives of these elusive anarchists in London - and further afield, thus rectifying the original study's London-centric focus. These sources are also crucial in documenting the ways in which anarchists were perceived and portrayed in Britain, France and internationally, and constructed into a major public threat through media discourse. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Direito Internacional is the property of Revista de Direito Internacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)