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Over the last decades, research into the works of Mikalojus Konstantinas Čiurlionis has repeatedly brought together musicians, musicologists, historians, philosophers, and anthropologists in Lithuania and abroad. This collection of scientific papers continues and deepens the ideas developed at the international conference Sonatic Soundscapes of M. K. Čiurlionis, held in Druskininkai in 2021. The collection’s authors connected different epochs, brought together distant generations of creators, and opened wide horizons of cultural transformations. The first part of the series of seven conferences joined speakers from the Far East and various Western countries. The participants, inspired by the imaginative impulses of the great Čiurlionis, were focused on his most mature creative period. By addressing important questions, speakers from different countries not only became culturally closer, but also by looking, listening, and emphatically living through Čiurlionis’ work, they generously shared their insights, enriching each other and the growing world of Čiurlionis’ works studies. The conference once again proved that Čiurlionis’ works have exceptional significance in Lithuania and have an endless potential to unite creators working in various fields of the humanities to study the most relevant problems of contemporary Čiurlionis’ works studies. We can say that Čiurlionis’ cultural vision comes to life in a certain sense in the projects of our days - as he once wrote from Leipzig: “I imagine the whole world as one big symphony...” The various forms of spreading Čiurlionis’ work stimulate and encourage impulses of his brilliant scientific and cultural imagination, and integrate the different forms of his creativity into Lithuanian and world culture. Articles in this collection not only deepen the study of Čiurlionis’ work, but also contribute to an essential contextualization of Lithuanian heritage, and an appreciation of its significance in the broader global cultural treasury. Thus, the systematic and focused research on Čiurlionis’ art, music, and literary-poetic works at the international conferences in Druskininkai, which is focused on the most actual issues, is also a form of cultural dissemination showing the artist’s place alongside other outstanding artists of the world. In this collection, texts written not only in different scholarly journals, but also in different languages, speak alongside each other. The collection consists of four chapters. The first, entitled “Esoteric Aspects of Čiurlionis’ Work”, opens with an article by Antanas Andrijauskas on the links between Čiurlionis’ work and that of his teacher Kazimieras Stabrauskas, and theTheosophical movement. The author shows that Čiurlionis’ works are inseparable from the theosophical ideas that shaped the cultural landscape of the time. In his early work, Čiurlionis was still searching for a means of artistic expression. Unlike his teacher Stabrauskas, Čiurlionis did not belong to any esoteric society. Still, like many artists associated with the traditions of Symbolism and the nascent art of Modernism, esoteric tendencies profoundly influenced Čiurlionis’ painting style. They shaped his unique view of the diversity of world cultural history, the archaic layers of Lithuanian folklore, and mythology. That also inspired him to create a musical painting style with no analogs in world art. In contrast, in his later, more mature sonata and metaphysical work, his creative expression took on subtle forms of esoteric symbolism and rich metaphors.