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The article is devoted to English neologisms in tourism and ways of their formation. Neologisms are defined as recently coined or existing words or word combinations which name new phenomena or concepts and which are moderately used by most members of a particular speech community. The study of neologisms in various spheres of functioning is always relevant, as it makes it possible to identify and analyze current changes in modern life. The research is focused on the neologisms which name new types of travel (apitourism, weather tourism, grief tourism, flashpacking), in particular, different types of post-COVID vacations (GOAT, revenge travel) have become very popular as many people were deprived of the chance to travel for a certain period of time. New types of holidaymakers (liveaboards, babymooners, half-tourists), professions (disco nannies, director of first impressions), and the related phenomena (spread booking, ghost flights, air curtain, place lag) are analyzed in the framework of the current paper. The availability of budget travel, which has provided a variety of options for all kinds of travelers, brings both positive and negative consequences as it stimulates the local economy but can also damage the local ecosystems and be detrimental to the local population which is reflected in the neological coinages (extractive tourism, overtourism). The research focuses on the word-forming potential of neologisms in tourism as well, in particular, the analysis showed that most of the considered units were formed by compounding (48% of neologisms of the sample) and blending (44%). The least popular ways of forming neologisms in tourism are affixation (4% of neologisms in the sample), abbreviation and conversion (each method in 2% of neologisms in the sample). At the end of the article, general conclusions are presented, Table 1 ‘Word-formation types of neologisms in tourism’ and suggestions for further neologism research are provided.

This article presents the Lithuanian Language Resources Information System "E. kalba" ("E-Language"), which was developed at the Institute of the Lithuanian Language. The article therefore introduces the history of the development of "E. kalba", discusses the advantages of the system, shows how to perform a quick search in all or selected language resources, how to search for information of interest using wildcards, and briefly presents the statistics on the use of the system. The paper concludes with an introduction to the possible development perspectives of the system. From 2021, the system is freely available to the professionals and general public at https://ekalba.lt. The "E. kalba" provides access to 39 language resources, which are divided into three major groups: 1) e-dictionaries ("Dictionary of the Standard Lithuanian Language", "Dictionary of the Modern Lithuanian Language", "Dictionary of the Lithuanian Language", "Database of Lithuanian Language Neologisms", "Dictionary of Synonyms", "Lithuanian-English Dictionary", "German-Lithuanian Dictionary", etc.), 2) e-catalogues ("Main Catalogue of the ‘Dictionary of the Lithuanian Language’", "Catalogue of New Additions of the ‘Dictionary of the Lithuanian Language’", "Catalogue of Riddles", etc.), databases ("Database of Surnames", etc.), and 3) e-services ("WordNet search", "E-terms", "E-names", "Sentiment Analysis", "Word Formation Guide", "Language Advice", "Educational Language games", etc.). In addition to being a treasure trove of linguistic resources, "E. kalba" is also a multi-criteria search tool, with an effective and sophisticated search mechanism (quick and detailed search, search across all resources or within each resource, etc.). "E. kalba" offers a user-friendly way to view search results – results can be downloaded and saved in PDF and XML formats, and results can be shared on "Facebook". The system is also mobile-friendly.

Ancient Greek subjects preserve their relevance in our times through their timeless, profound and comprehensive consideration of the human soul and interpersonal relations, which remain unchanged throughout the centuries in accordance with human nature. Euripides’ tragedy Iphigenia in Aulis has not been exploited often by later writers and film makers who have focused mainly on the murder of the King of Mycenae, Agamemnon, and the destiny of the dynasty of the Atreidae in accordance with Aeschylus’ trilogy. Nevertheless, one of the main reasons for the murder of Agamemnon by his wife Clytemnestra is his sacrifice of their daughter Iphigenia, the story of which is told by Euripides in his tragedies Iphigenia in Aulis and Iphigenia in Tauris. In Yorgos Lanthimos’ film The Killing of a Sacred Deer (2017) the main character Steven, just like Agamemnon, is informed of the will of the gods who demand sacrifice to be given. The carefully considered reasons which led Agamemnon and Steven to face an inevitable choice highlight their common character features, with hubris the decisive one among them. Comparison of the texts under analysis shows that acceptance of the inevitability of the situation by the families of the main characters develops through the classical stages from denial to understanding that nothing else depends on them. And while in Euripides’ tragedy the plot device of a “deus ex machina” is exploited, as the gods are satisfied with the acceptance of the inevitability of sacrifice, in the film one of the members of the family actually dies in order for order to be restored, because a murder presupposes atonement through the blood of another. This reception of Euripides’ tragedy is of particular interest because Yorgos Lanthimos is Greek by origin who at a certain moment of his career decided to move away from his native Greek space and start creating films for a more general Western audience. This paper analyses how, in this post-modernist multimodal film text expressive means from Ancient Greek theatre are combined with elements of modern cinema.

This paper presents the linguopoetic analysis of the Latin panegyric "Iter Laureatum" by Hryhorii Vyshnovskyi, dedicated to Josaf Krokovskyi, the former rector of Kyiv-Mohyla Academy. The panegyric is analyzed within the historical and cultural context of that time. The purpose of this study is to give the idea of the structure, poetic means and individual author's performance of the genre in Latin language. The relationship between Ukrainian baroque poetry and antiquity is defined in precedent texts. Precedent texts actualize well-known cultural phenomena, thereby creating the effect of recognition. It is proved that the transfer of the narrative to the mythological plane creates the effect of historicity and legendary nature of the event or personality, which benefits panegyric pathos. The article focuses on lexical poetic means (analysis of poetic interpretation of mythological names) and stylistic means (the amplification, anaphor, use of metaphors and comparisons). The mythological names are classified according to the main thematic groups: geographic names, representing the ancient and medieval realities (Regna Mauri, Regna Lydiae, regna Arabum, Canopus, Thracia, Rhodopa, Troja), personal names of mythological characters (Apollo, Melpomene, Polyhymnia, Thalia, Siren, Echo, Hercules), words of musical art (chorda, carmen, lyra, chorus, nablium), martial arts (Mars, Scipio, trophaeum). The following metaphors were defined for description of patron's dignity: "majorum decus"; "pater Rossiadum"; "patronus pupillae sortis"; "victor cordis"; "princeps pectoris". We direct attention to the realization of author's narrative strategy of the will-expression, which is to exalt the patron's generosity and express the affection and loyalty towards him. It is discussed the poet's intention to cross the time barriers and transfer the mythological realities to the Ukrainian ground (Borysthenes, Siren Kioviensis).

The article examines the peculiarities of mythological characters in the Latin poetry of the baroque period in Ukraine. This period contributed a lot to intercultural relations between Ukraine and Western Europe and gave a birth to the phenomenon of the baroque Ukrainian poetry, written in Latin language. In the present paper much research has been devoted to the poetic works of Theophan Prokopovych, Grygoriy Vyshnevsky and Ilarion Yaroshevytsky; their poetic texts are found in printed editions ("Elegia paraenetica", "Epinikion", "Elegia Alexii", "Comparatio vitae monasticae", "Descriptiuncula Kijowiae", "Possesoris horum librorum luctuosum vale") and manuscripts ("Iter laureatum", "Cupido seu amor alatus"). The study analyzes the poetry in various genres, such as panegyric, elegy, epigram, lyrical poem. Addressing to the ancient legacy was defined as the sufficient and necessary feature of the baroque style. The article suggests the idea that a poet gives a preference to one or another mythological character in his individual author's interpretation. The analysis of the poetic texts reveals the most productive mythological characters, which can be classified into the following categories: 1) art (Apollo with the Muses, the winged horse Pegasus); 2) martial arts (Mars); 3) celebrations (Bacchus, Hymenaeus); 4) love (Venus, Cupid, Cypride ); 5) natural phenomena (Aurora, Lucifer, Phosphorus, Titan, Zephyrus, Thetis). The research has demonstrated that contamination of the two worldviews was natural for the baroque poet. This contamination was embodied in the bizarre combination of Christian and ancient elements in their literary works. It was traced that Latin poets of the Ukrainian baroque completely followed the literary traditions of the classical theory of poetry, what was marked in the form of the poetic work and its content.