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The paper aims at discussing how historical knowledge is transmitted in the videogame series “Age of Empires”. Charsky&Mims (2008) suggested that students, at the end of the videogame activity, compare the information gathered with that provided by historical accounts to discover hidden game mechanics. The author argues that, in a perspective of history education through game-based learning (Delgado-Algarra 2020) “Age of Empires” enables the gamer to discover the past in a relatively short time, moving around easily (Brusa, 2022, 75). [ABSTRACT FROM AUTHOR]

Copyright of Critical Hermeneutics: Biannual Journal of Philosophy is the property of Universita degli Studi di Cagliari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines some of the central philosophical positions concerning temporality to find trends in philosophical approaches to this issue. The theories of François Hartog and Thomas Macho on time will then be presented, highlighting their strengths and critical points and comparing them. The comparison aims to show how the two authors' approach to the problem of temporality makes it possible to find conceptual cores starting from the analysis of concrete forms of time measurement, rituals that have to do with time, and philosophical debates that have developed on this concept. [ABSTRACT FROM AUTHOR]

Copyright of Studia Universitatis Babes-Bolyai, Philologia is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annali di Storia delle Università Italiane is the property of CISUI: Centro Interuniversitario per la Storia delle Universita Italiane and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper, we discuss the foucaultian and agambenian concepts of biopolitics. This comparison between Foucault and Agamben is divided in three parts. First of all, we show how ontologistic and anti-historical nuances of Agamben's concept of biopolitics don't allow to grasp both the socio-economic contradictions and the positive aspects of biopolitics. In this section we reflect also on the theoretical aporia of Agamben's interpretation of Aristotelian bios. In the second place, we show the agambenian misunderstanding of the relationship between subject and self in the last Foucault. In the end, we compare the foucaultian and agambenian concepts of public health. [ABSTRACT FROM AUTHOR]

Copyright of Aurora: Papeles del Seminario María Zambrano is the property of Seminario Maria Zambrano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nasleđe is the property of University of Kragujevac, Faculty of Philology & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In his novel, Machines Like Me (2019), Ian McEwan offers an interesting example of "alternate history" while dealing with crucial ethical issues connected with the development of Artificial Intelligence. Instead of setting his story in the future, the author chooses to set it in the past, but he radically changes the contours of the latter. Hence, the England of the early 1980s is turned into a technologically advanced society, well ahead of the scientific progress of the early 21st century. Thus, the future casts its light on the past in what appears as a typically postmodernist mélange: besides mingling genres (from speculative fiction to uchronia), McEwan also performs an intriguing hybridization of fact and fiction. The paper intends to explore the rich historical dimension of the novel, which betrays the author's interest in the reflection on history and on its narrativization - as well as its manipulation and/or contamination - within the literary text. [ABSTRACT FROM AUTHOR]

This paper intends to delve into Roscoe Pound’s thought, enhancing his teleological conception of law as a key to understanding Pound’s historicism, pragmatism and functionalism. The Author will also deal with the Poundian contribution within a ‘situated’ perspective aimed at stressing some ‘genetic’ traits of American legal realism in relation to the specific history of the evolution of the common law in the US context. The text has the objective to discuss the theoretical-legal matrix of Pound’s theoretical reflection and its afference to legal science, highlighting his attitude to address the macro-theme of the constitutive principles of the law itself.

In his novel, Machines Like Me (2019), Ian McEwan offers an interesting example of “alternate history” while dealing with crucial ethical issues connected with the development of Artificial Intelligence. Instead of setting his story in the future, the author chooses to set it in the past, but he radically changes the contours of the latter. Hence, the England of the early 1980s is turned into a technologically advanced society, well ahead of the scientific progress of the early 21st century. Thus, the future casts its light on the past in what appears as a typically postmodernist mélange: besides mingling genres (from speculative fiction to uchronia), McEwan also performs an intriguing hybridization of fact and fiction. The paper intends to explore the rich historical dimension of the novel, which betrays the author’s interest in the reflection on history and on its narrativization – as well as its manipulation and/or contamination – within the literary text.

This paper reviews the digital edition Der Sturm – Digitale Quellenedition zur Geschichte der internationalen Avantgarde, which aims to bring together all existing digital sources on the STURM company, to make them accessible and to link them with each other. Initiated by Herwarth Walden by founding the STURM magazine for contemporary art, the STURM company provided many different platforms (e.g., gallery, publishing, theatre) for the art scene in Germany at the beginning of the 20th century and had also a big impact on the international avant-garde. The digital edition currently offers facsimiles, transcriptions, and commentaries on a part of the letters, the encoding of the sources and texts is done in TEI-XML and can be downloaded or accessed via an API. Inventory lists exist for the other documents which link to the source of the digital image. All semantic and structural entities of STURM sources are permanently referenced using persistent identifiers.

The paper follows the development of the notary profession in Venice in the production of private deeds (instrumenta) and public acts (acta). In the Middle Ages, both activities were performed by the clergy. With the advent of the Commune, a Chancery was instituted to archive separately the acta, as well as the instrumenta. A lay Great Chancellor organised clerks who were members of the clergy, and they also wrote private deeds. As the requirements of the notarial activity became stricter, a policy of careful selection was implemented. The two fields of the notarial activity began to differentiate. In 1433, a papal bull forbade priests to work as clerks in secular institutions. It marked the beginning of a turnover in the Chancery staff, the new clerks being chosen among laymen. Close control was kept on Venetian citizenship as the main requisite to access Chancery posts. Similar criteria were applied to private notaries: after some successful tests, in 1514 a procedure for admission to the profession, and a College of Notaries, were finally instituted.

Cau focuses on a monograph that has offered a unique approach to the intersections between literature, history, and law. More than a «law and literature» manual, the book offers a reasoned anthology of literary writings that intersect with the legal sphere. The literary tradition is used to promote a better understanding of the legal features, as well as to investigate the turning points that have marked the course of history, seeing them reflected in the narratives. [ABSTRACT FROM AUTHOR]

The Book of Isaiah has been truly complex for bible researchers for years. The primary difficulty arises from the poetic way of expressing the author, and this is of course associated with the difficulty of connecting different historical epochs described by the Book of Isaiah in its completeness. Lately, this book has been approached in a unitary way. This will say that it is sought to be read in its wholeness of parts, rather than dividing it as it has long been a trend, into three parts: Is 1-39; 40-55; 56-66. This so-called “unity movement” in research on the Book of Isaiah shows us how the Book can nevertheless be approached whole. Therefore, in this paper, we will seek to analyze the text of Is 30:1-17 (TM) in light of the so-called “unity movement” approach to the Book of Isaiah. It should be said however that the methodological path of this work will be primarily the so-called “close reading” of the text and then also will be given some possible intertextual echoes which link Is 30, 1-17 with other parts of the Book of Isaiah. At the end author will also try to depict a possible historical and theological message of the same biblical text.

This paper aims at highlighting how interest in the issues of web and social media archiving and preservation has grown enormously, in parallel with the awareness of the importance of these ‘resources’ as privileged sources for reconstructing the history of our era. How will the historians of the future be able to reconstruct the historical period we are living through if memory institutions are not able to archive and preserve the websites and social media of institutions, public bodies, parties, associations, government bodies, political figures, and famous people in general, given that everything is now conveyed through these channels? The fragility of the web, then, would require immediate action and the launch of ‘web and social media archiving’ initiatives without delay, on pain of the disappearance of all that has been made available online in recent years, but on this point the situation in Italy - with a few exceptions - appears to lag far behind other European countries and enormously behind the Anglo-Saxon countries. There is therefore an urgent need to launch initiatives to raise awareness on these issues and to train the skills and professionalism required to conduct web and social media archiving and preservation projects.

The article presents the research performed by an Italian multi-disciplinary team jointly with a group of citizen scientists. The research was part of the project CitieS-Health (Citizen Science for Urban Environment and Health) funded by the EU under the Horizon2020 Programme. Aria di Ricerca in Valle del Serchio, one of the project five pilot studies, was performed in eight municipalities of Valle del Serchio (Lucca, Tuscany) and addressed the prevalence of chronic kidney diseases in the context of potential industrial pollution on health and, in particular, the presence of heavy metals in the environment. Since long, health and environmental issues have been of concern for the local residents who over the years promoted many initiatives to ensure adequate monitoring and appropriate policy interventions. Inspired by the PNS (Post-Normal Science) approach, and in particular the idea of Extended Peer Community, the study addressed local concerns and expectations integrating a multiplicity of competences, knowledges and perspectives. Researchers from Social Sciences and Humanities -- namely history, sociology and ethics -- collaborated with others from the health sector -- epidemiology in particular -- and with citizens in all the phases of the work: from the definition of the research objective to the collection, analysis and dissemination of the research results, and the suggestion of policy recommendations. [ABSTRACT FROM AUTHOR]

This paper addresses the way Hegel determines the difference between poetry (i.e., literature) and history. Hegel’s position is particularly significant for understanding both the basic features of the two fields and the implications that their relationship generates, even in contemporary debates. Starting from a comparison with Aristotle’s fundamental position, I will show how the Hegelian proposal, while initially appearing akin to that of the Greek philosopher, actually differs profoundly from it. This divergence has to do with their different conceptions of the relationship between the two disciplines and philosophy. Unlike Aristotle, for Hegel history is more philosophical than poetry, because, to be genuinely history, it must itself become philosophy. At the same time, if poetry becomes philosophy, it loses its specificity and ceases to be art. To reach this determination, I will show that the key factors concern how the individual practice of the two disciplines is conceived and, more importantly, the different ways they relate to universality.

The Decline of the West belongs to that group of controversial books that have been more attacked than actually and properly read. Today, in deference to the myth of de-ideologisation, that polemical charge has diminished considerably. Nevertheless, Spengler is still topical, especially following the recent political and economic-health crises that evoke the «spectre of decline». From a critical perspective, Adorno was the first to acknowledge Spengler’s topicality and superiority to numerous liberal-progressive opponents. For its part, this current essay, via an ancipital impulse to critique and salvation, aims at exploring Spengler’s idea of fatal/factual decline by unmasking its aporias and ambiguities through comparing it to Adorno’s «silent and questioning utopia», dialectically preserved «in the image of decadence». Through this close comparison and the development of Adorno’s critique, the paper urges to unveil, on the one hand, the “true” – negative – aspects of Spengler’s legacy and, on the other hand, the «forces», hidden from his «attentive gaze», that are «set free in decay». Ultimately, in the no man’s land between decline and utopia, Spengler and Adorno meet and their legacies intertwine.

The epistemological structure of the "concept of history"65, which Benjamin presents in a monadic dialectical image, is characterized by a temporal dimension neither linear nor progressive, but intensive and ideal, in which the cognitive concept coincides with the ideal (of the good, of justice), which is characterized by totality and eternity. Here emerges the link between the transcedent, ideal theological setting, secretly active in the immanence of redemption, and the immanent setting of the political. In fact, the redeemed past summons into present time, for a fugitive moment, the messianic time of the fulfillment of the Kingdom of God, thus providing the occasion and direction for praxis, for revolutionary action, messianically and theologically motivated, striving for the construction of a society without classes. Political action is made possible precisely by its link to the past, from the cognitive capacity of the historical materialist to restore forgotten moments and bring them to a point of explosion, fueling the destructive and liberating power of the oppressed classes through the image of their enslaved ancestors. [ABSTRACT FROM AUTHOR]