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Copyright of Fabrica Litterarum Polono-Italica is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Przeklady Literatur Slowianskich is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Er(r)go: Teoria, Literatura, Kultura is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article Piotr Wąsala's aim is to describe the phenomenon of the latest Russian women's cinema against a significant change that started at the beginning of the second decade of 21st century, i.e., a significant increase in thenumber of wo men directors. The phenomenon is characterised by a diversity in movie themes and forms of expressions. Wąsala focuses on numerous aspects that have an impact on directors' works, in particular setting the film plan in the backwoods, the pursuit of authenticity (for example in dialogues), self-sufficiency and the directors themselves, who are regarded as auteurs. Finally, Wąsala analyses a selection of films repre sentative of this phenomenon by focusing on the main themes such as the representation of human individuals, their identity, intimacy and connection with nature. [ABSTRACT FROM AUTHOR]

At the beginning of the third decade of the 21st century, when the world stopped because of the SARS-CoV-2 pandemic, COVID-19-related information resources dominated the news on the web. The pandemic highlighted the opportunities used by publishers in the process of publishing and disseminating digital scientific resources. The aim of the paper is to recognize the offer of open scientific resources about COVID-19 on the websites of the libraries at the Polish universities of technology. The analysis of the data shows that not only scientific and governmental institutions but also financial institutions, associations, publishers, researchers and journals make scientific resources related to coronavirus available free of charge. Open scientific resources available in different ways in different projects have been separated by publishers from journals, books, archive databases and in the news section, in thematic blocks in their own and foreign resources. The offer is enhanced by audio and video recordings, intelligent tools for delivering, archiving and distributing online content and links to countless public sources. [ABSTRACT FROM AUTHOR]