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1. Le devenir de la théologie catholique en ce temps de crise mondiale dans le contexte actuel de l’Asie : le cas de Corée du Sud

Author

Paul Min-Taeg Han

Subjects
Asie, Église Catholique, Mission, Synodalité, Jeunesse, Practical Theology, BV1-5099, Doctrinal Theology, BT10-1480
Abstract

L'article propose une approche de la situation actuelle de l'Église catholique et de la théologie en Corée du Sud. Après avoir constaté une certaine stagnation de la situation actuelle de l'Église, il considère que l'un des plus grands défis de la théologie réside dans la transmission de la foi à nouvelles générations, dans des circonstances très différentes des précédentes. D’un point de vue contextuel, le défi est renforcé par la présence croissante de nouvelles confessions et sectes chrétiennes sur le territoire, ainsi que par les effets de la pandémie. Le futur proche sera marqué par l’impact de l’intelligence artificielle et du mouvement synodal dans l’Église.

Published
2023
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2. La recepción de Azorín en China: un análisis de La novia de Cervantes por Dai Wangshu, traducción indirecta y relevante

Author

Min Sun and José María Escribano Angulo

Subjects
Azorín, Dai Wangshu, traducción al chino, traducción directa, traducción indirecta, Translating and interpreting, P306-310
Abstract

Frente a la traducción de la obra de Azorín en el contexto europeo, que ha sido ampliamente analizada y criticada, se produce cierto descuido bibliográfico sobre la difusión y recepción de su obra en el lejano oriente, en países como China. Este trabajo tiene por objetivo contextualizar esta recepción, catalogar sus traducciones al chino mandarín y reflexionar sobre su estilo, sobre todo examinando la traducción indirecta de La novia de Cervantes realizada por Dai Wangshu en la versión de 2013, aunque también se analizan y comparan otras versiones de carácter directo de diferentes traductores chinos como Xu Cenghui y Fan Ruihua (1988), y Lin Yian (2018). A nivel traductológico, se reflexiona sobre qué se entiende por una traducción relevante.

Published
2023
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3. Mao Zedong’s thought and the construction of socialist ideology

Author

Min Zhang, Haiyong Zong, and David Zeen

Subjects
Mao Zedong, Political Institutions, Socialist Ideology, Marxism-Leninism, Philosophy (General), B1-5802
Abstract

The 70-year practice of New China shows that our party has, permanently, attached importance and strengthened the leadership of ideological work, which is an essential factor for the Chinese nation to achieve the leap from standing, wealthy to powerful, and consolidate continuously the ruling position of the party. The successive leadership collectives of the party have explored and innovated the theory of socialist ideology in different periods of the history of China in light of the international and domestic situation, providing the CPC with a scientific theoretical basis and action guidelines for breaking through ideological barriers in its long-term rule. Mao Zedong made significant historical contributions to explore the road to new Chinese socialism, institutional design, theoretical innovation and ideological construction. The purpose of this study is to combine the basic principles of Marxism with the specific reality of China, creatively put forward the basic principles and basic directions of national ideology construction, and systematically elaborate the essential connotation, guiding ideology, primary objectives, fundamental nature and realization path of socialist ideology construction. This study shows that the first theoretical leap of the localization of Marxist ideology in China has laid a solid foundation to build a scientific and complete country and a scientific and complete national ideology system.

Published
2023
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4. A case study on DNA barcoding for pet food mislabeling in South Korea

Author

Duri Lee, Thinh Dinh Do, Jong-Won Baek, Min-Ho Mun, Hyung-Eun An, and Chang-Bae Kim

Subjects
COI, Cloning, Sequencing, Substitution, Species identification, Food processing and manufacture, TP368-456
Abstract

Due to the close relationship between pets and humans, pet owners are highly invested in proper diets for their pets. Even though pet food mislabeling is concerning, there are few studies on this topic. This study investigated pet food mislabeling in South Korea’s market based on DNA barcoding. In total, 10 pet food products were purchased, and 200 sequences of the partial Cytochrome c oxidase subunit 1 (COI) gene were generated from clones of the samples. The obtained sequences were compared to available public databases to identify species present in the ingredients. The data analyses showed that the labeled species were consistent with species detected by COI sequences in 6 of the products. However, the expected species were not detected in 4 products, revealing possible mislabeling in these samples. Our findings indicated that DNA barcoding might represent a promising tool to detect pet food mislabeling.

Published
2023
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5. Caravaggio in Naples: the paper ghosts and the Ernest Pignon-Ernest's scene

Author

Silvia De Min

Subjects
ernest pignon-ernest, caravaggio, naples, street art, scene, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

The street artist Ernest Pignon-Ernest, between 1988 and 1990, stuck some serigraphs inspired by Caravaggio's paintings to the walls of corners and streets in Naples. These interventions, epiphanic visual narratives, are presented here as forms of street art of a highly theatrical nature. The spatio-temporal dimension they give life will be read as a scene, at the same time real and symbolic, capable of revealing what the social order would tend to hide or forget.

Published
2021
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6. An Investigation into the Importance of «Inculturation» in the Image of Our Lady in Relation to Visual Arts in Religious Education according to Monica Liu

Author

Maria Min-Hui HSU

Subjects
monica liu, inculturation, religious art, our lady, Education, Education (General), L7-991
Abstract

The purpose of this paper is to emphasize the importance of «inculturation» in the religious images drawn by Monica Liu (Ho-Pei), a unique artist who promoted Religious Art and Education in Taiwan. Monica Liu adopted Western Christianity into Chinese art to create paintings that reflect her love for nature as well as Our Lady who is deeply venerated in the Catholic Church and regarded as the mother of humanity. This paper is a qualitative research based on an interview conducted with Huang Wan-Yun, a protégée of Monica Liu who had a very close relationship with the latter during the last ten years of her life. This research is also based on some writings that Monica left behind and several articles written about her by acquaintances. The culture and faith expressed by Monica Liu through Our Lady’s images help us to deeply understand the value and relationship between religious art and faith. In addressing the needs of the secular world, religious art has encountered difficulties in terms of contemporary aesthetics. Monica’s distinct aesthetic considered «moral virtues» important to modern or contemporary art and their absence could result in distorted values. Therefore, true mission work in the field of religious art has to be close to everyone’s heart, as well as emphasize the importance of inculturation through natural representations and create awareness of taboo in art, which involves «additional and supplementary» elements in original artworks.

Published
2020
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7. Il piacere dell'ékphrasis nell'Adone del Marino alla luce della Préface di M. Chapelain

Author

Silvia De Min

Subjects
Giovan Battista Marino, Jean Chapelain, Adone, ékphrasis, verosimiglianza, descrizione, Language. Linguistic theory. Comparative grammar, P101-410, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

Il contributo è dedicato a una lettura dell’Adone di Giovan Battista Marino a partire da uno studio della lettre-préface di Jaen Chapelain. Per trattare dell’ékphrasis si propone un confronto tra le potenzialità interpretative di questa categoria e i presupposti di una teoria della descrizione e della verosimiglianza, esposti da Jean Chapelain nella lettera che fa da premessa al poema del Marino. L’utilità, il piacere, la meraviglia si rivelano allora essere le chiavi d’accesso a un poema che ci pone dinnanzi agli occhi della mente le complessità dell’arte, dell’architettura, della spettacolarità, in epoca barocca. Questo contributo, infine, vorrebbe porre le basi per uno studio della teatralità dell’Adone in ottica ecfrastica.

Published
2021
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8. Description of the unknown males of three Chinese Meligethes (Coleoptera: Nitidulidae, Meligethinae)

Author

Simone Sabatelli, Paolo Audisio, Josef Jelínek, Meike Liu, and Min Huang

Subjects
pollen beetles, male genitalia, China, Zoology, QL1-991
Abstract

In this paper we present the description of male genitalia and additional information on taxonomy of three recently described and poorly known Chinese endemic members of the genus Meligethes Stephens, 1830, Meligethes (Odonthogethes) brassicogethoides Audisio, Sabatelli & Jelínek, 2015, M. (O.) inexpectatus Liu, Huang, Cline, Sabatelli & Audisio, 2017, and M. (O.) tricuspidatus Liu, Huang, Cline & Audisio, 2018.

Published
2020
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9. Re-examination of the genus-level taxonomy of the pollen beetle subfamily Meligethinae – Part 1. Sagittogethes Audisio and Cline 2009 and allied genera; with description of a new genus (Coleoptera: Nitidulidae)

Author

Meike Liu, Min Huang, Andrew Richard Cline, Paolo Cardoli, Paolo Audisio, and Simone Sabatelli

Subjects
molecular taxonomy, Teucriogethes, new genus, larval host-plants, pollen beetles, Lamiaceae, Teucrium, Zoology, QL1-991
Abstract

Recent molecular and morphological data derived from members of the pollen-beetle subfamily Meligethinae suggest the need to separate the genus Sagittogethes Audisio and Cline, 2009, including species mostly distributed in Western Palaearctic areas, into two distinct (although related) genera, Sagittogethes and Teucriogethes gen. n. This new genus, comprising the Western European Meligethes obscurus Erichson, 1845 as its type species, includes less than ten species distributed between the Iberian Peninsula and North Africa westward, and China and Japan eastward. All inclusive species utilize members of the genus Teucrium L. (Lamiacaeae: Ajugoideae) as larval host-plants. Morphological and bionomical information, and molecular data clearly demonstrate the necessity for updating the taxonomic position of the two clades. Based on molecular evidence, the new genus represents the sister-group of Thymogethes Audisio and Cline, 2009, while the sister-group relationships of the remaining Sagittogethes taxa with other Lamiaceae-associated genera of Meligethinae remain uncertain. Within the new genus, the relictual and rare Western Mediterranean species T. minutus (C.N.F. Brisout de Barneville, 1863) seems to occupy an isolated position.

Published
2020
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10. Two new Lamiogethes Audisio & Cline from China (Coleoptera: Nitidulidae, Meligethinae)

Author

Meike Liu, Min Huang, Andrew Richard Cline, and Paolo Audisio

Subjects
taxonomy, distribution, larval host-plants, pollen beetles, Lamiaceae., Zoology, QL1-991
Abstract

Two new species of the genus Lamiogethes Audisio & Cline, 2009 are described from China (Sichuan): L. forcipenis sp. n., and L. convexistrigosus sp. n., based on a series of recently collected specimens. The new species are both likely morphologically related to L. potanini (Kirejtshuk, 1979) from Sichuan and to L. conjungens (Grouvelle, 1910) from Yunnan. These new species clearly differ from their related taxa by details of the body shape and color, and the distinct shape of the male and female genitalia. Both new species are likely associated as larvae with a member of the genus Phlomoides Moench (Lamiaceae).

Published
2017
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12. A new species of Meligethes Stephens from China and additional data on members of the M. chinensis species-complex (Coleoptera: Nitidulidae, Meligethinae)

Author

Meike Liu, Min Huang, Andrew Richard Cline, Simone Sabatelli, and Paolo Audisio

Subjects
taxonomy, distribution, host-plants, pollen beetles, cryptic species, Zoology, QL1-991
Abstract

Meligethes (Odontogethes) inexpectatus sp. n. is described from China, Sichuan Province. The new species is based on a female specimen previously incorrectly referred to as Meligethes scrobescens Chen, Lin, Huang & Yang, 2015, which was recently described from a series of male specimens collected in the same area. Both species belong to the taxonomically difficult species-group related to M. chinensis Kirejtshuk, 1979, including a dozen closely related species distributed throughout Nepal and SW and Central China. The true female of Meligethes scrobescens is also described, based on recently collected material from China (Hubei and Chongqing), including a series of male and female specimens. Diagnostic characters distinguishing the new species from all other known members of the M. chinensis species-group and species-complex are discussed, and their overall range distribution are depicted. Additional data on geographic distribution and larval ecology of some of the closely related species are also reported.

Published
2017
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13. L’acqua di falda rappresenta per l’allevamento suino una fonte nascosta di rischio del patogeno antibiotico-resistente Acinetobacter.

Author

Fang-Zhou Gao, Liang-Ying He, Xin Chen, Jing-Liang Chen, Xinzhu Yi, Lu-Xi He, Xin-Yi Huang, Zi-Yin Chen, Hong Bai, Min Zhang, You-Sheng Liu, and Guang-Guo Ying

Abstract

Copyright of Summa, Animali da Reddito is the property of Point Veterinaire Italie s.r.l. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023

14. R. Esposito, Le persone e le cose

Author

Carlo Molinar Min

Subjects
esposito, people, things, biopolitics, anthropology, affordance, visibility, Philosophy (General), B1-5802
Abstract

This is a review of the book of R. Esposito, Le persone e le cose. Torino: Einaudi, 2014, pp. 136, € 10,00.

Published
2015

15. Dalla visionarietà didascalica dannunziana alla scena

Author

De Min, Silvia

Subjects
Denarrativisation. D’Annunzio. Ekphrasis. Stage directions. Theatre, Language and Literature, French literature - Italian literature - Spanish literature - Portuguese literature, PQ1-3999
Abstract

D’Annunzio wrote ékphrasis and stage directions with a strong literary connotation. His descriptions of paintings as well as opening scenes stress in particular the details, giving a poetic aura to the vision, at the same time hyper-realistic and elusive. The linguistic vividness of d’Annunzio is examined in these two forms of speech, the ékphrasis and the stage directions, to bring out the characteristics of a ‘pictorial’ theatre. The centre of this analysis is the tension between word and image, between the contents communicated by the first and the contents expressed or evoked by the latter. The article proposes the analysis of some theoretical writings and theatrical texts. At the end we suggest a contemporary feature of d’Annunzio’s theatre in term of “denarrativisation” of the theatrical scenes in a visual way.

Published
2017
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16. L’Impersonale. Prospettive e implicazioni

Author

Carlo Molinar Min and Giulio Piatti

Subjects
Philosophy (General), B1-5802
Abstract

Ci pare indubbio che il Novecento filosofico (non meno di quello letterario o artistico), per lo meno a partire dalla sua seconda metà, abbia circoscritto, accerchiato e poi dismesso il suo principale avversario, vale a dire la nozione di soggettività, così come era stata ereditata dalla tradizione moderna di ascendenza cartesiana. Non sarebbe difficile mostrare quanto, a partire da questo punto di vista, pensatori assolutamente eterogenei come Martin Heidegger, Michel Foucault, Ernst Mach o Ludwig Klages, con tonalità e modi radicalmente differen- ti, abbiano tutti manifestato una medesima e generale inquietudine nei confronti del soggettivismo proprio della tradizione filosofica occidentale.

Published
2016
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17. Jacques Derrida e la pratica dei fenomeni. Dialettica e temporalità dell’esercizio trascendentale

Author

Carlo Molinar Min

Subjects
Dialettica, coscienza del tempo, estetica trascendentale, quasi-trascendentale, contaminazione, esercizio, différance, Speculative philosophy, BD10-701, Metaphysics, BD95-131
Abstract

In this essay I would like to propose a reinterpretation of certain passages of the earlier Derrida’s works, specifically on Edmund Husserl. I will focus mainly on his dissertation (Mémoire d’études superieures) and his Introduction to the Husserlian appendix The origin of geometry. My purpose is to point out some aspects that I consider relevant for the development of the following Derrida’s philosophy. First of all, I’ll try to take into account the concept of dialectic in his transition from Kant to Husserl. Then, starting from Derrida’s interpretation of The Lectures on Internal Time-Consciousness, I’ll try to explain the meaning of what could be described as an aesthetic refoundation of the transcendental. In these early stages Derrida attempted to lay the foundation of what he’ll then call “quasi-transcendental”. From this perspective, we might note that the deconstructive reading – as such – involves a phenomenological attention towards the original contamination between the conditions of possibility and the empirical field. Therefore, the exercise of deconstruction has something to do with difference as différance from the very beginning.

Published
2016
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18. La memoria di un gesto che raccoglie il visivo in un segno. I taccuini della storia dell’arte. Recensione del volume: Emanuele Pellegrini, La memoria in tasca, De Luca, Roma 2021

Author

De Min, Silvia

Subjects
Notebook, Memory, Sketchbook, Words and Images, History of Drawing, Emanuele Pellegrini
Abstract

The article discusses Emanuele Pellegrini's book La memoria in tasca (Memory in a Pocket, 2021) which traces the history of the notebook, from papyrus to contemporary form, as a working tool and travel companion characterised by an open and adaptable character. Focusing on the relationship between text and image, one of its central aspects, it asks how their relationship changes over the course of the notebook’s history and to what extent the word influences the image and vice versa in the notation practice of live observation. How do text and image complement each other? What relationship does their interaction have with memory practices?

Published
2022
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19. Les cinq prédicables du De dialectica de Martianus Capella proviennent-ils de l’Isagogè de Porphyre ?

Author

Huh, Min-Jun

Subjects
prédicables, dialectique, predicables, Isagogè, dialectics
Abstract

Le livre IV des Noces de Philologie et de Mercure, dédié à la dialectique, contient, dans la partie qui étudie les mots (De loquendo), une doctrine qui traite du genre, de l’espèce, de la différence, du propre et de l’accident, ainsi qu’une paraphrase des Catégories d’Aristote. Cet article vise à montrer que la doctrine de ces “prédicables” exposée par Martianus ne provient pas de l’Isagogè de Porphyre (comme les savant modernes ont supposé), mais s’est constituée à partir de matériaux issus des traités rhétoriques de Cicéron et du Peri hermeneias d’Apulée. Book IV of the Marriage of Philology and Mercury devoted to dialectics contains, in the part that studies words (De loquendo), a doctrine that deals with genus, species, difference, proper, and accident, as well as a paraphrase of Aristotle’s Categories. This article aims to show that the doctrine of these “predicables” exposed by Martianus does not come from Porphyry’s Isagogè (as modern critics have supposed), but was constituted from materials taken from Cicero’s rhetorical treatises and Apuleius’ Peri hermeneias.

Published
2022
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20. The ethical image in a topological perspective: the poetics of Gaston Bachelard

Author

Kuan-Min Huang

Subjects
being-there, well-being, world, survival, verticality, place, Language and Literature, Literature (General), PN1-6790
Abstract

In the poetics of Gaston Bachelard, the natural images, especially the four elements (fire, water, air, earth), occupy the eminent place for literary imagination. Under this main frame, this paper tries to present the relation of ethics and aesthetics in focusing on the ethical image as a synthetic concept. It also argues that the poetic imagination in Bachelard presupposes a metaphysical base managing the being, the force, the will, and the action. There is a dynamic structure in this metaphysics of imagination. Notwithstanding the usual separation of different spheres in philosophy, Bachelard urges a primary fusion in the cosmic scale, i.e. the world and the human are communicative and correspondent. Taking these principles into consideration, this paper explores the topological dimension in those poetic images of elements and space. The ontological sense of being-there is evaluated by the dynamic function of “there” in restoring its ethical meaning. Likewise, the terms “in front of the fire”, “before the water”, “in the water” are given the topological accents. The verticality indicating the dynamic function of the flight, of the falling, and of standing upright is topologically effective. In accordance to the verticality, the concept of survival contains an effect of surpassing the existential conditions, the prefix “sur-“ means that tentative of the higher degree. In sum, the cosmicity as the very place of ethical and ontological unification reveals Bachelard’s concern on the imaginative transformation of the personality, the appropriation in the cosmos.

Published
2012
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22. La parola al cospetto della morte: il trattamento dell���eredit�� traumatica nell������Orestea��� di Anagoor

Author

De Min, Silvia

Abstract

L���oggetto di studio di questo contributo �� la messa in scena dell���Orestea nella rivisitazione di Anagoor. Fedele alla propria estetica, la compagnia mette in scena la trasmissione del dolore e del sentimento della vendetta che colpiscono, come una fatale eredit��, le generazioni pi�� giovani della casa degli Atridi. L���eredit�� traumatica si declina in scena seguendo tre vettori: la parola, l���uso dei corpi e le sovrapposizioni di immaginari in un unico spazio. Il contributo cerca allora di mostrare come l���estetica del frammento e il ricorso al montaggio siano non solo i principi compositivi della trilogia contemporanea, ma anche una suggestione poetica possibile per il superamento del trauma della perdita., SigMa - Rivista di Letterature comparate, Teatro e Arti dello spettacolo, N. 5 (2021)

Published
2021
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23. Il sale nel Caput Adriae (Adriatico nord-orientale): dati, ipotesi, prospettive di approfondimento

Author

Montagnari, Emanuela, Federico, Bernardini, DE MIN, Angelo, Lenaz, Davide, Claudio, Tuniz, Anton, Velušček, AA.VV., Isabella Damiani, Alberto Cazzella, Valentina Copat, Montagnari, Emanuela, Bernardini, Federico, DE MIN, Angelo, Lenaz, Davide, Tuniz, Claudio, and Velušček, Anton

Subjects
Adriatico settentrionale, Settore L-ANT/01 - Preistoria e Protostoria, Protostoria, elementi di briquetage, indicatori diretti e indiretti, dati etno-storici, Sale
Abstract

La possibilità che il sale avesse avuto un ruolo importante nelle dinamiche insediative del Carso e dell’Istria (Adriatico nord-orientale) fin dalla tarda preistoria è stata ipotizzata principalmente in base a indicatori indiretti, e non è stata validata finora da interventi di campo mirati. Indicatori indiretti quali l’accertato uso pastorale di parecchie grotte carsiche (pastorizia e sale sono legati dalla necessità di integrare l’alimentazione delle greggi di caprovini); la presenza di un numero alto di oggetti “esotici” in molti siti (oggetti dati / ricevuti in cambio di bestiame e sale?); dati etno-storici: presenza di impianti produttivi / saline sicuramente da epoca romana fino al secolo scorso lungo tutto il litorale (in Istria una salina è tuttora attiva). In età protostorica, alcuni materiali ceramici rinvenuti nel sito lungo costa di Stramare di Muggia e nel castelliere di Elleri sarebbero interpretabili come briquetage, e dunque costituirebbero prove dirette della produzione di sale. Nella letteratura specialistica sul sale sono considerati validi sia gli indicatori diretti sia quelli indiretti: nondimeno, la loro tipologia e l’uso esclusivo piuttosto che integrato degli stessi potrebbero costituire tema di discussione teorico-metodologica. L’individuazione di analisi archeometriche (lato sensu) tali da confermare la presenza / produzione di sale in ambienti idonei anche dal punto di vista geo-ambientale è un altro tema di possibile approfondimento, così come quello della dimensione diacronica del fenomeno sale, evidente dall’importanza che hanno in moltissimi casi i dati etno-storici.

Published
2021

24. A measure of marketing price transmission in the rice market of Taiwan

Author

Yuan-Ming Lee and Kuan-Min Wang

Subjects
Marketing margin, Price transmission, Price asymmetry, Threshold model, TVECM, Economic theory. Demography, HB1-3840
Abstract

The goal of this paper is to test whether changes in the marketing margin betweenthe farm and the retail prices can result in an asymmetric relationship between the farm and the retail prices in the rice market of Taiwan. By separating the transaction cost variation into two regimes, this paper utilizes a two-regime TVECM with the error correction term serving as the threshold variable to create a non-linear threshold model. The empirical results show that when the marketing margin is lower than the threshold value, the market system operates freely and there is feedback between the farm and retail prices. However, when the marketing margin is higher than the threshold value, the government intervenes in the market and the causality between the farm and retail prices no longer exists. The conclusions are as follows. Changes in the marketing margin can cause the asymmetric price transmission between the farm and retail prices in Taiwan’s rice markets; therefore, ignoring the effect of the marketing margin could lead to errors in the models. When the marketing margin is higher than the threshold value, the government intervenes in the market and the causality between the two prices is broken.

Published
2009

25. Caravaggio a Napoli: i fantasmi di carta e la scena di Ernest Pignon-Ernest

Author

De Min, Silvia

Abstract

Lo street artist Ernest Pignon-Ernest, tra il 1988 e il 1990 incolla ai muri di angoli e strade di Napoli alcune serigrafie ispirate ai dipinti di Caravaggio. Tali interventi, epifaniche narrazioni visive, vengono qui presentati come forme d’arte di strada dalla natura fortemente teatrale. La dimensione spazio-temporale a cui essi danno vita, infatti, verrà letta come una scena, reale e simbolica ad un tempo, in grado di rivelare ciò che l’ordine so-ciale tenderebbe a nascondere o dimenticare., Finzioni, Vol. 1 No. 1 (2021): About fiction

Published
2021
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26. Il ritmo della decostruzione. Un’esperienza quasi-trascendentale

Author

Carlo Molinar Min

Subjects
Philosophy (General), B1-5802
Abstract

In this paper I will demonstrate how, in Derrida's approach to Husserl, phenomenology is to be understood through the notions of sound and space. First, I will show how the deconstruction of Husserl's phonologocentrism leads to a repositioning of the traditional concept of sound. Then, I will emphasize the relevance of the spatial element and its rhythmic dynamism. Under these premises, I will present my interpretive hypothesis, that in Derrida's thought there persists a transcendental dimension as a new transcendental aesthetics.

Published
2014
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28. La voce di chi sparisce, la narrativa di Tiziana Plebani

Author

Alessandra, Quattrocchi, Alessandra, Riccio, Anna Maria Crispino, Toscano, Anna, Annalisa, Comes, Antonella, Fimiani, Cinzia, Pennati, Donatella, Franchi, Elianda, Cazzorla, Elvira, Federici, Gisella, Modica, Giulia, Crispino, Giuliana, Misserville, Ilaria, Franciotti, Ivana, Rinaldi, Loredana, Magazzeni, Loredana, Metta, Maria Clelia Cardona, Maria Vittoria Vittori, Mariapia Achiardi Lessi, Marina, Vitale, Maristella, Lippolis, Matilde, Passa, Olga, Solombrino, Ornella, Cioni, Paola, Bono, Pina, Mandolfo, Samanta, Picciaiola, Sanzia, Milesi, Sara, Bennet, Saveria, Chemotti, Serena, Todesco, Silvia, Neonato, Silvia, Suriano, Titti, Danese, and Zara De Min

Subjects
Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate, Tiziana Plebano narrativa italiana contemporanea, Settore L-FIL-LET/11 - Letteratura Italiana Contemporanea
Published
2021

29. Interrogare le immagini del dolore e dell'amore

Author

Alessandra, Quattrocchi, Alessandra, Riccio, Anna Maria Crispino, Toscano, Anna, Annalisa, Comes, Antonella, Fimiani, Cinzia, Pennati, Donatella, Franchi, Elianda, Cazzorla, Elvira, Federici, Gisella, Modica, Giulia, Crispino, Giuliana, Misserville, Ilaria, Franciotti, Ivana, Rinaldi, Loredana, Magazzeni, Loredana, Metta, Maria Clelia Cardona, Maria Vittoria Vittori, Mariapia Achiardi Lessi, Marina, Vitale, Maristella, Lippolis, Matilde, Passa, Olga, Solombrino, Ornella, Cioni, Paola, Bono, Pina, Mandolfo, Samanta, Picciaiola, Sanzia, Milesi, Sara, Bennet, Saveria, Chemotti, Serena, Todesco, Silvia, Neonato, Silvia, Suriano, Titti, Danese, and Zara De Min

Subjects
Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate, Settore L-ART/06 - Cinema, Fotografia e Televisione, Settore L-ART/03 - Storia dell'Arte Contemporanea, Susan Sontag fotografia arte denuncia immagini
Published
2021

30. In Your Face. Anagoor, un esercizio Con un���intervista ai partecipanti del Laboratorio integrato di messa in scena | Iuav-Teatro e Arti performative

Author

De Min, Silvia

Subjects
arti performative, Anagoor, identita, visual culture, autoritratto, tableau vivant, teorie dello sguardo, Iuav
Abstract

In Your Face is a theatrical exploration on identity. This stage workshop, organised by IUAV and coordinated by the theatre company Anagoor, explores the relationship between creativity and identity. The delicate balance of self-observation and self-exposure allowed each participant to create a personal representation of themselves. The results of the workshop, twenty-two self-portraits in motion projected onto a plasma screen, were presented in the Spazio Cosmo at the Giudecca (Venice). In order to present this work, the relationship between the self-portraits and the exhibition space that hosts them is analyzed first. Then, the reflection focuses on the principles of the gaze according to the assumptions of visual culture. The relationship between performance and painting thus becomes a crucial junction for understanding the creative principles behind the workshop. But above all, in the end, the reflection underlines the principles of theatricality on which this type of work is based. An interview with the workshop participants, which was the starting point for the proposed reflections, accompanies the text.

Published
2021
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31. Il cinema di Francesco Rosi: Riconoscimenti e risarcimenti

Author

Andrea, Fabiano, Silvia De Min, Franco, Vazzoler, Agostino, Fiorilli, Luca, Frassineti, Fabrizio, Coscia, Vincenzo, Caputo, Lello, Esposito, Matteo, Palumbo, Anna, Masecchia, Pasquale, Sabbatino, Francesco de Cristofaro, Giuseppina, Scognamiglio, and Iaccio, Pasquale

Subjects
Rosi, Cinema, riconoscimenti, Rosi, riconoscimenti, Cinema
Published
2018

33. Ékphrasis in scena

Author

De Min, Silvia, Université de Venise Ca’ Foscari | Università Ca’ Foscari di Venezia, Sorbonne Université - Faculté des Lettres - UFR d'Études italiennes (SU UFR EU), Sorbonne Université (SU), Université de Venise, and University of Ca’ Foscari [Venice, Italy]

Subjects
[SHS.LITT]Humanities and Social Sciences/Literature
Abstract

International audience; Trattare del rapporto tra parola e immagine in ambito teatrale significa trattare della tensione tra i modi del rappresentativo, considerando i limiti espressivi del linguaggio e quelli della visione. Per capire come la scena teatrale abbia risposto, in epoche differenti, ai tentativi di dominio dell’uno o dell’altro polo, o come abbia trovato un equilibrio tra i due, il libro propone una teorizzazione della categoria dell’ékphrasis. Riflettere su questa forma del discorso che compone e scompone immagini consente di innescare un complesso ma lucido cortocircuito tra questioni all’apparenza distanti: i rapporti tra descrittivo e narrativo, tra didascalico e mimetico; le connessioni tra la creazione di immagini interiori e la realizzazione scenica attraverso i gesti; le oscillazioni tra percorsi dell’immaginazione e arte della memoria; infine le possibilità di dar forma all’immagine in scena per via linguistica, visiva o mista. L’ékphrasis diventa quindi uno strumento per comprendere i passaggi “di figurazione in figurazione” nel contesto spettacolare a partire dai testi o, viceversa, dalle scene.

Published
2018

34. «A Poetry of Moving Images»

Author

De Min, Silvia

Abstract

This paper investigates the principles of the construction of the dramatic image in Beckett’s works. The starting point is the analysis of the short prose L’image. Following the suggestions of an ecfrastic theory, it is possible to identify the performative elements involved in the construction of the vision with the writing process. The same elements are then studied in the theatrical practice particularly focusing upon: the fragmentation of the textual image; the fragmentation of the body and of the subject on stage; the dynamic process between movement and frozen image., Studi e ricerche

Published
2017
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35. Il sale nel Caput Adriae (Adriatico Nord occidentale): dati, ipotesi, prospettive di approfondimento

Author

MONTAGNARI, EMANUELA, DE MIN, ANGELO, LENAZ, DAVIDE, Bernardini, F., Tuniz, C., Velušček, A., Sovrintendenza Capitolina ai Beni Culturali, Direzione dei Musei Capitolini, Montagnari, Emanuela, Bernardini, F., DE MIN, Angelo, Lenaz, Davide, Tuniz, C., and Velušček, A.

Subjects
Caput Adriae, Sale, Caput Adriae, dati, ipotesi, ipotesi, Sale, dati
Abstract

La possibilità che il sale avesse avuto un ruolo importante nelle dinamiche insediative del Carso e dell’Istria (Adriatico nord-orientale) fin dalla tarda preistoria è stata ipotizzata principalmente in base a indicatori indiretti, e non è stata validata finora da interventi di campo mirati. Indicatori indiretti quali l’accertato uso pastorale di parecchie grotte carsiche (pastorizia e sale sono legati dalla necessità di integrare l’alimentazione delle greggi di caprovini); la presenza di un numero alto di oggetti “esotici” in molti siti (oggetti dati / ricevuti in cambio di bestiame e sale?); dati etno-storici: presenza di impianti produttivi / saline sicuramente da epoca romana fino al secolo scorso lungo tutto il litorale (in Istria una salina è tuttora attiva). In età protostorica, alcuni materiali ceramici rinvenuti nel sito lungo costa di Stramare di Muggia e nel castelliere di Elleri sarebbero interpretabili come briquetage, e dunque costituirebbero prove dirette della produzione di sale. Nella letteratura specialistica sul sale sono considerati validi sia gli indicatori diretti sia quelli indiretti: nondimeno, la loro tipologia e l’uso esclusivo piuttosto che integrato degli stessi potrebbero costituire tema di discussione teorico-metodologica. L’individuazione di analisi archeometriche (lato sensu) tali da confermare la presenza / produzione di sale in ambienti idonei anche dal punto di vista geo-ambientale è un altro tema di possibile approfondimento (il team interdisciplinare UniTs-ICTP prevede di affrontare la questione a partire dal 2015). Da ultimo, sarebbe interessante sviluppare la dimensione diacronica del fenomeno sale, evidente dall’importanza che hanno in moltissimi casi i dati etno-storici.

Published
2015

36. Biologia e genetica del podocita

Author

ZENNARO, CRISTINA, Armelloni, Silvia, Li, Min, Watanabe, Shojiro, Pignatari, Chiara, Ikehata, Masami, Giardino, Laura, Mattinzoli, Deborah, Corbelli, Alessandro, Rastaldi, Maria Pia, Zennaro, Cristina, Armelloni, Silvia, Li, Min, Watanabe, Shojiro, Pignatari, Chiara, Ikehata, Masami, Giardino, Laura, Mattinzoli, Deborah, Corbelli, Alessandro, and Rastaldi, Maria Pia

Subjects
podocita, citoscheletro, nefrina, proteinuria, sindrome nefrosica
Abstract

Progresses in podocyte biology have been strictly connected with genetic advances; the identification of genes mutated in familial and sporadic forms of nephrotic syndrome has been followed by functional studies of the encoded proteins, revealing numerous properties of the cell. The molecules uncovered so far belong to three main categories: a) proteins located at the slit diaphragm, the intercellular junction which laterally connects podocyte processes and is responsible for selectivity of the glomerular filter, b) molecules involved in regulation of actin dynamics, which are essential for the maintenance of podocyte structure and function, and c) molecules belonging to intracellular organelles, such as mitochondria and lysosomes, which are central players in podocyte metabolism. Considering the key role of the podocyte in health and disease of the glomerular filter, better knowledge of this cell is a pre-requisite for developing targeted therapies of glomerular diseases.

Published
2015

37. Decapitare la Gorgone: Ostensione dell’immagine e della parola nel teatro di Anagoor

Author

De Min, Silvia, Université de Venise Ca’ Foscari | Università Ca’ Foscari di Venezia, and Titivillus Edizioni

Subjects
[SHS.LITT]Humanities and Social Sciences/Literature
Abstract

International audience; Anagoor nasce in Veneto nel 2000 come progetto teatrale che porta in scena interrogativi profondi sull’etica corrente. Lo fa immettendo forme memoriali nel flusso del pensiero contemporaneo; lo fa interrogando maschere, icone, opere. Questo libro non ripercorre la storia di Anagoor, ma insegue il filo di un pensiero teatrale che è poetico e politico: le riflessioni, entrando nei lavori della compagnia, tessono una tela di respiri intrecciati. Questo, infatti, è anche uno studio sull’“Eneide”: il grande poema di Virgilio – protagonista di uno dei lavori di Anagoor – suggerisce le questioni che fondano le teorie accolte in questo libro. La scena contemporanea guarda al classico per interrogare maschere di potere – esibito o subito – che occultano e che, allo stesso tempo, rivelano. Questo libro è infine una possibilità di riflessione sul compito accolto dal teatro di Anagoor: mostrare la fragilità degli idoli a cui ogni uomo aderisce, la fragilità di certezze ritenute inscalfibili. La tradizione e le sue immagini non sono mai qualcosa di definito o definitivo, imposto o imponibile. Scrutare il divenire del mondo, anche nelle icone che provengono da un passato lontano, significa sfuggire allo sguardo pietrificante della Gorgone, decapitandola. Il saggio è preceduto dall’“Intervista sulla Bellezza e sul Male” condotta alla compagnia da Paolo Puppa, odinario di Storia del Teatro e dello Spettacolo all’Università di Venezia. Sono pagine in cui non soltanto la compagnia si racconta, ma trova l’occasione per un intenso scambio, con uno dei più importanti studiosi italiani, sul senso profondo del fare teatro.

Published
2016

39. Jacques Derrida e la pratica dei fenomeni. Dialettica e temporalità dell’esercizio trascendentale

Author

Molinar Min, Carlo

Subjects
lcsh:BD95-131, estetica trascendentale, quasi-trascendentale, contaminazione, esercizio, Filosofia, lcsh:Speculative philosophy, Dialettica, Philosophy, différance, lcsh:BD10-701, Dialectic, time-consciousness, transcendental aesthetic, quasi-transcendental, contamination, exercise, lcsh:Metaphysics, coscienza del tempo
Abstract

In this essay I would like to propose a reinterpretation of certain passages of the earlier Derrida’s works, specifically on Edmund Husserl. I will focus mainly on his dissertation (Mémoire d’études superieures) and his Introduction to the Husserlian appendix The origin of geometry. My purpose is to point out some aspects that I consider relevant for the development of the following Derrida’s philosophy. First of all, I’ll try to take into account the concept of dialectic in his transition from Kant to Husserl. Then, starting from Derrida’s interpretation of The Lectures on Internal Time-Consciousness, I’ll try to explain the meaning of what could be described as an aesthetic refoundation of the transcendental. In these early stages Derrida attempted to lay the foundation of what he’ll then call “quasi-transcendental”. From this perspective, we might note that the deconstructive reading – as such – involves a phenomenological attention towards the original contamination between the conditions of possibility and the empirical field. Therefore, the exercise of deconstruction has something to do with difference as différance from the very beginning., Con questo contributo intendo proporre una rilettura di alcuni passaggi specifici della fase iniziale dell’opera di Jacques Derrida dedicata allo studio di Edmund Husserl. Mi concentrerò, in particolare, sulla sua tesi di laurea (Mémoire d’étudessuperieures) e sulla sua introduzione al testo husserliano L’origine della geometria. Lo scopo è quello di far emergere alcuni aspetti particolarmente rilevanti al fine di comprendere lo sviluppo successivo dell’opera di Derrida. In prima battuta mi soffermerò sulla nozione di dialettica e sulla trasformazione di questo concetto nel passaggio da Kant a Husserl. In un secondo momento, riprendendo in mano l’interpretazione derridiana delle Lezioni sulla coscienza interna del tempo, tenterò di dare prova di quella che ho nominato “rifondazione estetica del trascendentale”. In queste fasi iniziali della sua indagine, Derrida getta le basi per ciò che identificherà sempre più spesso con l’espressione «quasi-trascendentale». In questa prospettiva, vedremo in che modo lo studio decostruttivo dei fenomeni comporti un’attenzione fenomenologica rivolta verso la contaminazione originaria tra condizioni di possibilità e dimensione empirico-fattuale. L’esercizio di decostruzione ha dunque a che fare fin dall’inizio con la differenza, concepita come différance.

Published
2016
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45. Searches for supersymmetric particles in e(+)e(-) collisions up to 208 GeV and interpretation of the results within the MSSM

Author

J. ABDALLAH, P. ABREU, W. ADAM, P. ADZIC, T. ALBRECHT, T. ALDERWEIRELD, R. ALEMANY FERNANDEZ, T. ALLMENDINGER, P. P. ALLPORT, U. AMALDI, N. AMAPANE, S. AMATO, E. ANASHKIN, A. ANDREAZZA, S. ANDRINGA, N. ANJOS, P. ANTILOGUS, W. D. APEL, Y. ARNOUD, S. ASK, B. ASMAN, J. E. AUGUSTIN, A. AUGUSTINUS, P. BAILLON, A. BALLESTRERO, P. BAMBADE, R. BARBIER, D. BARDIN, G. J. BARKER, A. BARONCELLI, M. BATTAGLIA, M. BAUBILLIER, K. H. BECKS, M. BEGALLI, A. BEHRMANN, E. BEN HAIM, N. BENEKOS, A. BENVENUTI, C. BERAT, M. BERGGREN, L. BERNTZON, D. BERTRAND, M. BESANCON, N. BESSON, D. BLOCH, M. BLOM, M. BLUJ, M. BONESINI, M. BOONEKAMP, P. S. L. BOOTH, G. BORISOV, O. BOTNER, B. BOUQUET, T. J. V. BOWCOCK, I. BOYKO, M. BRACKO, R. BRENNER, E. BRODET, P. BRUCKMAN, J. M. BRUNET, L. BUGGE, P. BUSCHMANN, M. CALVI, T. CAMPORESI, V. CANALE, F. CARENA, N. CASTRO, F. CAVALLO, M. CHAPKIN, P. CHARPENTIER, P. CHECCHIA, R. CHIERICI, P. CHLIAPNIKOV, J. CHUDOBA, S. U. CHUNG, K. CIESLIK, P. COLLINS, R. CONTRI, G. COSME, F. COSSUTTI, M. J. COSTA, B. CRAWLEY, D. CRENNELL, J. CUEVAS, J. D'HONDT, J. DALMAU, T. DA SILVA, W. DA SILVA, G. DELLA RICCA, A. DE ANGELIS, W. DE BOER, C. DE CLERCQ, B. DE LOTTO, N. DE MARIA, A. DE MIN, L. DE PAULA, L. DI CIACCIO, A. DI SIMONE, K. DOROBA, J. DREES, M. DRIS, G. EIGEN, T. EKELOF, M. ELLERT, M. ELSING, M. C. ESPIRITO SANTO, G. FANOURAKIS, D. FASSOULIOTIS, M. FEINDT, J. FERNANDEZ, A. FERRER, F. FERRO, U. FLAGMEYER, H. FOETH, E. FOKITIS, F. FULDA QUENZER, J. FUSTER, M. GANDELMAN, C. GARCIA, P. GAVILLET, E. GAZIS, R. GOKIELI, B. GOLOB, G. GOMEZ CEBALLOS, P. GONCALVES, E. GRAZIANI, G. GROSDIDIER, K. GRZELAK, J. GUY, C. HAAG, A. HALLGREN, K. HAMACHER, K. HAMILTON, J. HANSEN, S. HAUG, F. HAULER, V. HEDBERG, M. HENNECKE, H. HERR, J. HOFFMAN, S. O. HOLMGREN, P. J. HOLT, M. A. HOULDEN, K. HULTQVIST, J. N. JACKSON, G. JARLSKOG, P. JARRY, D. JEANS, E. K. JOHANSSON, P. D. JOHANSSON, P. JONSSON, C. JORAM, L. JUNGERMANN, FREDERIC KAPUSTA, S. KATSANEVAS, E. KATSOUFIS, G. KERNEL, B. P. KERSEVAN, A. KIISKINEN, B. T. KING, N. J. KJAER, P. KLUIT, P. KOKKINIAS, C. KOURKOUMELIS, O. KOUZNETSOV, Z. KRUMSTEIN, M. KUCHARCZYK, J. LAMSA, G. LEDER, F. LEDROIT, L. LEINONEN, R. LEITNER, J. LEMONNE, V. LEPELTIER, T. LESIAK, W. LIEBIG, D. LIKO, A. LIPNIACKA, J. H. LOPES, J. M. LOPEZ, D. LOUKAS, P. LUTZ, L. LYONS, J. MACNAUGHTON, A. MALEK, S. MALTEZOS, F. MANDL, J. MARCO, R. MARCO, B. MARECHAL, M. MARGONI, J. C. MARIN, C. MARIOTTI, A. MARKOU, C. MARTINEZ RIVERO, J. MASIK, N. MASTROYIANNOPOULOS, F. MATORRAS, C. MATTEUZZI, F. MAZZUCATO, M. MAZZUCATO, R. MCNULTY, C. MERONI, W. T. MEYER, E. MIGLIORE, W. MITAROFF, U. MJOERNMARK, T. MOA, M. MOCH, K. MOENIG, R. MONGE, J. MONTENEGRO, D. MORAES, S. MORENO, P. MORETTINI, U. MUELLER, K. MUENICH, M. MULDERS, L. MUNDIM, W. MURRAY, B. MURYN, G. MYATT, T. MYKLEBUST, M. NASSIAKOU, K. NAWROCKI, R. NICOLAIDOU, M. NIKOLENKO, A. OBLAKOWSKA MUCHA, V. OBRAZTSOV, A. OLSHEVSKI, A. ONOFRE, R. ORAVA, K. OSTERBERG, A. OURAOU, A. OYANGUREN, M. PAGANONI, J. P. PALACIOS, H. PALKA, T. D. PAPADOPOULOU, L. PAPE, C. PARKES, F. PARODI, U. PARZEFALL, A. PASSERI, O. PASSON, L. PERALTA, V. PEREPELITSA, A. PETROLINI, J. PIEDRA, L. PIERI, F. PIERRE, M. PIMENTA, E. PIOTTO, T. PODOBNIK, V. POIREAU, M. E. POL, G. POLOK, P. POROPATY, V. POZDNIAKOV, N. PUKHAEVA, A. PULLIA, J. RAMES, L. RAMLER, ALEXANDER L. READ, P. REBECCHI, J. REHN, D. REID, R. REINHARDT, P. RENTON, F. RICHARD, J. RIDKY, M. RIVERO, D. RODRIGUEZ, A. ROMERO, P. RONCHESE, E. ROSENBERG, P. ROUDEAU, V. RUHLMANN KLEIDER, D. RYABTCHIKOV, A. SADOVSKY, L. SALMI, J. SALT, A. SAVOY NAVARRO, U. SCHWICKERATH, A. SEGAR, R. SEKULIN, M. SIEBEL, A. SISAKIAN, G. SMADJA, O. SMIRNOVA, A. SOKOLOV, A. SOPCZAK, R. SOSNOWSKI, T. SPASSOV, M. STANITZKI, A. STOCCHI, J. STRAUSS, B. STUGU, M. SZCZEKOWSKI, M. SZEPTYCKA, T. SZUMLAK, T. TABARELLI, A. C. TAFFARD, F. TEGENFELDT, J. TIMMERMANS, L. TKATCHEV, M. TOBIN, S. TODOROVOVA, B. TOME, A. TONAZZO, P. TORTOSA, P. TRAVNICEK, D. TREILLE, G. TRISTRAM, M. TROCHIMCZUK, C. TRONCON, M. L. TURLUER, I. A. TYAPKIN, P. TYAPKIN, S. TZAMARIAS, V. UVAROV, G. VALENTI, P. VAN DAM, J. VAN ELDIK, A. VAN LYSEBETTEN, N. VAN REMORTEL, I. VAN VULPEN, G. VEGNI, F. VELOSO, W. VENUS, F. VERBEURE, P. VERDIER, V. VERZI, D. VILANOVA, L. VITALE, V. VRBA, H. WAHLEN, A. J. WASHBROOK, C. WEISER, D. WICKE, J. WICKENS, G. WILKINSON, M. WINTER, M. WITEK, O. YUSHCHENKO, A. ZALEWSKA, P. ZALEWSKI, D. ZAVRTANIK, V. ZHURAVLOV, N. I. ZIMIN, A. ZINTCHENKO, M. ZUPAN, NAVARRIA, FRANCESCO LUIGI, PAIANO, SIMONE, PERROTTA, ANDREA, ROVELLI, TIZIANO, Delphi, Collaboration, Abreu, P., Adam, W., Canale, Vincenzo, Abdallah, J, Abreu, P, Adam, W, Adzic, P, Albrecht, T, Alderweireld, T, Alemany Fernandez, R, Allmendinger, T, Allport, P, Amaldi, U, Amapane, N, Amato, S, Anashkin, E, Andreazza, A, Andringa, S, Anjos, N, Antilogus, P, Apel, W, Arnoud, Y, Ask, S, Asman, B, Augustin, J, Augustinus, A, Baillon, P, Ballestrero, A, Bambade, P, Barbier, R, Bardin, D, Barker, G, Baroncelli, A, Battaglia, M, Baubillier, M, Becks, K, Begalli, M, Behrmann, A, Ben Haim, E, Benekos, N, Benvenuti, A, Berat, C, Berggren, M, Berntzon, L, Bertrand, D, Besancon, M, Besson, N, Bloch, D, Blom, M, Bluj, M, Bonesini, M, Boonekamp, M, Booth, P, Borisov, G, Botner, O, Bouquet, B, Bowcock, T, Boyko, I, Bracko, M, Brenner, R, Brodet, E, Bruckman, P, Brunet, J, Bugge, L, Buschmann, P, Calvi, M, Camporesi, T, Canale, V, Carena, F, Castro, N, Cavallo, F, Chapkin, M, Charpentier, P, Checchia, P, Chierici, R, Chliapnikov, P, Chudoba, J, Chung, S, Cieslik, K, Collins, P, Contri, R, Cosme, G, Cossutti, F, Costa, M, Crawley, B, Crennell, D, Cuevas, J, D'Hondt, J, Dalmau, J, da Silva, T, Da Silva, W, Della Ricca, G, De Angelis, A, De Boer, W, De Clercq, C, De Lotto, B, De Maria, N, De Min, A, de Paula, L, Di Ciaccio, L, Di Simone, A, Doroba, K, Drees, J, Dris, M, Eigen, G, Ekelof, T, Ellert, M, Elsing, M, Santo, M, Fanourakis, G, Fassouliotis, D, Feindt, M, Fernandez, J, Ferrer, A, Ferro, F, Flagmeyer, U, Foeth, H, Fokitis, E, Fulda Quenzer, F, Fuster, J, Gandelman, M, Garcia, C, Gavillet, P, Gazis, E, Gokieli, R, Golob, B, Gomez Ceballos, G, Goncalves, P, Graziani, E, Grosdidier, G, Grzelak, K, Guy, J, Haag, C, Hallgren, A, Hamacher, K, Hamilton, K, Haug, S, Hauler, F, Hedberg, V, Hennecke, M, Herr, H, Hoffman, J, Holmgren, S, Holt, P, Houlden, M, Hultqvist, K, Jackson, J, Jarlskog, G, Jarry, P, Jeans, D, Johansson, E, Johansson, P, Jonsson, P, Joram, C, Jungermann, L, Kapusta, F, Katsanevas, S, Katsoufis, E, Kernel, G, Kersevan, B, Kerzel, U, Kiiskinen, A, King, B, Kjaer, N, Kluit, P, Kokkinias, P, Kourkoumelis, C, Kouznetsov, O, Krumstein, Z, Kucharczyk, M, Lamsa, J, Leder, G, Ledroit, F, Leinonen, L, Leitner, R, Lemonne, J, Lepeltier, V, Lesiak, T, Liebig, W, Liko, D, Lipniacka, A, Lopes, J, Lopez, J, Loukas, D, Lutz, P, Lyons, L, Macnaughton, J, Malek, A, Maltezos, S, Mandl, F, Marco, J, Marco, R, Marechal, B, Margon, M, Marin, J, Mariotti, C, Markou, A, Martinez Rivero, C, Masik, J, Mastroyiannopoulos, N, Matorras, F, Matteuzzi, C, Mazzucato, F, Mazzucato, M, Mcnulty, R, Meroni, C, Meyer, W, Migliore, E, Mitaroff, W, Mjoernmark, U, Moa, T, Moch, M, Moenig, K, Monge, R, Montenegro, J, Moraes, D, Moreno, S, Morettini, P, Mueller, U, Muenich, K, Mulders, M, Mundim, L, Murray, W, Muryn, B, Myatt, G, Myklebust, T, Nassiakou, M, Navarria, F, Nawrocki, K, Nicolaidou, R, Nikolenko, M, Oblakowska Mucha, A, Obraztsov, V, Olshevski, A, Onofre, A, Orava, R, Osterberg, K, Ouraou, A, Oyanguren, A, Paganoni, M, Paiano, S, Palacios, J, Palka, H, Papadopoulou, T, Pape, L, Parkes, C, Parodi, F, Parzefall, U, Passeri, A, Passon, O, Peralta, L, Perepelitsa, V, Perrotta, A, Petrolini, A, Piedra, J, Pieri, L, Pierre, F, Pimenta, M, Piotto, E, Podobnik, T, Poireau, V, Pol, M, Polok, G, Poropat, P, Pozdniakov, V, Pukhaeva, N, Pullia, A, Rames, J, Ramler, L, Read, A, Rebecchi, P, Rehn, J, Reid, D, Reinhardt, R, Renton, P, Richard, F, Ridky, J, Rivero, M, Rodriguez, D, Romero, A, Ronchese, P, Rosenberg, E, Roudeau, P, Rovelli, T, Ruhlmann Kleider, V, Ryabtchikov, D, Sadovsky, A, Salmi, L, Salt, J, Savoy Navarro, A, Schwickerath, U, Segar, A, Sekulin, R, Siebel, M, Sisakian, A, Smadja, G, Smirnova, O, Sokolov, A, Sopczak, A, Sosnowski, R, Spassov, T, Stanitzki, M, Stocchi, A, Strauss, J, Stugu, B, Szczekowski, M, Szeptycka, M, Szumlak, T, TABARELLI DE FATIS, T, Taffard, A, Tegenfeldt, F, Timmermans, J, Tkatchev, L, Tobin, M, Todorovova, S, Tome, B, Tonazzo, A, Tortosa, P, Travnicek, P, Treille, D, Tristram, G, Trochimczuk, M, Troncon, C, Turluer, M, Tyapkin, I, Tyapkin, P, Tzamarias, S, Uvarov, V, Valenti, G, Van Dam, P, Van Eldik, J, Van Lysebetten, A, van Remortel, N, Van Vulpen, I, Vegni, G, Velos, F, Venus, W, Verdier, P, Verzi, V, Vilanova, D, Vitale, L, Vrba, V, Wahlen, H, Washbrook, A, Weiser, C, Wicke, D, Wickens, J, Wilkinson, G, Winter, M, Witek, M, Yushchenko, O, Zalewska, A, Zalewski, P, Zavrtanik, D, Zhuravlov, V, Zimin, N, Zintchenko, A, Zupan, M, DELPHI Collaboration, Laboratoire de Physique Subatomique et de Cosmologie (LPSC), Université Joseph Fourier - Grenoble 1 (UJF)-Institut polytechnique de Grenoble - Grenoble Institute of Technology (Grenoble INP)-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Institut Polytechnique de Grenoble - Grenoble Institute of Technology-Centre National de la Recherche Scientifique (CNRS)-Université Grenoble Alpes (UGA), Laboratoire de l'Accélérateur Linéaire (LAL), Université Paris-Sud - Paris 11 (UP11)-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Centre National de la Recherche Scientifique (CNRS), Institut de Recherches Subatomiques (IReS), Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Cancéropôle du Grand Est-Université Louis Pasteur - Strasbourg I-Centre National de la Recherche Scientifique (CNRS), Physique Corpusculaire et Cosmologie - Collège de France (PCC), Collège de France (CdF)-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Centre National de la Recherche Scientifique (CNRS), DELPHI, Institut polytechnique de Grenoble - Grenoble Institute of Technology (Grenoble INP )-Institut Polytechnique de Grenoble - Grenoble Institute of Technology-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Université Joseph Fourier - Grenoble 1 (UJF)-Centre National de la Recherche Scientifique (CNRS), Centre National de la Recherche Scientifique (CNRS)-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Université Paris-Sud - Paris 11 (UP11), Collège de France (CdF (institution))-Institut National de Physique Nucléaire et de Physique des Particules du CNRS (IN2P3)-Centre National de la Recherche Scientifique (CNRS), J. 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KIISKINEN, B.T. KING, N.J. KJAER, P. KLUIT, P. KOKKINIAS, C. KOURKOUMELIS, O. KOUZNETSOV, Z. KRUMSTEIN, M. KUCHARCZYK, J. LAMSA, G. LEDER, F. LEDROIT, L. LEINONEN, R. LEITNER, J. LEMONNE, V. LEPELTIER, T. LESIAK, W. LIEBIG, D. LIKO, A. LIPNIACKA, J.H. LOPES, J.M. LOPEZ, D. LOUKAS, P. LUTZ, L. LYONS, J. MACNAUGHTON, A. MALEK, S. MALTEZOS, F. MANDL, J. MARCO, R. MARCO, B. MARECHAL, M. MARGONI, J.C. MARIN, C. MARIOTTI, A. MARKOU, C. MARTINEZ-RIVERO, J. MASIK, N. MASTROYIANNOPOULOS, F. MATORRAS, C. MATTEUZZI, F. MAZZUCATO, M. MAZZUCATO, R. MCNULTY, C. MERONI, W.T. MEYER, E. MIGLIORE, W. MITAROFF, U. MJOERNMARK, T. MOA, M. MOCH, K. MOENIG, R. MONGE, J. MONTENEGRO, D. MORAES, S. MORENO, P. MORETTINI, U. MUELLER, K. MUENICH, M. MULDERS, L. MUNDIM, W. MURRAY, B. MURYN, G. MYATT, T. MYKLEBUST, M. NASSIAKOU, F. NAVARRIA, K. NAWROCKI, R. NICOLAIDOU, M. NIKOLENKO, A. OBLAKOWSKA-MUCHA, V. OBRAZTSOV, A. OLSHEVSKI, A. ONOFRE, R. ORAVA, K. OSTERBERG, A. OURAOU, A. OYANGUREN, M. PAGANONI, S. PAIANO, J.P. PALACIOS, H. PALKA, T.D. PAPADOPOULOU, L. PAPE, C. PARKES, F. PARODI, U. PARZEFALL, A. PASSERI, O. PASSON, L. PERALTA, V. PEREPELITSA, A. PERROTTA, A. PETROLINI, J. PIEDRA, L. PIERI, F. PIERRE, M. PIMENTA, E. PIOTTO, T. PODOBNIK, V. POIREAU, M.E. POL, G. POLOK, P. POROPATY, V. POZDNIAKOV, N. PUKHAEVA, A. PULLIA, J. RAMES, L. RAMLER, ALEXANDER L. READ, P. REBECCHI, J. REHN, D. REID, R. REINHARDT, P. RENTON, F. RICHARD, J. RIDKY, M. RIVERO, D. RODRIGUEZ, A. ROMERO, P. RONCHESE, E. ROSENBERG, P. ROUDEAU, T. ROVELLI, V. RUHLMANN-KLEIDER, D. RYABTCHIKOV, A. SADOVSKY, L. SALMI, J. SALT, A. SAVOY-NAVARRO, U. SCHWICKERATH, A. SEGAR, R. SEKULIN, M. SIEBEL, A. SISAKIAN, G. SMADJA, O. SMIRNOVA, A. SOKOLOV, A. SOPCZAK, R. SOSNOWSKI, T. SPASSOV, M. STANITZKI, A. STOCCHI, J. STRAUSS, B. STUGU, M. SZCZEKOWSKI, M. SZEPTYCKA, T. SZUMLAK, T. TABARELLI, A.C. TAFFARD, F. TEGENFELDT, J. TIMMERMANS, L. TKATCHEV, M. TOBIN, S. TODOROVOVA, B. TOME, A. TONAZZO, P. TORTOSA, P. TRAVNICEK, D. 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Subjects
Particle physics, E+E ANNIHILATION, Physics and Astronomy (miscellaneous), LOWEST ORDER CALCULATIONS, MONTE-CARLO SIMULATION, FOS: Physical sciences, RADIATIVE-CORRECTIONS, LIGHTEST NEUTRALINO, DELPHI DETECTOR, ROOT-S, 2-PHOTON PROCESSES, CONFIDENCE-LIMITS, MASS-DEGENERATE, Parameter space, 01 natural sciences, Lightest Supersymmetric Particle, Interpretation (model theory), High Energy Physics - Experiment, High Energy Physics - Experiment (hep-ex), SEARCH, 0103 physical sciences, [PHYS.HEXP]Physics [physics]/High Energy Physics - Experiment [hep-ex], Combined result, 010306 general physics, Engineering (miscellaneous), DELPHI, Physics, high energy collider, 010308 nuclear & particles physics, High Energy Physics::Phenomenology, LEP, LARGE ELECTRON POSITRON COLLIDER, FIS/01 - FISICA SPERIMENTALE, PARTICLE PHYSICS, Particle, High Energy Physics::Experiment, supersymmetry, Particle Physics - Experiment, MSSM, Minimal Supersymmetric Standard Model
Abstract

DELPHI data collected at centre-of-mass energies up to 208 GeV have been analysed to search for charginos, neutralinos and sfermions in the framework of the Minimal Supersymmetric Standard Model (MSSM) with R-parity conservation. No evidence for a signal was found in any of the channels. The results of each search were used to derive limits on production cross-sections and particle masses. In addition, the combined result of all searches excludes regions in the parameter space of the constrained MSSM, leading to limits on the mass of the Lightest Supersymmetric Particle and other supersymmetric particles., 103 pages, 44 figures, Accepted by Eur. Phys. J. C; a version with higher resolution figures 15, 16, 21, 23, 24, 28, 35 and 37 can be found at http://delphiwww.cern.ch/~pubxx/www/delsec/papers/public/paper0302.ps.gz

Published
2003
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50. Leggere le didascalie: Narrazione, commento, immaginazione nella drammaturgia moderna

Author

De Min, Silvia and Université de Venise Ca’ Foscari | Università Ca’ Foscari di Venezia

Subjects
[SHS.LITT]Humanities and Social Sciences/Literature
Abstract

International audience; Nell'ambito della scrittura didascalica non esistono regole precise ma possibilità, che gli autori teatrali hanno esplorato ed esplorano a modo loro. Questo volume individua alcune linee interpretative e alcuni modelli ipotetici di analisi, definiti soprattutto sulla drammaturgia novecentesca, italiana e non, applicabili, per somiglianza o differenza, anche a drammaturgie precedenti. Il tentativo è di definire i presupposti di una scrittura che ha visto incrementare progressivamente la propria letterarietà nel corso del Novecento, proponendo una sorta di teoria dello "sguardo temporalizzato" che rappresenta, sulla pagina, la durata di una visione presupposta o dedotta. Ma occuparsi di didascalie significa anche considerare le aperture e le intrusioni didascaliche sulla scena. L'idea di una "focalizzazione didascalica", sottesa a tutto il lavoro, rende evidente il contatto stretto con il mondo narrato, filo conduttore di uno studio che si dedica ad uno spazio testuale spesso trascurato e invece estremamente ricco di suggestioni.

Published
2013

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