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Copyright of Prace Filologiczne. Literaturoznawstwo is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Przeklady Literatur Slowianskich is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This text contains the concept of the future edition of Mój wiek (My Century) prepared by the author for the Ossolineum Publishing House for the series "Biblioteka Narodowa" ("National Library"). It contains many unpublished and previously unknown materials from the collections of the Beinecke Rare Book and Manuscript Library (Yale University), as well as from the private collections of Andrzej Wat, the poet's son. The most important goal here is to construct an avant-text of Mój wiek (My Century), organise, describe and interpret it. The text's methodological foundations are based on the assumptions of genetic criticism. The researcher considers the complex question of the book's authorship. He also tries to define its formal boundaries which go far beyond the classic definitions of autobiography and make it a work of unique and exceptional character. [ABSTRACT FROM AUTHOR]

The article presents the concept of collaborative writing or multi-author writing using the example of the novel Black Paris by Jolanta Fuchsówna, a forgotten columnist of the "Ilustrowany Kurier Codzienny", and the avant-garde poet and writer Jan Brzękowski. This interwar novel from 1932 is yet to be published in book form. The specificity of the preserved materials and the manuscript make the concept of collaborative writing the operative one for studying the text and describing these writers' collaboration. [ABSTRACT FROM AUTHOR]

Copyright of Acta Baltico-Slavica is the property of Polish Academy of Sciences, Institute of Slavic Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studia Jezykoznawcze: Synchroniczne i diachroniczne aspekty badan polszczyzny is the property of University of Szczecin Press / Wydawnictwo Naukowe Uniwersytetu Szczecinskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This text contains the concept of the future edition of Mój wiek (My Century) prepared by the author for the Ossolineum Publishing House for the series "Biblioteka Narodowa" ("National Library"). It contains many unpublished and previously unknown materials from the collections of the Beinecke Rare Book and Manuscript Library (Yale University), as well as from the private collections of Andrzej Wat, the poet's son. The most important goal here is to construct an avant-text of Mój wiek (My Century), organise, describe and interpret it. The text's methodological foundations are based on the assumptions of genetic criticism. The researcher considers the complex question of the book's authorship. He also tries to define its formal boundaries which go far beyond the classic definitions of autobiography and make it a work of unique and exceptional character. [ABSTRACT FROM AUTHOR]

Copyright of Studia Gdańskie is the property of Gdanskie Seminarium Duchowne, Kuria Metropolitalna Gdanska and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Adeptus is the property of Polish Academy of Sciences, Institute of Slavic Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The anonymous poem Proteus was published in 1564 as the first literary response to Jan Kochanowski's Satyr albo Dziki mąż (Satyr, or the Wild Man). In this article, authorship of Proteus is attributed on the basis of literary network analysis, the confessional sympathies that are present in the text (the influences of anti-trinitarianism), and the connections to the court of Mikołaj Radziwiłł the Black. The author of Proteus is Cyprian Bazylik, a poet, musician, printer, and translator who in the 1560s was associated with Radziwiłł's court and was a follower of anti-trinitarianism. [ABSTRACT FROM AUTHOR]

Copyright of Autobiografia is the property of University of Szczecin Press / Wydawnictwo Naukowe Uniwersytetu Szczecinskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Autobiografia is the property of University of Szczecin Press / Wydawnictwo Naukowe Uniwersytetu Szczecinskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Horizons of Politics / Horyzonty Polityki is the property of Jesuit University Ignatianum in Krakow and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The text by Wojciech W. Gasparski presents the scientific and organizational contribution of ex Editor-in Chief of „Prakseologia" (2006-2019), Anna Lewicka-Strzałecka, to the achievements of the school of Polish praxiologists. Here the roles of prof. Lewicka-Strzałecka in the activity of the Center of Business Ethics (CEBI) of Institute of Philosophy and Sociology of Polish Academy of Sciences (IFiS PAN) and Leon Koźmiński University are showed. The Appendix is the list of resulting from collaboration of CEBI scholars joint publications those prof. Lewicka-Strzałecka is the co-author. [ABSTRACT FROM AUTHOR]

Copyright of Studia Koszalinsko-Kolobrzeskie is the property of University of Szczecin Press / Wydawnictwo Naukowe Uniwersytetu Szczecinskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the process of developing, editing and translating a Latin text written by the Polish Jesuit J.T. Krusiński dedicated to the reasons behind the fall of the Safavid dynasty and to the course of the Afghan-Persian War. The first manuscript was titled by the author as Historia revolu-tionis persicae. The Latin text, which was prepared in Rome, was then sent to Paris where it wasnot only translated into French, but also significantly modified and shortened by A. du Cerceau. The French paraphrase, published in 1728, became the basis for the English and Italian editions. Another version of Krusiński's work was prepared and published in German by J. Stocklein. He used not only the French edition, but also the Latin original of Krusiński's text, which he had received from Vienna, as well as other sources. For the needs of the Ottoman court, Krusiński reviewed the Latin version, which was then translated and published in Turkish in 1729. This last edition caused a sharp dispute over the authorship of the Turkish translation between Krusiński and Ibrahim Muta-ferrika, head of the Istanbul printing house. The Turkish edition of Father Juda Tadeusz Krusiński's work complicated its reception in Europe even more, especially after the Turkish version had been retranslated into Latin by J.Ch. Clodius. The manuscripts stored in the Vienna library make it possible to trace the stages of developement of Krusiński's work, which culminated in the publication of the book Tragica vertentis ... (Lviv, 1740), his most comprehensive study of the Persian revolution. [ABSTRACT FROM AUTHOR]

The beginning of the 17th century in Cracow was a period when a number of books appeared on the market in which the title page only contained information about the place of publication, but not the name of the printer. These so-called anonymous imprints included mainly popular and occasional literature. The main reason for not publishing the name of printers was the fear of censorship, which was locally the responsibility of the University of Cracow and the Catholic Church. Nowadays, the identification of typographic anonyms, which until now has been the subject of causal studies usually conducted as bywork during other research projects, allows us to get to know the history of particular printing houses and the literary culture of a given area. The aim of this paper is to look at the issue of anonymous imprints from the methodological point of view, i.e. to present the most effective methods of discovering the printing houses that published the books and pamphlets in question. The emphasis is placed on describing the advantages and disadvantages of typographic and typographic-archival methods in the context of the changing realities in Cracow's foundries and printing houses at the turn of the 16th and 17th centuries. Methodological problems will be discussed on the basis of a corpus of examples collected by the author, including anonymous publications from Cracow printing houses in the years 1601-1620 (about 800 titles) by Jan Szarfenberger, Szymon Kempini, and Wojciech Kobyliński, among others. [ABSTRACT FROM AUTHOR]

The article presents the sources of inspiration, assumptions and implementation of a longterm (2009-2018) project devoted to the biography of Professor Józef Kostrzewski, a leading 20th-century Polish prehistorian. This project was implemented by the author of the article as an employee of the Archaeological Museum in Poznań, and later, following retirement, as a worker in the Poznań Branch of the Archives of the Polish Academy of Sciences. As a result of an extensive archival and bibliographic query, a number of new facts about the life and work of the Professor were unearthed, especially regarding his activities outside the academic fi eld of interest (including a number of social, patriotic and religious initiatives, often carried out within the underground movement, since Poland existed only as a partitioned land). The results obtained will be soon presented in a monograph entitled Żywot długi, pracowity i spełniony. Profesor Józef Kostrzewski (1885-1969) - prehistoryk, patriota, Europejczyk, which is underway since 2014 in co-authorship with Dr. Jarmila Elżbieta Kaczmarek. [ABSTRACT FROM AUTHOR]