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Copyright of JLIS.it: Italian Journal of Library, Archives & Information Science is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of JLIS.it: Italian Journal of Library, Archives & Information Science is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper discusses how to widen the boundaries of an existing World Heritage Site to include the heritage of the 20th century. The work by Giancarlo De Carlo in Urbino is a perfect case study since modern architecture enriches the set of values where the statement of OUV was based. Urbino undertook a process of urban rebirth in the second half of the 20th century, according to De Carlo's master plan, which promoted a harmonic continuity between modern architecture and the preservation of the historic city. As a result, the Historic Centre of Urbino was enlisted in 1988 as an outstanding example of Renaissance capital. Although the statement of OUV did not mention De Carlo's work, the site's management plan (2012-14) suggests widening the buffer zone to include modern buildings. The authors wonder how to promote such updating of the WHS towards the recent past, something that seems not to have precedent examples in the WHL. [ABSTRACT FROM AUTHOR]

The strong processes of economic repositioning that the West experienced in the last decades of the 20th century with the transition from the industrial economy to the so-called "enrichment economy" led to the emergence of new project themes within the territorial disciplines. The decommissioning of large industrial areas is seen by the design culture as an opportunity to re-found cities through new policies and new design devices. The case of Turin is exemplary of this process in Italy. A city that symbolises Italian Fordism, from the 1980s onwards it was invested by an incremental process of large industrial areas abandonment due to the crisis of mass production. This paper aims to discuss how, after the end of the first post-Fordist cycle, decommissioned spaces accommodate not only residential or tertiary practices as in the thirty-year neoliberal era, but also new productive functions. It does so with a descriptive approach, recounting the change in Turin's production system and describing three exemplary cases of the new productive Turin: the new Pirelli in Settimo Torinese, Lavazza and the new Manufacturing Centre in Mirafiori. In this process we seem to be able to discern a paradigm shift in the design of the contemporary city, which does not deny but welcomes productive practices. However, this new model of the productive city in the West urgently needs to redefine visions, imaginaries and practices of the contemporary project. [ABSTRACT FROM AUTHOR]

The paper reflects on the training potential of football - addressing both professional and youth activities - and investigates the way in which the media have represented (during the 20th century) and represent (today) soccer, emphasizing how narratives and discourses about soccer produce both formative potentials as much as troubling outcomes that can overshadow the authentic values of the sport. The task of pedagogy is precisely to highlight the risks and opportunities of these representations and to promote, in all the actors involved, active attitudes to ensure that football, even today, can create opportunities to promote self-care, of the other and of the world. [ABSTRACT FROM AUTHOR]

Women movement have long seemed little interested in law, and traditional legal scholars were little interested in gender studies. However, throughout the twentieth century, women's movements produced a real revolution in the legal order. This paper discusses the different stages of the relationship between women's movements and the Italian way to gender equal opportunities. [ABSTRACT FROM AUTHOR]

At the beginning of the XX century music's aesthetic is not an autonomous discipline with defined borders. Scholars dealing with it are neither philosophers in the strict sense nor merely historians or critics of music. In this paper, I wonder about the possibility of finding the traces of the first Italian aesthetics of music among the folds of a composite and ongoing reflection and through the study of some generally-considered musicological production also having some philosophical profile. Along this path, some figures of particular interest emerge such as that of Fausto Acanfora Torrefranca, a "non-aligned" intellectual, who firmly tried to give musical studies an aesthetic-philosophical basis, on the one hand, and a much needed rigor in the early twentieth century Italy on the other. [ABSTRACT FROM AUTHOR]

Luigi Villari's book Fire and Sword in the Caucasus, published in London in 1906, is widely quoted by scholars working on the history of Transcaucasia, in particular in respect to the Armenian- Tatar war. Yet neither this text nor its author have been so far studied in detail. The Italian Luigi Villari (1876-1959) is a figure of considerable interest; he was a diplomat, traveler, and journalist. His father, Pasquale Villari (1827-1917), was an accomplished historian and politician who played an important role in nineteenth-century Italy; Villari's mother was the British writer Linda White (1836-1915). It is remarkable that the author wrote a book an English at a time when this was not a popular language in Italy. He wrote extensively both in English and Italian about different topics, mainly related to history and international politics. It has been shown that, after the First World War, Villari joined Fascism and contributed actively to the regime's propaganda in Great Britain. The present paper examines Luigi Villari's book on the Caucasus, especially the author's attitude towards the Armenians. I shall demonstrate that in his work, he handles negative stereotypes of the Armenians ("one of the most unpopular races of the East"), which were common in the Russian empire at the beginning of the twentieth century, in a rather interesting way. [ABSTRACT FROM AUTHOR]

The plays of Shakespeare have undergone radical transformations in the ways they have been produced and perceived over the centuries. In the 20th and 21st centuries, the plays have been adapted, localized, appropriated through a vast range of media: theatre, cinema, music, comics, and cartoons. This article will focus on the appropriation of A Midsummer Night's Dream in the form of cartoons and comics, comparing different versions and different media, from the puppet version of Jiri Trnka to the animated tales, to the manga version adapted by Richard Appignanesi and illustrated by Kate Brown, to Neil Gaiman's graphic novel version of the play. [ABSTRACT FROM AUTHOR]

This contribution aims at presenting the first account of a two-year research project which investigates Florence as a migration goal for German-Jewish intellectuals during the 1930s. In the first section, the historical and cultural background of Italian Exile are examined, with specific attention to the relationship between the intellectuals and political power. The second section presents a short overview of how German intellectuals had perceived Florence between the 19th and the beginning of the 20th centuries. The third section is then focussed on the perception of Florence during the Thirties as it emerges from both the memories and works of some of the refugees, who recorded their exile and represented the city both as the only possible shelter during this time of migration and the pleasurable waypoint of a potential Grand Tour. [ABSTRACT FROM AUTHOR]