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169 results on '"Orecchia, A"'

3. Carlo Quartucci, mago bambino

Author

Donatella Orecchia

Subjects
Carlo Quartucci, Storia orale, Nuovo teatro italiano, Jannis Kounellis, Dramatic representation. The theater, PN2000-3307
Abstract

Il 31 dicembre 2019 Carlo Quartucci ci ha lasciati. Con lui scompare uno degli ultimi grandi protagonisti di quella stagione del teatro di ricerca italiano. Per ricordarlo, l’articolo si sofferma su un episodio singolo, Il lavoro teatrale del 1969, attraverso la testimonianza di Valeriano Gialli che di quello spettacolo fu uno degli attori. al quale Carlo Quartucci era particolarmente affezionato. Per Quartucci Il lavoro teatrale era tante cose insieme: la seconda collaborazione con Jannis Kounellis, il ritorno alla Biennale di Venezia dopo Zip, l’anticipo di qualcosa che accadrà compiutamente solo con Camion, la sua prima vera comparsa come regista-servo di scena; ma, soprattutto, un gesto di grande libertà di ricerca.

Published
2020
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7. La stagione di Carmelo Bene al Beat 72 (1966-1967): l’inciampo come metodo

Author

Donatella Orecchia

Subjects
Dramatic representation. The theater, PN2000-3307
Abstract

From December 1966 to June 1967 Carmelo Bene performed at Beat 72 in Rome. Nostra Signora dei Turchi, Amleto o le conseguenze della pietà filiale, Salvatore Giuliano, Salomè, represent an important field of investigation from several points of view: as a synthesis of Bene’s artistic career before his temporary detachment from the stage; as a new experiment of permanence in a space to inhabit (and transform), going beyond the single show; as a preamble for the “Nuovo Teatro” conference that will be held in Ivrea shortly thereafter; as an opportunity for a critical debate; as a focus on one of the liveliest Roman “cantina” in its beginnings.

Published
2018
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10. Presentazione

Author

Orecchia, ANTONIO MARIA

Published
2022

13. Il secondo Novecento

Author

Orecchia, D

Subjects
Settore L-ART/05, Contemporary Theatre, Teatro contemporaneo
Published
2022

15. Storie del XX Secolo e Storia dell’Italia contemporanea: il Novecento come oggetto di studio.

Author

Orecchia, Antonio Maria

Subjects
*PUBLIC history, *COINCIDENCE, *MASS media, *NARRATION, *MULTIPLICATION, *MEMORY
Abstract

The teachings of Stories of the twentieth century and History of contemporary Italy are placed in the chronological span of a century, the twentieth century, in which history and memory tend, unlike previous centuries, to overlap, interpenetrate, often get confused, favoring a multiplication of definitions to label this period. If history, by definition, requires precise research tools and investigative methodologies, it is also true that sources are also affected by this coincidence, placing the new mass media alongside the more traditional ones. The university courses – through multiple tools of analysis, critical evaluation and narration of the decisive moments of "global" and Italian history – have the objective of developing in students the ability to interpret information in the light of the most recent historiographical production and critically interpret the debate on the so-called «public use of history». [ABSTRACT FROM AUTHOR]

Published
2023

18. Carlo Quartucci, mago bambino. 'Il lavoro teatrale' (1969) e l’incontro con Valeriano Gialli

Author

Orecchia, D

Subjects
Italian New Theatre, Arte povera e teatro, Settore L-ART/05, Carlo Quartucci, teatro italiano contemporaneo, Nuovo teatro italiano, Storia orale, Oral history, Jannis Kounellis
Abstract

Il 31 dicembre 2019 Carlo Quartucci ci ha lasciati. Con lui scompare uno degliultimi grandi protagonisti di quella stagione del teatro di ricerca italiano. Per ricordarlo, l’articolo si sofferma su un episodio singolo, Il lavoro teatrale del 1969, attraverso la testimonianza di Valeriano Gialli che di quello spettacolo fu uno degli attori. al quale Carlo Quartucci era particolarmente affezionato. Per Quartucci Il lavoro teatrale era tante cose insieme: la seconda collaborazione con Jannis Kounellis, il ritorno alla Biennale di Venezia dopo Zip, l’anticipo di qualcosa che accadrà compiutamente solo con Camion, la sua prima vera comparsa come regista-servo di scena; ma, soprattutto, un gesto di grande libertà di ricerca., On December 31th 2019 Carlo Quartucci died. With him disappears one of the last protagonists of the Italian Research theater. To remind him, the article focuses on a single episode, The theatrical work of 1969, through the testimony of Valeriano Gialli who was one of the actors of that show. to which Carlo Quartucci was particularly fond of. For Quartucci The theatrical work was many things together: the second collaboration with Jannis Kounellis, the return to the Venice Biennale after Zip, the advance of something that will happen completely only with Camion, his first real appearance as a director-stage servant; but above all, a gesture of great freedom of research.

Published
2020

23. Stravedere la scena : Carlo Quartucci il viaggio nei primi venti anni 1959-1969

Author

Orecchia, D

Subjects
the relationship with popular traditions, we will meet the great themes that hit the theatrical scene of those years: the arrival of Beckett on Italian scenes, spectators, to the journeys of a white truck in the suburbs of half of Italy, the assembly as a compositional method of a new scenic writing, from the meeting with Jannis Kounellis, The volume follows the path of Carlo Quartucci in the first twenty years of his theatrical activity, between 1959 and the early eighties: from his experience in the university theater of Rome, to the Beckett Festival of Prima Porta, to collaborations with Rai in Turin, from the meeting with Jannis Kounellis, to the journeys of a white truck in the suburbs of half of Italy, to the start of the collaboration with Carla Tatò. Through the investigation of Quartucci's "restless" research, we will meet the great themes that hit the theatrical scene of those years: the arrival of Beckett on Italian scenes, the relationship between research theater and institutions, the redefinition of the concept of actoriality and direction, the assembly as a compositional method of a new scenic writing, the relationship with popular traditions, the explosion of theater towards other languages ​​(Radio and TV above all), the theatrical decentralization. The broad reference to the oral sources collected by the author will also guide the reader in discovering the stories of the protagonists of that theater season (fellow travelers, spectators, critics), between 1959 and the early eighties: from his experience in the university theater of Rome, the redefinition of the concept of actoriality and direction, Settore L-ART/05, to the Beckett Festival of Prima Porta, the theatrical decentralization. The broad reference to the oral sources collected by the author will also guide the reader in discovering the stories of the protagonists of that theater season (fellow travelers, to the start of the collaboration with Carla Tatò. Through the investigation of Quartucci's "restless" research, the explosion of theater towards other languages ​​(Radio and TV above all), to collaborations with Rai in Turin, The volume follows the path of Carlo Quartucci in the first twenty years of his theatrical activity, the relationship between research theater and institutions, critics)
Published
2020

30. La stagione di Carmelo Bene al Beat 72 (1966-1967): l’inciampo come metodo

Author

Orecchia, Donatella

Subjects
Dramatic representation. The theater, PN2000-3307, Settore L-ART/05 - Discipline Dello Spettacolo
Abstract

From December 1966 to June 1967 Carmelo Bene performed at Beat 72 in Rome. Nostra Signora dei Turchi, Amleto o le conseguenze della pietà filiale, Salvatore Giuliano, Salomè, represent an important field of investigation from several points of view: as a synthesis of Bene’s artistic career before his temporary detachment from the stage; as a new experiment of permanence in a space to inhabit (and transform), going beyond the single show; as a preamble for the “Nuovo Teatro” conference that will be held in Ivrea shortly thereafter; as an opportunity for a critical debate; as a focus on one of the liveliest Roman “cantina” in its beginnings., Il castello di Elsinore, N. 79 (2019)

Published
2019

34. La stagione di Carmelo Bene al Beat 72 (1966-1967): l’inciampo come metodo

Author

Orecchia, Donatella

Abstract

From December 1966 to June 1967 Carmelo Bene performed at Beat 72 in Rome. Nostra Signora dei Turchi, Amleto o le conseguenze della pietà filiale, Salvatore Giuliano, Salomè, represent an important field of investigation from several points of view: as a synthesis of Bene’s artistic career before his temporary detachment from the stage; as a new experiment of permanence in a space to inhabit (and transform), going beyond the single show; as a preamble for the “Nuovo Teatro” conference that will be held in Ivrea shortly thereafter; as an opportunity for a critical debate; as a focus on one of the liveliest Roman “cantina” in its beginnings.

Published
2018

40. Un antidivo al cinema: Petrolini alla CInes

Author

Orecchia, D and Mazzei, L

Subjects
Ettore Petrolini, Settore L-ART/06 - Cinema, Fotografia e Televisione, Early Sound Film, Vaudeville, Cines Pittaluga, Settore L-ART/05 - Discipline Dello Spettacolo, Cinema and Theatre
Published
2018

41. Nota delle curatrici

Author

Orecchia, D. and Cavaglieri, L.

Subjects
memory, theatre, oral history, memory, theatre studies, performing arts, oral history, theatre, theatre studies, performing arts
Published
2018

43. Memorie sotterranee. Storia e racconti della Borsa di Arlecchino e del Beat 72

Author

Cavaglieri, L and Orecchia, D

Subjects
Fonti orali e teatro, Borsa di Arlecchino, Beat 72, Teatro italiano del Novecento, Teatro di ricerca, Teatro italiano del Novecento, Settore L-ART/05 - Discipline Dello Spettacolo, Storia orale, Borsa di Arlecchino, Teatro italiano del Novecento, Teatro di ricerca, Teatro di ricerca, Beat 72, Storia orale, Borsa di Arlecchino, Fonti orali e teatro
Published
2018

44. Guidelines on prostate carcinoma - AIRO, 2016

Author

Santoni R., Arcangeli S., Ingrosso G., Antognoni P., Mazzeo E., D'angelillo R. M., Buglione M., Borghesi S., Petitti T., Orecchia R., Russi E., Alitto A., Alongi F., Augurio A., Bellavita R., Bertoni F., Bonetta A., Bruni A., Cagna E., Cazzaniga L. F., Corvo R., D'agostino G., D'amico R., Detti B., De Renzi F., Fabrini M. G., Fersino S., Frascino V., Gambarini S., Genovesi D., Grazioli L., Guarneri A., Jereczek-Fossa B. A., Lancia A., Livi L., Magrini S. M., Mantini G., Mignogna M., Mirri M. A., Palumbo I., Pergolizzi S., Silvestro G., Rubino L., Tagliagambe A., Tonoli S., Valdagni R., Vavassori V., Vinciguerra A., Santoni, R, Arcangeli, S, Ingrosso, G, Antognoni, P, Mazzeo, E, D'Angelillo, R, Buglione, M, Borghesi, S, Petitti, T, Orecchia, R, Russi, E, Alitto, A, Alongi, F, Augurio, A, Bellavita, R, Bertoni, F, Bonetta, A, Bruni, A, Cagna, E, Cazzaniga, L, Corvo, R, D'Agostino, G, D'Amico, R, Detti, B, De Renzi, F, Fabrini, M, Fersino, S, Frascino, V, Gambarini, S, Genovesi, D, Grazioli, L, Guarneri, A, Jereczek-Fossa, B, Lancia, A, Livi, L, Magrini, S, Mantini, G, Mignogna, M, Mirri, M, Palumbo, I, Pergolizzi, S, Silvestro, G, Rubino, L, Tagliagambe, A, Tonoli, S, Valdagni, R, Vavassori, V, and Vinciguerra, A

Subjects
Leuprorelin, Gnrh Agonist, Gonadotropin-Releasing Hormone
Published
2016

48. 25 aprile 2017: settantadue anni dopo

Author

Orecchia, ANTONIO MARIA

Subjects
Resistenza, Resistenza, guerra civile, guerra di Liberazione, guerra civile, guerra di Liberazione
Published
2017

49. Introduzione

Author

Orecchia, D

Subjects
Drammaturgia italiana, Settore L-ART/05 - Discipline Dello Spettacolo
Published
2017

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