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Though books are often considered “old media” in the digital age, their production in this period in fact has been continually reimagined and redefined through new technologies of printing, especially paper and ink manufacturing. This paper explores how three specific recent printed books demonstrate this point in both form and content: David Brower’s Let the Mountains Talk, Let the Rivers Run (1995), William McDonough and Michael Braungart’s Cradle to Cradle (2002), and the 2008 Harper-Collins Green Bible. Brower’s book was printed on paper made from kenaf, a sustainable alternative to wood-based paper. Cradle to Cradle was printed on a synthetic polymer that could be endlessly remade into other products. The Green Bible was printed on recycled paper and used soy-based ink, and all verses with environmental content were printed in green. In each case, in form these printed books were meant to model innovative industrial information production while also through their content to motivate enhanced environmental consciousness.

Deacidification is a method used to neutralize acids that can damage paper and provide a buffer to protect paper from the effects of acid from the outside. This research is related to the application of deacidification for archive paper at BBIB Singosari. BBIB Singosari is the Singosari Center for Artificial Insemination (BBIB) and is a technical implementation unit (UPT) of the Directorate General of Livestock and Animal Health. The purpose of this research is to apply the deacidification process at the BBIB Singosari Center and observe the physical factors which have an effect on preservation efforts. High acidity levels cause damage to archive paper, staining it yellow, and making it brittle. The deacidification process can change the condition of the paper to alkaline. In this experiment, the deacidification process is done by means of brushing and spraying techniques using calcium carbonate (CaCO3) and sodium carbonate (Na2CO3) solutions at 0.1% and 1%.

En primer término, se aborda la relación asimétrica de humanidades y ciencias en las instituciones contemporáneas de conocimiento sugiriendo la inconveniencia de acentuar la diferencia entre unas y otras, en la medida en que ambos órdenes epistémicos están sometidos hoy a los mismos condicionamientos estructurales. El efecto que estos tienen sobre las humanidades es analizado a través de dos aspectos críticos. En segundo término, se discute la significación epistémica de la ocurrencia como principio común de ciencias y humanidades apelando a la obra de Georg Christoph Lichtenberg a manera de caso ejemplar. En esta, experimentalismo y ensayo, singularidades, ficción y variación dan cuenta de un mismo brote epistémico en humanidades (y literatura) y ciencias.