The aim of this text is to offer a literature review around the main aspects that involve the construction of the dissensual scene in Jacques Rancière, showing how the fabulative power of fiction produce any moments that disturb the consensual chains of actions, gestures, existences and experiences. Firstly, it is provided evidence on how the method of the scene is defined by Rancière as the elaboration of a web or assembly of a complex plot around a singularity, through an operation of dismantling hegemonic and asymmetric legibilities. In a second step, it is argued that this montage operation involves the construction of a writing and a singular lexicon, articulated around the intersection and coexistence between the “random moment” and the “measureless moment”, which are temporalities that Rancière uses to name political emancipation. Finally, it is highlighted how fabulation alters the sensitive map of experiences by producing scenes of dissent that function as a machine that interrupts the winners’ time, refuses the causal continuity of narrative organization and reconfigures appearances and their forms of readability. The measureless moment, reappropriated by a non-explanatory writing, works as a basis for the creation of scenes that reconfigure the spaces and times previously destined to the subjects, failing to meet expectations and, thus, altering the landscape of what is thinkable and possible. [ABSTRACT FROM AUTHOR]