Search

Heritage is generally understood as the legacy from the ancestors to the descendants over time. But when this heritage is part of a colonial city, Kinshasa (Leopoldville), that is the result of the work of Western architects, the question of the story that would carry its heritage becomes crucial. The article first shows, through a few selected case studies - the BCB Bank (1949), the Sabena Towers (1952) and the Saint Antoine Church (1961)- that the modernism that characterizes downtown Kinshasa, carries the DNA of local identity cleverly expressed by the tropical architecture. The aim of this paper is to examine part of this African modern heritage that has to be studied, classified and protected, the sustainability already embedded in that architectural language and its application in the design process analyzing quintessential artifacts in order to adequately tackle the further sustainable steps without losing the fundamental teachings of this next World Heritage. [ABSTRACT FROM AUTHOR]

Copyright of TECHNE: Journal of Technology for Architecture & Environment is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper illustrates the results of the diagnostic analyses aimed at the knowledge and characteriza-tion of the plasters and paint on the main front of the Cathedral de la Asunción de León in Nicaragua, which since 2011 has been granted World Heritage status by UNESCO. In addition to a knowledge nature, the diagnostic campaign has set itself the goal of providing useful information to develop a proper conservation project capable of introducing a working method (based on the close relationship between architect, chemist, geologist and restorer) not yet widespread in a country like Nicaragua. [ABSTRACT FROM AUTHOR]

Copyright of Il Capitale Culturale: Studies on the Value of Cultural Heritage is the property of Il Capitale Culturale Studies on the Value of Cultural Heritage and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Il Capitale Culturale: Studies on the Value of Cultural Heritage is the property of Il Capitale Culturale Studies on the Value of Cultural Heritage and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of TECHNE: Journal of Technology for Architecture & Environment is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)