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The aim of this paper is to show how the dialogical form is an essential structure of the Platonic texts in which the interrogative form is the very form of philosophy. According to the intentio auctoris, the dialogues can change the lives of their readers and this can only happen thanks to the readers' internalization of the dialogical form as an interrogative structure. Like Socrates' interlocutors in the dialogues, readers with the dialogues, can change their live making it coherent with their own thoughts examined through the philosophical discourse. This form of coherence is the only possibility of virtue, and therefore of happiness. [ABSTRACT FROM AUTHOR]

In this paper I discuss Lorenzo Valla's criticism of the traditional Square of Opposition displayed in the second book of the Dialectica. I show that, according to Valla, the opposition rules of the propositions must take into account both common speeches and the correct use of Latin language, not the formal link occurring between the parts of propositions. In Valla's perspective, this theoretical change is carried out through rhetoric and philology, and it involves a reassessment of the arts of the trivium. As regards this topic, I argue that Valla aims niether to reduce dialectic to rhetoric nor to replace the former with the latter, but rather to establish some rhetorical principles as a better-suited way to set the opposition rules, because they take into account the linguistic context in which these rules apply. [ABSTRACT FROM AUTHOR]

This paper focuses on the use of the "exemplum" of Alexander in seven Imperial speeches by Libanius (4th c. AD). These are studied and analysed under both a macro- and a micro-perspective: in the first case, the analysis highlights the individual historical examples, their rhetorical function and their literary form. These aspects are subsequently discussed with respect to the specific literary genre, the position of exempla within the speech structure, as well as their aims and impact. Of special interest are the different ways in which Libanius uses the sometimes positive and sometimes negative image of Alexander in order to reinforce his argumentation and to guide his rhetorical strategy in specific pathways. [ABSTRACT FROM AUTHOR]

Modern scholars have sometimes noticed in the Lysianic speeches some affinities with characters and plots of the (New) Comedy. Through a survey of the corpus, this paper resumes the critical data, adds some new elements of similarity, not only with Comedy, but generally with literature and suggests that Lysias usually worked in this way. If so, it could be preferable to suppose that the logographer took the cue not from comedy, but from everyday life; secondarily, that he sketched characters and plots starting from the particular (his client) to the general; finally, that these artistic elements were useful to jury's persuasion and not added to a following publication. [ABSTRACT FROM AUTHOR]

In this paper I examine the application of the status-theory in some controversiae of Seneca the Elder's declamatory collection. The analysis of a number of significant examples shows that the declaimers not only perfectly mastered this complex rhetorical doctrine, but were also able to discuss some points of it and in case modify it, adapting the rules given by the rhetorical handbooks to the specific requirements of each single case. This leads us to the conclusion that the didactic value of the declamatory exercise never failed entirely, and in the rhetorical schools of the early imperial age it remained the fundamental instrument by which future orators learnt to put into practice the precepts transmitted in the rhetorical teaching, not only for the elocutio, but also and especially for the inventio. [ABSTRACT FROM AUTHOR]

The aim of this paper is to demonstrate how Cicero in his in Vatinium employs the iconic power of the body of the accused, Vatinius, and its repulsive strumae as a logical tool to support his persuasion strategy, thereby creating an enthymeme based upon the premises provided by the features of the body. This way of reasoning rests upon a strongly oriented and often distorting reading of the physical characteristics of the body in accordance with the physiognomic and pathognomonic doctrines. As a result, the deformities of Vatinius's body, instead of being used to commend Vatinius, become important elements in Cicero's strategy of belittling his opponent's authority. [ABSTRACT FROM AUTHOR]

This article presents an examination into the ancient Greek rhetorical concept of enargeia, or vividness. Two passages from the third century Greek text "Ars rhetorica," attributed to the writer Dionysius of Halicarnassus, are identified in regard to their reference to this concept. Brief background information regarding the treatise is also included. Subjects discussed within the passages focus on the relationship between the use of stylistic vividness and that of everyday language to bring about a sense of realism in discourse.

The article presents an exploration into the rhetorical elements of the Latin prose panegyrics of the 4th century. Details are given highlighting and analyzing the hymnic features of the Latin genre, noting how older Greco-Roman laudatory material was used and adapted from worship of the gods to praise of the Roman emperor. Specific examples are given in the praises dedicated to Diocletian and Maximian, the hymn to God and praise of the Tiber river dedicated to Constantine, and the hymn of Greece dedicated to Julian.