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The purpose of this paper is to discuss and analyze public posts on the social network Facebook that point to xenophobic opinions about the (i)migrant poetry slam scene in Portugal. These posts reflect the post-colonial attitudes of a historically colonizing country, which is currently experiencing a cultural identity crisis that oscillates between Lusotropicalist and Eurocentric ideology, and whose economic, racial and gender discrimination is still present. We will therefore look at poetry slam in Portugal in the light of post-colonial, identity and social disputes.

This paper explores the discursive construction of the male characters of the Spanish miniseries Antidisturbios created by Rodrigo Sorogoyen and Isabel Peña and premiered on Movistar + on 16 October 2020. Combining a qualitative methodology (film analysis and critical discourse analysis applied to gender studies) with a quantitative approach to the script of the series, the study focuses on the representation of the six riot police officers, paying attention both to how their roles reproduce hegemonic masculinity and to any new form of masculinity that can be observed in response to that normative pattern.

The article analyses theexploitation of elastic rubber in BolivianAmazonia (1880-1920), which played a crucial role in the definitive colonisationof the eastern part of the country. The goal of the paper is to describe the diverseroles women played in the several stages and contexts of rubber extraction,aiming at documenting the operation of the extractive machinery from a femalepoint of view and also to reconstruct the historical agency of the Creole,Indigenous and European women left out of the historical sources by the hyper-masculinising bias of Amazonian history.

This paper analyses the relationship between masturbation and literary creation, taking as a reference the memoirs and some poems by Carlos Barral. For this purpose, it also considers texts by other authors, who lived through Franco's repression just like Barral or simply gave their own meaning to the search for intimate pleasure implied by autoeroticism. The essay aims to study the ways in which literary and sexual subjectivity feed back into each other, in an era marked by censorship and silence.

This study analyzes the integration of the Arabic dialectal loan wesh into the French language and the language habits of the French. Through the suburban language commonly defined as "slang" and hip hop culture, particularly rap, this borrowing has undergone several important semantic shifts and numerous graphic variants. The various definitions of this term in the Petit Robert 2023 (paper version) and the Wiktionnaire (online), as well as statistical research in Internet corpora, reveal evolutions, linguistic variations and trends generated essentially by sociolinguistic functions.

A partir d’un cas puntual d’estudi: una ressenya del volum Caires vius de Víctor Català (pseudònim de Caterina Albert i Paradís) publicada a la revista catalana Feminal i firmada per Lluís Via (1907); es pretén repassar dos temes més amplis de l’àmbit de la crítica literària amb perspectiva de gènere: en primer lloc, el paper de l’anomenada premsa femenina com a espai ambivalent –alternatiu, però també ‘alteritzat’– en relació a un sistema literari i editorial caracteritzat pel domini masculí; en segon, les maneres en què l’admissió de l’escriptura femenina implica una tensió dins d’aquest camp de forces situat a cavall dels segles XIX i XX.