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This article explores the relations among three forms of representations (artistic, mental, and neural) and immersion, considered as an altered state of consciousness, in the context of literary reading. We first define immersive reading as an intensification of our embodied experience of literary representation, in accordance to neuropsychological studies about embodied cognition. We further consider the style of interpretation demanded by such immersive reading and its ethical and ecological underpinnings.

This paper intends to illuminate the problematic outcome of Lask’s redefinition of the concept of subjectivity. The main result of this operation is the elaboration of the notion of receptive subject. With this concept, strictly linked to the notion of Hingabe (dedication), Lask identifies the original element of every cognitive process in simple intuitive receptivity. Intuitive receptivity alone provides direct access to the transcendent object. But how is this access possible? What is the relation between the receptive-intuitive element of knowledge and predicative activity? What is the status of Hingabe? The insufficient answers to these questions lead the Lask’s thought to an aporetic outcome, namely, the reduction of Hingabe to an exclusively abstract and ideal receptivity, and consequently to the reactivation, in the theory of knowledge, of the distance between subject and object. However, while this distance marks the limit of the model of knowledge developed by Lask, the main contribuition of his thought remains valid: the overcoming of trascendental subjectivism through the elaboration of a concrete-receptive subject and of an original form of realism.

Review of: Victor Biceaga, The Concept of Passivity in Husserl’s Phenomenology,London, New York: Springer 2010, XXIII + 136 pp.