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9. Marziale e la logica del comico

Author

CITRONI, MARIO, M. Boutsinou-Kikilia, A. N. Michalopoulos, S. Papaioannou (a cura di), and Citroni, Mario

Subjects
Letteratura latina, teoria letteraria, teoria del comico, generi letterari
Abstract

An examination of modern theories of the epigram, from Scaliger to Lessing and through to the twentieth century shows that they identified, as one important feature of the genre, a strictly logical kind of relation between the first part of the poem and the second, with the second drawing a conclusion from the first in an often witty, ingenious or openly comic fashion. This way of interpreting the epigram can only be applied satisfactorily to a part of comic epigrammatic poetry, and much less so to the serious type, and has contributed to an unjustified reduction of the typical epigram to mere witticism. Martial is usually considered the author who was most successful in producing this form of comic epigram based on the manipulation of logical processes. But as is known to modern theorists, verbal humour is produced not only by logical techniques, inherent to witticisms, but also by processes of mimesis and caricature, pertaining to literary representation. These two different forms of humour had already been examined by ancient theorists of discourse techniques, as is shown here through an analysis of Cicero and Quintilian’s treatments of the use of comic elements in oratory. Martial, a friend of Quintilian and an admirer of the epigrammatist Domitius Marsus, who had written a treatise on the orator’s urbanitas employed by Quintilian himself, was certainly aware that these writers recommended the combined use of the two different kinds of humour. And in fact Martial, while making masterly use of logical comic methods to emphasize the contradictions and absurdities of human behaviour, almost always combines them with those of mimesis and caricature. The logical method is not the poet’s primary interest: it lays stress on the essential meaning attributed by the poet to the representation of reality, which is expressed in both the first and second part of the poem as Herder correctly argued in opposition to Lessing.

Published
2014

16. Prefazione

Author

CITRONI, MARIO, E. NARDUCCI, and Citroni, Mario

Published
2009

17. Cicerone e la lirica

Author

CITRONI, MARIO, P. ARDUINI, S. AUDANO, A. BORGHINI, A. CAVARZERE, G. MAZZOLI, G. PADUANO, A. RUSSO (a cura), and Citroni, Mario

Published
2008

35. Pasquali, Giorgio

Author

CITRONI, MARIO, S. Mariotti, and Citroni, Mario

Published
1998

36. Pubblico

Author

CITRONI, MARIO, S. Mariotti (a cura), and Citroni, Mario

Published
1997

37. Letteratura di Roma antica

Author

CITRONI, MARIO, LABATE MARIO, NARDUCCI EMANUELE, CONSOLINO FRANCA ELA, Citroni, Mario, Labate, Mario, Narducci, Emanuele, and CONSOLINO FRANCA, Ela

Published
1997

46. Satira, epigramma, favola

Author

CITRONI, MARIO, M: Citroni, P. Fedeli, G. Paduano, A. Perutelli, and Citroni, Mario

Published
1991

47. I destinatari contemporanei

Author

CITRONI, MARIO, G. Cavallo, P. Fedeli, A. Giardina (a cura), and Citroni, Mario

Published
1990

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