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Spanish musical film was recurrent during the Francoism, with actors who sang or singers who acted. At first, linked to popular styles, Spanish cinema opted since 1960s for melodic song or pop, and promoted an idea of modernity to Europe and Latin America through singers of the time. This paper analyzes the characters and songs of the seven films which Raphael starred between 1966 and 1973, in the second Francoism, where, almost autobiographically, he played aspiring and music stars, sang the hits from his albums and his performances worked in these films as a music video.

This paper analyses the decolonial production of Edgardo Lander and Ramón Grosfoguel. It will focus on a historiographical reconstruction of the characteristics presented by the Coloniality-Modernity network. The methodological approach applied here is that of the History of the Latin-American Ideas. It concludes that the network fractures due to the publication of a political document authored by some of the decolonial intellectuals, who are critics of Nicolas Maduro’s government. These theoretical-political dissidences allow to disarticulate the myth of the Modernity-Coloniality group.

The aim of this paper is discussing some polemical points when it comes to the Brazilian literature written by afro-Brazilian writers. What is the most adequate category to use for talking about these texts: afro-Brazilian literature? Afrodescendent literature? Brazilian black literature? After that, it is presented a “study case” focusing the short novel Ilhota, written by Zeli de Oliveira Barbosa.

This paper reflects on health reparation practices in the context of neoliberal hegemony and long-lasting impunity. It builds on an ethnographical approach (2019-2022) to four health reparation initiatives created by users and workers of a state reparation program together with civil organizations in the South of Chile. It states that the way these initiatives deal with the damage produced by state violence (1973-1990) point toward an alternative horizon for health reparations, which may also counter today’s authoritarian orientations.

This paper seeks to approach the story that blames the Chilean left for the institutional breakdown that ended in the civil-military dictatorship led by Augusto Pinochet. If we take as a reference the Uruguayan case, in relation to the discussion on "who threw the first stone" (the left or the right), we do it to question and deepen our own case, by analyzing the arguments that justify representations of the past that criminalize, shame and dehumanize the identity pillars of the Chilean left. Thus, we will explore the responsibilities of the right wing not only in the institutional ruptures, but also in the dissemination and representation of common meanings that aim to see the actions of the left as a "cause" and the military irruption as a "consequence".

This paper aims to explore the ‘migratory careers’ of a group of highly educated Brazilian women and the dynamics activated to achieve the job-education match in Spain. It analyses the reasons for emigration and settlement, as well as the structures of opportunities and constraints, from a multidimensional perspective. The main findings show the existence of a system of vulnerabilities that influence both their geographical trajectories and their occupational (im)mobilities. This is explained in terms of the interrelationship between hindering/fostering factors in different dimensions of life, with the aim of developing a balanced migratory career to achieve the job-education match.

This paper explores the connection between law and literature, considering the concept of civil disobedience as developed in the plot of the novel Harry Potter and the Order of the Phoenix. To do so, this research uses the approach of law in literature, by linking the actions of Dumbledore’s Army to the theory of civil disobedience by Dworkin. Also, the narrative is compared to the conception of civil disobedience as a fundamental right, based on the conflict between facticity and validity, as described by Habermas. Thus, the analysis identifies, in the novel, two categories of civil disobedience proposed by Dworkin, and discusses, in real life, the overlapping of disobedience based on justice and on politics, in order to identify the conditions that justify actions of civil disobedience. Besides that, this paper analyzes the tension between legality and legitimacy, considering the decisions of the Ministry of Magic and its educational decrees, which sets the school community apart from the official political power. In conclusion, the research examines the use of persuasive and non-persuasive strategies and the reach of civil disobedience’s purposes based on the actions of Harry Potter and of Dumbledore’s Army.

This paper aims to analyze the women's rights in the Brazilian context, mainly, reproductive rights. So, to achieve this purpose, this paper through the combination of Law, philosophy, and Literature tries to rethinking why women can’t have a voice when the decisions about their rights are taken? Methodologically, it was used a bibliographical revision, the novel The Handmaid’s Tale, wrote by Margaret Atwood (2002) and the concepts of Homo sacer and state of exception developed by the philosopher Giorgio Agamben (1998; 2005) to illustrated how life-narratives can promote human rights.

This paper will discuss a movie and a multimedia work based on the play Las brutas by Juan Radrigán, about the last days of three Colla shepherds, who lived isolated in the northern Chilean Andes. Western and urban projections about the relation between human being and environment and the meaning of life that are on display in the works will be explored. Through the interplay among Colla ethnological sources, Andean thought and phenomenology, the paper aims at problematizing the very premises of critical approach.

This paper aims to understand how heritage is the result of a simultaneous game of memory and oblivion, which carries with it visions of a hierarchical society. For this purpose, the most important heritage sites of Santa Marta, the most ancient city of South America, are analysed. In this city, it’s possible to appreciate the heritage framework that involves the commemoration of two temporalities: Spanish colonialism of XVI century, and republican endocolonialism in the XIX century. In the paper it is analysed how these two historical segments have imposed a sense of identity.

Friends of literature often claim that it is capable of making readers more tolerant and benevolent. Enemies of literature, on the other hand, claim that it is capable of corrupting readers. Both groups exaggerate the power of literature. The exaggeration has important consequences for the debate about the role of literature in the curriculum of law schools and also for the debate about the limits of literary expression. This paper discusses one literary work frequently used to exemplify the negative effects of literature: Goethe’s The sorrows of young Werther. It is a commonplace among literary scholars that the publication of the book caused numerous suicides in eighteenth-century Europe. This paper raises doubts about that commonplace by emphasizing the lack of evidence to support it as well as the gravity of its political implications.

This paper aims to analyse the characters of Bartleby, from the story “Bartleby, the scrivener” by Herman Melville, and Aires, from the novel Conselour Aires’s Memoirs by Machado de Assis, through a philosophical perspective that multiplies the possibilities of fiction conceived traditionally as the opposite of reality. By investigating those literary figures, along with a Deleuzian vocabulary, this paper will think about the limits of a traditional conception of reality and fiction, as well as the self, in order to assert its dynamic and unstable aspect which consequently involves language itself.

This paper proposes an analysis of the legal aspects present in the narrative of The Handmaid’s Tale, a novel by Margaret Atwood. First published in 1985, and heavily influenced by second-wave feminism, The Handmaid’s Tale addresses, mainly, the matter of gender inequality, once it creates a reality in which fertile women are compelled to reproduce through a servitude system. Through a rupture with the cartesian dichotomy whose dualist notion separates objectivity from subjectivity, reason from emotion, this paper exposes that this oppression is not a literary creation by Atwood, but a reproduction of the power relations put forward in the history of humankind. In this regard, it is explored how Literature can aid the Law in facing the questions that come up in the resolution of legal and social problems. Besides gender inequality, it is possible to spot in the text several violations concerning the principle of human dignity. Therefore, this research analyzes the legal provisions taken in the fictional space of Gilead, as well as in the country that preceded it, the United States of America, and in Brazil. In addition, it studies the symbolic violence to which women are submitted in Gilead and how it relates to the experiences lived by contemporary Brazilian women.

This paper aims at showing how stylistics and ecocriticism, both being strongly ‘centripetal’ and ‘interdisciplinary’ fields, can cooperate in the exploration of a literary text. This is the case of a short story written by the Chinese-American writer Ha Jin. Also thanks to the help of the digital analysis, the paper mainly focuses on the stylistic analysis of the personal pronouns and of the narrator’s point of view to show the stinging and subversive irony which pervades the narration of the vicissitudes of a Chinese TV film crew who is asked to shoot a scene where a muscular hero has to fight bare-handed against a real Siberian tiger. The analysis also aims to show how the story becomes the opportunity for the writer to depict the narrow frame of mind of the blind dictatorship of his homeland and its deplorable consequences on both humans and animals. Thus, the whole exploration, in the end, reveals the ecocritical lens through which Ha Jin narrates the story.

This paper aims at showing how stylistics and ecocriticism, both being strongly ‘centripetal’ and ‘interdisciplinary’ fields, can cooperate in the exploration of a literary text. This is the case of a short story written by the Chinese-American writer Ha Jin. Also thanks to the help of the digital analysis, the paper mainly focuses on the stylistic analysis of the personal pronouns and of the narrator’s point of view to show the stinging and subversive irony which pervades the narration of the vicissitudes of a Chinese TV film crew who is asked to shoot a scene where a muscular hero has to fight bare-handed against a real Siberian tiger. The analysis also aims to show how the story becomes the opportunity for the writer to depict the narrow frame of mind of the blind dictatorship of his homeland and its deplorable consequences on both humans and animals. Thus, the whole exploration, in the end, reveals the ecocritical lens through which Ha Jin narrates the story.

This paper proposes a reflection on the role of Latin in legal practices and legal culture. Specifically, this work argues that a proper understanding of the role of Latin in the legal world requires more attention regarding what this language brings to that field. To suit this, this study sheds some light on the historical-linguistic nature of the so-called “legal Latin” and also on the proliferation of glossaries and manuals of this modality of Latin that do not contain linguistic and historical-cultural reflections. Secondly, this paper calls into attention the importance of understanding Latin through the Latin language, especially for a less shallow understanding of the bases of Roman Law and the Legal History. Furthermore, this work highlights the linguistic character of Latin in terms of both the production of utterances and their comprehension through explicit linguistic reflection. Lastly, it draws attention to the importance of the Latin language and the Roman culture for the intellectual and academic training of jurists and lawyers.

This article focuses on the work of the insufficiently known writer Elena Soriano and more specifically on her novel La playa de los locos. The main objective is to analyze the cultured references present in the work, both from Judeo-Christianity and from classical culture or other literary texts. Likewise, the allusions to the famous fairy tales present in the novel have been studied. Given the disavowal of the publication of the novel by censors, the first part of this paper explains the context surrounding its publication and its repercussions on the author's career.

This paper aims to analyse and present the Italian paratexts of the Brazilian novel Tereza Batista cansada de guerra (1972) by Jorge Amado. Paratexts are a valuable instrument, sometimes even better than the actual translation, in order to verify how the source cultural and literary systems are represented. In this case, by examining the paratextual elements, the representation of Brazilian women and of Brazil in general is presented, as well as the status of the translation and the translation agents involved in the process, the rewarded translatress Giuliana Segre Giorgi and the publishing houses.

The paper examines five poems in which the Portuguese Baroque poet Frei Jerónimo Baía (1620-1688) depicts the portrait of the beloved woman. Each of these texts features the list of the different body parts praised for their beauty, following a model already present in the Petrarchist tradition. Baía combines to this model, like other authors of the same period, a display of wit and a playful disposition for wordplay, hyperbole, and paradox.

José Saramago has repeatedly positioned himself against the use of the concept of narrator, often with categorical and provocative statements, seeking to take part in a theoretical-literary discussion that transcended his time andplace. By reflecting on the function of the literary quarrelin the construction and promotion of the writer-polemist, the purpose of this paper isto revive and deepen the debateproposed by the Portuguese Nobel laureate. Ouraim is to retrace his positions and a part of the history of the concept of the narrator, in orderto examine how this category is constructed in some of Saramago’s novels.

This paper analyses intertextuality between two novels, Juan José Saer’s La pesquisa and Ricardo Piglia’s Blanco nocturno, in the context of detective fiction, that both writers explore in their narrative. The paper is divided in four parts: “Cruces introductorios” is an introductory form to produce connections between the most important authors of the last quarter of 20th-century Argentine; in “Primeros rastros” communicating vases are set between both poetics in detective genre; in “Subgéneros policiales” some important aspects of La pesquisa and Blanco nocturno are analysed while some differences are identified: the first work belongs to enigma novel and the last work connects with hard boiled; finally, the paper analyses Detective Morvan and Detective Croce aiming at identifying opposite pairs: intelligence and dementia, reason and madness, civilisation and barbarism. Thus, these concepts are establishing new relationships between Saer and Piglia based on their approaches to detective genre and their criticism to capitalist system.

The central aim of this paper is to show the similarities of some stylistic features of A Portrait of the Artist as a Young Man with musical code. A second purpose is to verify how these musical features are echoed in “Sirens”. In order to initially describe the common properties of language and music and to define how their acoustic and rhythmic similarities are relevant in written texts, the paper will draw on the theories of the Science of Rhythm – a non-academic discipline that has influenced many modernist writings, and also studied the common rhythmic features of music and language. After detailing a musical method for the analysis of the linguistic texture of written prose, I focus on the first chapter of A Portrait. Hence, I identify the musical characteristics of the novel’s style through a comparison between some Joycean scholars’ theories on music in A Portrait and the principles of the Science of Rhythm. Finally, a few examples of the musical language in “Sirens” will provide a benchmark for a comparison with A Portrait.

The central aim of this paper is to show the similarities of some stylistic features of A Portrait of the Artist as a Young Man with musical code. A second purpose is to verify how these musical features are echoed in “Sirens”. In order to initially describe the common properties of language and music and to define how their acoustic and rhythmic similarities are relevant in written texts, the paper will draw on the theories of the Science of Rhythm – a non-academic discipline that has influenced many modernist writings, and also studied the common rhythmic features of music and language. After detailing a musical method for the analysis of the linguistic texture of written prose, I focus on the first chapter of A Portrait. Hence, I identify the musical characteristics of the novel’s style through a comparison between some Joycean scholars’ theories on music in A Portrait and the principles of the Science of Rhythm. Finally, a few examples of the musical language in “Sirens” will provide a benchmark for a comparison with A Portrait.

This paper analyses intertextuality between two novels, Juan José Saer’s La pesquisa and Ricardo Piglia’s Blanco nocturno, in the context of detective fiction, that both writers explore in their narrative. The paper is divided in four parts: “Cruces introductorios” is an introductory form to produce connections between the most important authors of the last quarter of 20th-century Argentine; in “Primeros rastros” communicating vases are set between both poetics in detective genre; in “Subgéneros policiales” some important aspects of La pesquisa and Blanco nocturno are analysed while some differences are identified: the first work belongs to enigma novel and the last work connects with hard boiled; finally, the paper analyses Detective Morvan and Detective Croce aiming at identifying opposite pairs: intelligence and dementia, reason and madness, civilisation and barbarism. Thus, these concepts are establishing new relationships between Saer and Piglia based on their approaches to detective genre and their criticism to capitalist system.

The current migratory movement from Venezuela to Colombia is at the heart of a heated debate. This paper aims to focus the attention on the Colombian context, starting from the transition process generated after the internal armed conflict. After that, border dynamics and migration policies will be examined, highlighting how the centrality of the subject order / disorder, social harmony / disharmony has also oriented the construction of the figure of the Venezuelan migrant both politically and in the media, with consequences on the reception and inclusion.

This paper presents the figure of the Spanish writer Antonio Gala in his most unknown facet: as a poet. In doing so, we will focus on the research carried out within the “Phonodia” group of the Università Ca’ Foscari Venezia. This research consists of the description and analysis of the corpus of recorded poems by Antonio Gala, which add up to a total of eighty-four and are found in three audio publications: Testamento andaluz (1985), De viva voz (1997), and Miró a mi corazón (2014) – the last one in collaboration with the composer Rubén Jordán. With all this, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationship between the voice and poetry through sound files.

This paper presents the figure of the Spanish writer Antonio Gala in his most unknown facet: as a poet. In doing so, we will focus on the research carried out within the “Phonodia” group of the Università Ca’ Foscari Venezia. This research consists of the description and analysis of the corpus of recorded poems by Antonio Gala, which add up to a total of eighty-four and are found in three audio publications: Testamento andaluz (1985), De viva voz (1997), and Miró a mi corazón (2014) – the last one in collaboration with the composer Rubén Jordán. With all this, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationship between the voice and poetry through sound files.

This paper proposes a reading of a collection of articles by Lucio V. Mansilla in which the author describes Paraguay as a field of experiences and a scenario of observations, as well as a territory that is part of his own world, while at the same time expands this map. Without including articles related to the Paraguayan War, we present several texts published between 1878 and 1889 and organize them in two main series: on the one hand, those where we read the narrative forms and images that Mansilla essayed as an explorer in his expedition to the country of gold; on the other hand, we present the political and cultural representations about pre- and post-war Paraguay in which Mansilla intervened as a foreign traveler, also in the post-war years.

This paper dwells on the challenges of globalisation and the hegemonic power structures that govern the relationships between the north and the south, and how it is possible to stablish epistemological and practical alliances between decolonial feminism and queer theories. Furthermore, the plethora of views on the topic allows us to construct connected theoretical frames, that gives us the ability to create non hegemonical and emancipated politics. This research analyses the main theses of decolonial feminism to establish a connection with other theories and to provide answers to the current global needs.

This paper aims to address the operation of military justice in Argentina during the period of the so-called "National Organization" that began in the mid-nineteenth century. We will review the influence and survival of the Spanish military tradition expressed in the military ordinances issued by Carlos III (1768) together with the different modalities used by the military authorities to repress military crimes. For this analysis, we will delve into aspects related to the management of internal discipline and military justice that is expressed in the punitive practices applied in various situations within the units of the Army of the Line, together with the laws and military decrees sanctioned during the second mid-nineteenth century in Argentina.

In this paper we will analyse how queer gender desires and expressions are cinematically articulated in Lucía Puenzo’s El niño pez. For this purpose, we will study the relationship between Lala (Inés Efrón) and her family's Guaraní domestic servant, Ailín (Mariela Vitale). We will implement a methodological approach anchored in the concepts of haptic visuality (Marks 2002) and interseccionality (Crenshaw 1989). Although El niño pez presents certain identitarian undefinitions linked to queerness, we will demonstrate that the construction of Lala's character points to certain stereotypes related to the filmic representation of lesbianism.

This paper proposes a reading of Las aventuras de la China Iron (2017) in relation to the literary canon and the ethnic imaginary in Argentina, to the language of a State that constituted itself as monolingual, and to heteropatriarchal hegemony. For this purpose, I use contributions from cultural (Jameson), gender (Haraway) and anthropological studies (Cadogan, Melià, Clastres), which ratify how the novel challenges pre-established orders, whether it is species, class or gender; or even ethnic, cultural and linguistic that nourish the national imaginary.

In his novel Allah n’est pas obligé the Ivorian writer Ahmadou Kourouma tries to convey his Malinké identity in the French language through a process of malinkisation – he interlaces Malinké words, syntactic structures and rhythm with French, playing with the two codes that he masters and portraying a fresh linguistic atmosphere. Kourouma exploits the potentiality, the richness of French linguistic varieties and thus legitimises their value. In the first part, this paper tries to analyse Kourouma’s linguistic play by focusing mainly on the language of the narrator, the child soldier Birahima. The second part of the paper attempts at proving how Kourouma’s malinkisation is part of a broader and more general project of legitimisation as regards his language(s), culture, and work as a writer.

Leaving aside historical and mythological dramas, a considerable number of plays written for the Abbey Theatre between 1904 and the outbreak of the Second World War represent emigration. They enjoyed varying degrees of success. In 1904 G.B. Shaw portrayed an Irish émigré as one of the two protagonists in John Bull’s Other Island; in the following two years Padraic Colum’s The Land and William Boyle’s The Mineral Workers were enthusiastically received by Abbey Theatre audience, the former with its depiction of young Irish men and women emigrating to America, the latter, an engineer returning to Ireland from overseas; 1907 saw three plays presenting emigration as one of the great Irish issues, both politically and economically: J.M. Synge’s The Playboy of the Western World, George Fitzmaurice’s The Country Dressmaker and Lady Augusta Gregory’s The Jackdaw. They were followed by T.C. Murray’s Birthright, Lennox Robinson’s Harvest and Colum’s Thomas Muskerry. Indeed, it is almost impossible to provide an exhaustive list of all the plays dealing with emigration. The present paper aims to discuss a selection of significant plays intended for or staged at the Abbey Theatre in the first decades of the twentieth century, analysing what emigration stood for, and how it was exploited dramatically. The historical boundaries of this research (1904-1939) provide a provisional limit to an otherwise too vast study for the present paper.

In his novel Allah n’est pas obligé the Ivorian writer Ahmadou Kourouma tries to convey his Malinké identity in the French language through a process of malinkisation – he interlaces Malinké words, syntactic structures and rhythm with French, playing with the two codes that he masters and portraying a fresh linguistic atmosphere. Kourouma exploits the potentiality, the richness of French linguistic varieties and thus legitimises their value. In the first part, this paper tries to analyse Kourouma’s linguistic play by focusing mainly on the language of the narrator, the child soldier Birahima. The second part of the paper attempts at proving how Kourouma’s malinkisation is part of a broader and more general project of legitimisation as regards his language(s), culture, and work as a writer.

Leaving aside historical and mythological dramas, a considerable number of plays written for the Abbey Theatre between 1904 and the outbreak of the Second World War represent emigration. They enjoyed varying degrees of success. In 1904 G.B. Shaw portrayed an Irish émigré as one of the two protagonists in John Bull’s Other Island; in the following two years Padraic Colum’s The Land and William Boyle’s The Mineral Workers were enthusiastically received by Abbey Theatre audience, the former with its depiction of young Irish men and women emigrating to America, the latter, an engineer returning to Ireland from overseas; 1907 saw three plays presenting emigration as one of the great Irish issues, both politically and economically: J.M. Synge’s The Playboy of the Western World, George Fitzmaurice’s The Country Dressmaker and Lady Augusta Gregory’s The Jackdaw. They were followed by T.C. Murray’s Birthright, Lennox Robinson’s Harvest and Colum’s Thomas Muskerry. Indeed, it is almost impossible to provide an exhaustive list of all the plays dealing with emigration. The present paper aims to discuss a selection of significant plays intended for or staged at the Abbey Theatre in the first decades of the twentieth century, analysing what emigration stood for, and how it was exploited dramatically. The historical boundaries of this research (1904-1939) provide a provisional limit to an otherwise too vast study for the present paper.

Conforme a Teoria da Língua em Ato (CRESTI, 2000a), que fundamenta este artigo, a sintaxe no estudo da fala espontânea necessita ser estudada considerando a dimensão da articulação informacional, e, portanto, de forma diferente de como é tradicionalmente feita a análise sintática da escrita. Com o objetivo geral de aprofundar o estudo da sintaxe da fala e com base em corpora especificamente construídos para uma adequada análise desta diamesia, é aqui apresentado o primeiro mapeamento das orações completivas no corpus de fala de português brasileiro C-ORAL-BRASIL (RASO; MELLO, 2012), a fim de comparar esta primeira análise quantitativa com os dados disponíveis extraídos do corpus C-ORAL-ROM (CRESTI; MONEGLIA, 2005) para fala de italiano. A análise qualitativa das orações completivas nas duas línguas, conduzida sobre dois subcorpora do C-ORAL-BRASIL e do C-ORAL-ROM anotados informacionalmente, é apresentada em seguida. According to Language into Act Theory (CRESTI, 2000a), on which this paper is founded, the syntax of spontaneous speech can’t be analyzed without taking into account the informational patterning dimension. Its analysis, therefore, must be different from the traditional one applied to written language. With the general aim of examining in depth spontaneous speech syntax and on the basis of adequate spontaneous speech corpora, this paper shows the first mapping of completive clauses in spoken Brazilian Portuguese corpus C-ORAL-BRASIL (RASO; MELLO, 2012), in order to make a quantitative analysis comparable with available data from spoken Italian C-ORAL-ROM corpus (CRESTI; MONEGLIA, 2005). The qualitative analysis of completive clauses in both spoken languages is then presented, conducted on two sub-corpora of C-ORAL-BRASIL and Italian C-ORAL-ROM presenting informational patterning annotation.

In this paper, we comparatively investigate Los Días de la Peste (2017), by Edmundo Paz Soldán, and Cadáver Exquisito (2018), by Agustina Bazterrica, from a concept that is still little explored in Latin American literary criticism: post-pessimism. We observe in the works similar perspectives in the narrative framework, such as: the figuration of social problems through dystopian narratives; the constitution of characters between resignation and stoic acceptance of the unfair experienced situations; the representation of different forms of violence as central axes of the novels.

The neighborhoods Downtown and Cidade Alta, in Novo Brazil/PA, in the Amazon, are separated by a slope and by a stigma built in the municipality that considers Cidade Alta a violent place. By means of semi-structured interviews and conversations with the residents of Cidade Alta, in this paper we aim to appreciate the educational and identity aspects of the neighborhood, in a municipality originated by a project of the Brazilian dictatorship that aimed to occupy the Amazon. The residents' memories make it possible to understand the narratives and the social dynamics of the neighborhood, beyond the stereotypes.

This paper analyses the activities of the Bacle lithography in Buenos Aires, and its ambivalent relationship with the governments of Juan Manuel de Rosas. This story is read in the light of two wider phenomena that were affecting the Atlantic world, namely the diffusion of new forms of visual politicisation linked to republicanism and the construction of interconnected and interdependent market economies. The lithography permitted and was sustained by the two aforementioned processes.

Due to colonization and migratory movements, the Portuguese language can be found all over the globe. In Japan, it is mainly spoken by the Brazilian and other Latin American immigrant communities that have been established there since the early 1990s, in most cases, employed as a cheap workforce. Since then, this newly emerged Portuguese variety underwent a process of language change: in the vocabulary and phonology. In this paper, we would like to provide examples and arguments that support the idea that this language variety is a sociolect.

The essay studies Huarcaya's "amazograms" from the category of the sublime. In his attempt to represent greatness, the jungle permeates the paper, altering the classical conventions of photographic art. The images are sublime because they lack precise limits and account for a disruptive force that tries to capture itself as a limit. They are images that both return to the origins of photographic tradition and testify to what is left of nature in the context of a utilitarian rationality that no longer knows an outside.

This paper aims to analyse the participation of Latin America in the League of Nations, by considering Colombia as a case study. Through a historical approach and using diplomatic sources, the purpose of the essay is to find out the orientation of Bogota’s governments about the structure of an organism built to ensure peace, but from the beginning lacerated by the tension between the traditional politics of power and the aspirations for universal cooperation schemes.

In the city of Buenos Aires at the beginning of the 20th century, a police publication entitled Galería de Ladrones Conocidos was released. It compiled a series of photographic portraits and filiation data of suspects and recidivists who frequented police stations. By revealing the relationships and tensions between racial categories and photographs, I will analyze how police classifications configure a dynamic of hyper-embrace visual whiteness. At the same time, the paper presents the idea of mestizo images which makes it possible to dislocate the hegemonic notion of miscegenation conceived as a process of social whitening.

As an anomalous and transgressive novel, Jorge Barón Biza’s The Desert and Its Seed (1998) has become a classic of Argentine literature in recent decades. In this paper we are interested in approaching its reading based on its link with that “Gothic mode” read by critics as a perverse nucleus omnipresent in Rio de la Plata literary tradition. We will focus on two aspects that could be considered cardinal: (a) the uncanny representation of the Italian and (b) the recurring motif in Argentine literature of the decline of old oligarchic families.

In this paper, I focus on the journal that Uruguayan writer Horacio Quiroga (1878-1937) wrote to record his visit to Paris, from March to July, in the year 1900. It remained as a manuscript until Emir Rodríguez Monegal transcribed it and published it in 1950 as Diario de un viaje a París (Journal of a Visit to Paris). This is the title under which we know this work today. There are several reasons why this text constitutes an outstanding autobiographical record. First of all, it stands out as a striking vision of Paris by a Latin American author. Paris was considered then the world capital of culture and civilization; nevertheless, the image of Paris provided by Quiroga is very different from the ideal city depicted by such authors as Manuel Gutiérrez Nájera and Rubén Darío. In the second place, the journal is also the record of a formative period in Quiroga’s intellectual development. Some critics contend that the trip to Paris determined Quiroga’s decision to become a writer, but in the present paper, upon the careful analysis of the entries in the journal, I argue that this journey only marks the beginning of an incipient literary call. Finally, the journal is also an extraordinary record of the everyday experiences of a Latin American traveler in Paris, at the turn of the twentieth century.

In this paper, I focus on the journal that Uruguayan writer Horacio Quiroga (1878-1937) wrote to record his visit to Paris, from March to July, in the year 1900. It remained as a manuscript until Emir Rodríguez Monegal transcribed it and published it in 1950 as Diario de un viaje a París (Journal of a Visit to Paris). This is the title under which we know this work today. There are several reasons why this text constitutes an outstanding autobiographical record. First of all, it stands out as a striking vision of Paris by a Latin American author. Paris was considered then the world capital of culture and civilization; nevertheless, the image of Paris provided by Quiroga is very different from the ideal city depicted by such authors as Manuel Gutiérrez Nájera and Rubén Darío. In the second place, the journal is also the record of a formative period in Quiroga’s intellectual development. Some critics contend that the trip to Paris determined Quiroga’s decision to become a writer, but in the present paper, upon the careful analysis of the entries in the journal, I argue that this journey only marks the beginning of an incipient literary call. Finally, the journal is also an extraordinary record of the everyday experiences of a Latin American traveler in Paris, at the turn of the twentieth century.

Resumo: O presente trabalho tem por objetivo contrastar a constituição interna de verbetes de dicionários escolares Tipo 2. A inclusão dos dicionários escolares de língua portuguesa ao Programa Nacional do Livro Didático ampliou as discussões sobre este tipo de obra lexicográfica, o que culminou em um aprimoramento dos dicionários escolares nos últimos dez anos. No entanto, por ser uma prática incipiente no Brasil, a pesquisa lexicográfica brasileira ainda carece de diretrizes que norteiem a compilação de dicionários escolares de excelência. Desta forma, embora compiladas sob diretrizes fixadas pelo Ministério da Educação, as obras disponíveis no mercado ainda apresentam características muito heterogêneas quando comparadas umas às outras. Neste trabalho, procuramos contrastar as informações oferecidas nos verbetes de três dicionários Tipo 2 de modo a chamar a atenção para a necessidade de um estudo que consolide um Programa Constante de Informações para estas obras lexicográficas. Palavras-chave: Lexicografia pedagógica; dicionários escolares; Programa Constante de Informações. Abstract: This paper aims to contrast the internal formation of entries in Type-2 school dictionaries. The inclusion of Portuguese school dictionaries in the Programa Nacional do Livro Didático [“Brazilian Textbook National Program”] has enhanced the discussions about this kind of dictionary, improving the compiling of school dictionaries in the last decade. However, lexicographical research in Brazil is still very incipient and it has not yet established guidelines that assure the compilation of high quality school dictionaries. Consequently, despite being compiled according to parameters fixed by the Ministry of Education, school dictionaries still present heterogeneous features when compared to each other. In this paper, we contrast the information presented by entries of three Type-2 dictionaries, and we draw the attention to the need of a study that consolidates a Constant Program of Information to this sort of dictionary. Keywords: Pedagogical lexicography; school dictionaries; Constant Information Program.

Resumo: Este artigo mostra a relação entre estratégias usadas em dicionários escolares e enciclopédias digitais, especificamente em relação às remissivas ou links, que desempenham um importante papel em sua constituição. Assim, tomando por ponto de partida um verbete de um dicionário impresso e um artigo da Wikipédia, estabelecemos algumas comparações de modo a observar se se pode considerar um indício de transmutação do gênero verbete. Há que se considerar, pois, que atualmente vivenciamos um período de mudanças nas formas de interação com os textos, visto que as novas tecnologias nos impelem a transcender o simples folhear do papel, ou o movimento sacádico dos olhos entre as palavras, para a visualização difusa das informações que aparecem na tela do computador. Assim é que, com base nos conceitos metalexicográficos e hipertextuais, acreditamos que há um relacionamento extremamente relevante entre os links e as remissivas, que pode explicar o desenvolvimento de estratégias específicas de consulta, tanto em meio digital quanto impresso. No entanto, ainda não podemos precisar se isso se configura como uma reelaboração de gêneros. Palavras-chave: Verbete; reelaboração de gêneros; hipertexto digital. Abstract: This article shows the relationship between strategies used in learner’s dictionaries and online encyclopedias, specifically in relation to cross-references or links, which play an important role in its constitution. Thus, taking as a starting point of a dictionary entry form and an Wikipedia article, we establish some comparisons in order to see if it can be considered a sign of transmutation of the genre entry. One must consider, therefore, that currently we live an age of changes in the forms of interaction with the texts as new technologies compel us to transcend the simple sheet of paper, or saccadic eye movement between words, for viewing diffuse the information that appears on the computer screen. So that, based on the metalexicography and hypertext concepts, we believe that there is an extremely important relationship between the links and cross-references, which may explain the development of specific strategies for consultation, both in digital and paper. What, however, we can’t yet specify whether configured as a transmutation of genres. Keywords: Entry; transmutation; hypertext.