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10 results on '"Ghirardini, Cristina"'

3. 1. Introduzione

Author

Meandri, Ilario, Ghirardini, Cristina, Raschieri, GUIDO BATTISTA, Bevilacqua, Giorgio, Filiberto, Chiabrando, and Giacomo, Patrucco

Published
2019

5. Introduzione

Author

Meandri, Ilario, Ghirardini, Cristina, Raschieri, Guido, Bevilacqua, Giorgio, Chiabrando, Filiberto, and Patrucco, Giacomo

Published
2019

8. The Italian jukebox

Author

Ghirardini, Cristina

Subjects
060101 anthropology, 0202 electrical engineering, electronic engineering, information engineering, 020201 artificial intelligence & image processing, 0601 history and archaeology, 06 humanities and the arts, 02 engineering and technology
Abstract

The paper gives a short historical survey of ethnomusicological sound archives in Italy and proposes a few remarks on the accessibility of music through them. It also deals with the role that has normally been given to sound archives and with the concept of source, questioning the common idea that the main purpose of a sound archive is the creation and preservation of good historical sources. Moreover, it addresses the concepts of patrimonialisation and intangible heritage, wondering if the heritage of sound archives is really intangible or not. Finally, it discusses the relationship between the activity of local sound archives and the ethnomusicological work, especially focusing on my experience at the Centro per il dialetto romagnolo, in Ravenna. This paper tries to understand whether in contemporary Italy sound archives may have a fruitful role inside local communities by allowing the access to a critical repository of recordings., Philomusica on-line, Vol 16, N° 1 (2017): Making music in the time of YouTube

Published
2017
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9. Presenze intermittenti: le voci femminili nella poesia estemporanea in ottava rima in Italia centrale.

Author

Ghirardini, Cristina

Abstract

Sung improvised poetry in ottava rima has been documented in Italy since the 14th century and has survived until now in Italian folk song. Although it is currently considered a male tradition, women played an important role especially in the 18th century, when they were admired both as famous improvvisatrici who performed in literary academies and as illiterate folk singers. This article deals with the involvement of women in the poetic duel in ottava rima in Central Italy. The first part is dedicated to the presence of women in sung improvised poetry in the 18th and 19th centuries, focusing on the gendered aspects of their singing and their public performance. The second part deals with a quite exceptional event: the meeting of improvised poetry in ottava rima dedicated exclusively to women, which took place in Borbona (Rieti) on 13 September 2019. [ABSTRACT FROM AUTHOR]

Published
2020

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