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In 1185, after a successful revolt against the Byzantine empire, the so-called second Bulgarian kingdom was established on the territory of the former province of Paradounavon/Paristrion, that had been the first area of settlement of the Bulgars who had crossed the Danube and established their state in 681, and had become a peripheral region of the Byzantine empire after the conquests of Tzimiskes and Basil II. Even before the 1185 revolt, however, Paristrion had already begun to develop an embryonal degree of self-consciousness, although not in a ‘national’ way, owing to its peculiar history and ethnic composition. During the course of the 9th–12th century it had experienced a constant influx of invaders from the north, many of whom had in the end settled, either forcibly or after reaching an agreement with the imperial authorities. Those mixobarbaroi, half-civilized barbarians (according to the Byzantine point of view) had gradually integrated with the local population, made of Bulgarians, Vlachs, and Byzantine soldiers, settlers and administrators coming from the various provinces of the empire. When the military presence on the Danube was strong the region prospered economically, and became integrated in a vast trade network managed by Cuman and Rus’ traders and raiders; but during the 12th century the empire gradually withdrew its troops and its interest in Paristion, and this relative prosperity began to diminish. Coupled with the remembrance, in popular traditions, of the past glory and abundance of the first Bulgarian empire, and with the increasing fiscal burden that oppressed the local traders, the Paristrians gradually became convinced that their future prosperity, much like at the time of the first Bulgarian kingdom, was in their independence from the empire. Once again, this peripheral region began the centre of an independent polity that traced its roots in the past Bulgarian kingdom, but exhibited also some radically different traits.

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The article discusses Pascale Casanova's mapping of world literature according to a division into center and peripheries, focusing on her idea of the Greenwich Meridian of literature as a spatial and temporal measure of the world's literary production. The related idea of literary consecration of peripheral writers is explained. The possibility of an alternative cartography that emphasizes literary transfers via translations between peripheries is analyzed on the basis of the famous modern Chinese writer Lu Xun's theoretical and translation output. His practice of translating peripheral writers, often carried out second-hand via German editions, potentially challenges popular contemporary mappings of literary space such as those developed by P. Casanova and F. Moretti. [ABSTRACT FROM AUTHOR]

Review: Regionalizm literacki w Polsce: Zarys historyczny i wybór źródeł [Literary Regionalism in Poland: Historical Outline and Selected Sources], ed. by Z. Chojnowski, M. Mikołajczak, Universitas, Cracow 2016, 452 pp [ABSTRACT FROM AUTHOR]

Copyright of Research Papers of the Wroclaw University of Economics / Prace Naukowe Uniwersytetu Ekonomicznego we Wroclawiu is the property of Uniwersytet Ekonomiczny we Wroclawiu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)