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1. MOTIVATION, ATTITUDES AND HABITS IN CULTURAL PARTICIPATION AMONG VISITORS TO VISUAL ARTS INSTITUTIONS

2. VIOLENCE IN WILLIAM FAULKNER’S LIGHT IN AUGUST (1932)

3. PARENTS - FOUNDERS OF ALTERNATIVE SCHOOLS IN THE REPUBLIC OF CROATIA

4. CHALLENGES OF QUALITY IN THE E-LEARNING PROCESS FOR HIGHER EDUCATION INSTITUTIONS DURING THE COVID-19 CRISIS IN BOSNIA AND HERZEGOVINA

5. The Interplay of Silence, Diegetic Sound and Music in Contemporary German Cinema

6. Today's media culture and imposed life values

7. Figurative usage of words and expressiveness of the text

8. THE ROLE OF EXPERT ASSOCIATES IN PLANNING AND REALIZATION OF THE PROGRAM FOR CHILDREN WITH AUTISM SPECTRUM DISORDERS IN MONTENEGRO

9. HOW BLUE BLOOD BECAME RED

10. Lexical and semantic relations of opposites conditional upon context

11. Preschool teachers’ self-efficacy and principals’ pedagogical competencies

12. HAGIOGRAPHIC CODEX PASSIONALE MR 164: FLEXION, DERIVATION AND SYNTAX OF THE NAMES IN BIBLICAL LATIN OF NON-BIBLICAL TEXTS – APPENDIX: PASSIO SANCTE BARBARE

13. RESEARCH OF CONTEMPORARY PERCEPTION OF TRADITIONAL TATTOOS ON THE EXAMPLE OF TATTOOS OF CATHOLIC WOMEN FROM BOSNIA AND HERZEGOVINA

14. Alternative forms of a democratic state: the case of Israel

15. METAPHOR IN THE GOSPEL CODING: CASE STUDY THE GOSPEL OF LUKE

16. New Hollywood – sociopolitical context and genre aspect

17. Style Levels in the Works by Constantine Porphyrogenitus

18. Role of the classification system in downloading and processing data for bibliometric research

19. Phrasemes with Biblical proper names in German and Croatian dictionaries

20. COMPARATIVE ANALYSIS OF THE PROSE BY EDGAR ALLAN POE AND ANTUN GUSTAV MATOS IN THE CONTEXT OF SHORT STORIES CRNI MACAK AND MIS

21. OPEN SOURCE SOFTWARE IN THE PUBLIC ADMINISTRATION OF BOSNIA AND HERZEGOVINA

22. WORK OF CROATIAN LANGUAGE TEACHERS WITH STUDENTS WITH SPECIFIC DIFFICULTIES IN READING AND WRITING

23. SEMANTIC WEB

24. COMMUNICATION ON SOCIAL NETWORKS AND DEVELOPMENT OF TOURISTIC DESTINATION BRAND IMAGE

25. USAGE OF INTERNET IN INVESTOR RELATIONS OF COMPANIES IN BOSNIA AND HERZEGOVINA

26. CULTURAL-HISTORICAL HERITAGE OF MEDIEVAL DREŽNICA

27. MORPHOLOGICAL AND LEXICAL CHARACTERISTICS OF VESNA PARUN’S POETIC DISCOURSE

28. FORMATION SPECIFICS OF BOSNIAN-HERZEGOVINIAN TRADE AND OTHER TERMINOLOGY – Where do we usually shop: at the baker’s, at the baker’s shop or in a bakery?

29. COMMUNICATION STRATEGIES IN THE CITY BRANDING

30. METAPHORICAL LANGUAGE CONSTRUCTIONS OF HORROR IN THE NOVEL DRACULA

31. INTEGRATION OF THE CHARACTER OF A SELF-CONSCIOUS WOMAN IN TRILOGY OF KURLANI BY MIRKO BOŽIĆ

32. HUMAN TRAFFICKING – SLAVERY OF THE 21st CENTURY

33. NAMING OF THE CORRESPONDENTS IN ARISTAENETUS’ EROTIC LETTERS: TRADITION AND INNOVATION

34. INFINITY AND MATHEMATICAL TRUTH

35. DOCUMENTARY FILM IN MEDIA CULTURE EDUCATION FROM THE ASPECT OF STUDENT INTEREST

36. INFLUENCE OF (NOT)KNOWING CROATIAN LANGUAGE ON THE PUBLIC APPEARANCE AND IMPRESSION OF THE CROATIAN GOVERNMENT PRESIDENT IN COMMUNICATION WITH THE CROATIAN PUBLIC

37. USES OF THE CATEGORY OF FREE INDIRECT THOUGHT PRESENTATION IN VIRGINIA WOOLF’S NOVEL TO THE LIGHTHOUSE

38. Consumerism – social phenomenon and new addiction

39. The Family Image in the novels of the 'Miron' circle by Anto Gardas

40. English compounds in Croatian media discourse

41. Some aspects of visuality in the epic poem Osman by Ivan Gundulić

42. CROATIAN CALENDAR TRADITION: THE FIRST CENTENNIAL CALENDAR IN CROATIAN

43. Inmates of the prison camp in Velika Pisanica treated in the hospital of Bjelovar (1945—1946)

44. USAGE OF CONCEPTUAL METAPHORS IN THE POLITICAL DISCOURSE OF THE POST-DAYTON ERA IN BIH

45. Education for personal marketing – creative challenge of business higher education

46. CROATIAN MONEY – AN INTEGRAL PART OF CROATIAN SOVEREIGNTY

47. THE IMPORTANCE OF LEARNERS’ BELIEFS IN LEARNING AND TEACHING A FOREIGN LANGUAGE

48. DIPLOMATIC ETHICS: FROM MACHIAVELLI TO PUBLIC DISSENT

49. FIELD RESEARCH OF DEPARTMENT OF ARCHAELOGY, FACULTY OF HUMANITIES AND SOCIAL SCIENCES

50. ANDRIC’S CRITICAL-ESSAYIST VIEWS ON ART