Using a theoretical framework derived from my ongoing engagement with what I havecalled a ‘Gynocentric matrix’ of Indic sensibility, along with James Hillman’s polytheisticpsychology and Wallace Stevens’ notion of a Supreme Fiction, this paper offers a readingof Jhumpa Lahiri’s (b. 1967) short stories beyond postcolonial criticism. Stemming froma depth consciousness where life, living and death, joy, indifference and sorrow, generation, de/re-generation, and transformation are intricately intertwined, Lahiri’s fictionalmultiverse is peopled by a new generation of characters who speak to the soul of the reader; in the process, she sculpts a reality that does not tolerate any homogenizing impulse in the name of an abstract unity.