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› Bildung‹ in a Postdigital World. Digital Experiences and the Role of Responsibility in the Process of ›Bildung‹ This article addresses the question of the possibility of ›Bildung‹ in an increasingly digital world. Following Armin Nassehi, digitality can be understood as a process of translation that makes patterns and structures visible and thus experienceable, which are revealed in world relations. In terms of educational theory, the article addresses the question of how the visibility of patterns of the digital can affect and change the self-relation of individuals. Under circumstances in which the digital is a self-evident condition for accessing and understanding the world, in short, under post-digital circumstances, the inscription of world-relations into one's own self-relations is not a purely passive process. Experiencing the digital – here as a quantified, collective experience – individuals can take responsibility for their own learning. [ABSTRACT FROM AUTHOR]

“AGMB 2023: Future – now more than ever”, this was the theme of the annual conference of the German Medical Library Association (AGMB), held in Bonn from September 18 to 20, 2023. The conference was organized in cooperation by the Federal Institute for Drugs and Medical Devices, ZB MED – Information Center for Life Sciences and Bonn University and State Library. Presentation topics included e.g. library visibility, predatory publishing, systematic literature search, systematic review and management of research data for personal health information.

The Helios Central Library has been operating largely in the digital space for more than 20 years. The employees of the Helios Kliniken Group, currently about 76,000, can use the library from all locations in Germany as well as from home. In this article, the challenges that library staff face in organizing analogue and digital public relations work over such a large distance, the measures that have been taken so far and new ones that are being thought of will be presented.

Insights and conversations have revealed that the employees of University Medical Center Mainz have a significant training need in the field of literature research and management. The poster highlights how the library, through its information literacy offerings, can effectively reach this target audience despite their limited time.

This article compares Sartre's and Blumenberg's theoretical approaches to the phenomena of shame and human attention, especiallywith reference to Sartre's ontological and Blumenberg's anthropological notion of visibility. In Sartre's ontological view, our visibility as such gives rise to shame whereas Blumenberg maintains that this phenomenon can be adequately dealt with only with respect to specific (and contingent) anthropological conditions. Consequently, Blumenberg's post-phenomenological philosophy of human visibility does not proceed any longer 'back to the things themselves'. Instead, it draws on anthropological descriptions of what it means to become visible in our mundane existence. In this respect, everything depends on our attention and on our attention to attention as such. [ABSTRACT FROM AUTHOR]

Copyright of Transfer: Zeitschrift für Kommunikation & Markenmanagement is the property of Deutsche Werbewissenschaftliche Gesellschaft and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Psychodrama und Soziometrie is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kölner Zeitschrift für Soziologie und Sozialpsychologie ( KZfSS) is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The visibility and invisibility of scientific knowledge, its creation, and of scientists are at the core of science communication research. Thus, prominent paradigms, such as the public understanding of science or public engagement with science and technology, have implications for the visibility of scientific knowledge in the scientific community and among the public. This article posits that visibility in science communication is achieved with the availability of scientific knowledge, the approval of its dissemination, and its accessibility to third parties. The public understanding of science and public engagement with science paradigms emphasize different aspects of visibility with the latter focusing on the visibility of the creation of scientific knowledge more than public understanding of science which focuses on the knowledge itself. The digital information environment has engendered new formats and possibilities for visibility but also new risks, thereby creating tensions in science communication.

Copyright of GENDER: Zeitschrift für Geschlecht, Kultur und Gesellschaft is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article, the authors illustrate how an intersectional analysis of (in)visibility structures and relations contributes to a more differentiated and critical understanding of images of age(ing). They illustrate the strength of this perspective with meta-analytical findings on the intersections of age, disability, and gender; and focus on the distinction between a visible young age and an invisible old age in need of care. The authors argue that it is no coincidence that the differentiation between these two age groups runs exactly along the lines between ability and disability in old age, but that ableism and ageism overlap in media representations. Furthermore, their intersectional analysis focuses on womanhood in old age which is accompanied by devaluations due to the patriarchal character of the age and gender category. The current visibilities can be understood as post-feminist manifestations of ageism and sexism. [ABSTRACT FROM AUTHOR]

The philosopher Hans Blumenberg whose hundredth anniversary was celebrated last year is known above all for wide-ranging historicalstudies:onmyth, on philosophical metaphors, on the idea of secularization and the genealogy of the modern age. He is less well known as a criticalreader and commentator of Husserl's phenomenology. The article surveys and reviews Blumenberg's 'phenomenologicalwritings', now availableinfour separate volumes, by examining a number of prominent motifs in Blumenberg's unfinished engagement with Husserl. First, his preoccupation with Husserl's shift from suspending the natural attitude to subsequent efforts to account for its recalcitrance; then his qualifications concerning Husserl's notion of the puresubject and the lifeworld. The essay concludes withadiscussionof visibility as the key to Blumenberg's critical engagement withHusserl's phenomenology. [ABSTRACT FROM AUTHOR]

This paper presents the results of the OBV working group "Repositories in the Austrian Library Network". The aim of the working group was to develop a guideline for the registration of metadata for objects in repositories, which would contribute to the development of uniform standards in this regard, and with the help of which it should subsequently be possible to identify repository holdings in Alma or in the Austrian Union Catalogue without creating duplicates. Further goals were the development of recommendations for a central provision of metadata of open access publications to simplify local workflows (analogous to the DFG-funded project DeepGreen) by means of partial automation, as well as recommendations for establishing a tab for open access materials in the search engine of the Austrian Library Network (analogous to the tabs "Literature", "Theses and Dissertations" and "Bequests / Autographs"). [ABSTRACT FROM AUTHOR]

Copyright of Zeitschrift für Soziologie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Pädagogik is the property of Julius Beltz GmbH & Co. KG Beltz Juventa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kriminologisches Journal is the property of Julius Beltz GmbH & Co. KG Beltz Juventa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GENDER: Zeitschrift für Geschlecht, Kultur und Gesellschaft is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The thesis of my paper is that art participatory practices in public space have a paradoxical potential to avoid a paradigm of visibility. What I call the paradigm of visibility is a formula of social presence of art which is based on a necessity of occupying a certain physical or symbolical space and an effort to sustain it. This kind of public presence of art is traditionally considered to be a guarantee of its value in terms of both artistic and social legitimisation. A question arises if this formula has an alternative. It seems that participatory art practices in public space – focused on production of objects and searching for social impact and social efficacy – can formulate a different model of presence of art (of its production and distribution) than object-based art.

Camera Lucida has gained a lot of popularity both as an autobiographical and theoretical text, addressing issues of mourning, absence and indexicality of the photographic medium. This common reading unfortunately pays little attention to the global and pictorial economy at large in the book. Indeed, Barthes has very carefully chosen the pictures, as its manuscripts and editing notes prove. The final selection, understood as part of a more general politics of images in Barthes’s writings—and we can go as far as Mythologies—shows a constant and acute awareness of the power and ideology of photographic representation. This is certainly why, if we take a closer look at the illustrations of Camera Lucida as a whole, we discover a photographic album bringing up the faces of minorities or marginalised people into light. The album then appears as a meaningful system in the book but also in the history of images in Roland Barthes’s works, resulting in a visual and committed manifesto for minorities and displacing our point of view on Barthes’s political and social positions. In the light of Barthes’s personal history with images, we will analyse how he developed a parallel discourse to the text with photographs that sheds a renewed light on its writings.

OpenAIRE is an EU-project in it's fourth cycle with the aim to support the European Commission's goal to make science and research open, re-usable and accessbile since 2009. The EU targets to build the European Open Science Cloud (EOSC) as a research data plattform for researchers and students as well as the public till 2022. Along with other projects OpenAIRE Advance (2018-2020) is involved in the preperations towards the EOSC and has the mission to spread the idea of Open Science and strengthen the infrastructures needed. The compliancy of institutional and subject-specific repositories from all over Europe with the OpenAIRE-Portal is a key facilitator because it makes research output findable and rises the visibility. In this article the authors discuss the advantages of the compliancy and describe the technical requirements for doing so. [ABSTRACT FROM AUTHOR]

Copyright of Erwerbs-Obstbau is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GENDER: Zeitschrift für Geschlecht, Kultur und Gesellschaft is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GENDER: Zeitschrift für Geschlecht, Kultur und Gesellschaft is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The archiving of publications and (research) data from art and science poses major challenges for universities and non-university research institutes. It turns out that artists and scientists hardly use the infrastructures newly created by the universities (repositories, document servers, current research information systems) and rather rely on decentralized, mostly commercial platforms on the Internet. This paper introduces two web applications, “Portfolio" and “Showroom", whose useroriented development aims to provide low-threshold access to CRIS solutions. The functionalities of these two digital tools and the fundamentals of their development are presented as well as the just completed Graphical User Interface testing, its method and results. Finally, the article presents the environment in which the development (including interfaces to existing repository solutions) takes place. [ABSTRACT FROM AUTHOR]

Author(s): Luis Miguel Selvelli | Луис Мигел Селвели Title (English): Converted, Transgender, Angel: For an “Ethics of Visibility” in Contemporary Turkey Title (Macedonian): Преобратен, трансродов, ангел: За една „етика на видливост“ во современа Турција Translated by (English to Macedonian): Kalina Janeva | Калина Јанева Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 2-3 (Summer 2007 - Winter 2008) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 37-54 Page Count: 17 Citation (English): Luis Miguel Selvelli, “Converted, Transgender, Angel: For an ‘Ethics of Visibility’ in Contemporary Turkey,” Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 2-3 (Summer 2007 - Winter 2008): 37-54. Citation (Macedonian): Луис Мигел Селвели, „Преобратен, трансродов, ангел: За една ‚етика на видливост‘ во современа Турција“, превод од англиски Калина Јанева, Идентитети: списание за политика, род и култура, т. 6, бр. 2-3 (лето 2007 - зима 2008): 37-54.

Starting from the historical and epistemological problem of “visibility”, this article discusses the role and authority of “experience” in the field of (feminist) history and historiography. The article criticizes the foundational function of “experience” in the works of traditional historians such as R. G. Collingwood or E. P. Thompson and points out that experience has to be seen as a part of the history of the production of knowledge. In fact, there is no pre-discursive or non-historical experience because all experience has a discursive history. Therefore experience itself has to be historicized in order to understand its active role in the construction of identities and the constitution of societies. Hence, the experience of women, homosexuals or opposition groups does not represent any order of things and is no mimetic visualization, but allows us to reflect on the discursive productivity of experience. The article concludes that historians should not naturalize experience, but analyze its operations and redefine its meaning. Experience should not be the starting point of historical explanation, but that which historians want to explain.

Taking a look back in history, or at least, at what is presented to us as history, it becomes apparent that it is a meta-narrative shaped by men, a »his-story«, based on an androcentric worldview. The histories of disciplines such as communication science, too, are for the most part concerned with and told by men. Only infrequently, at the sidelines, do women appear. Besides the question of gender as a consequential social marker there is also the question of generation as a cohesive element. This article deals with the life and work of five of communication science's female academics from Germany and Austria (Herta Herzog, Elisabeth Noelle, Marianne Lunzer, Hertha Sturm, Elisabeth Löckenhoff), who belong to the age cohort of those born between 1910 and 1930. Although these female academics do share some common characteristics with respect to their countries of birth, their professions, their sex and the generation to which they belong, they are different in many ways when it comes to their lives and their career paths - compared to one another and to their (male) colleagues. It is these differences and similarities that I will focus on, before discussing the extent to which it can be useful to examine the historical development of an academic field from a gender perspective. [ABSTRACT FROM AUTHOR]

Despite a small but compelling body of literature arguing that transcription represents a key moment of choice and the exercise of power in the research process, many qualitative researchers appear to believe (or at least proceed as if they believe) that transcription is relatively unproblematic. Translation studies and its engagement with visibility, power, authenticity and fidelity has a lot to offer to qualitative researchers working critically with transcription theory and practice. This paper explores the translation studies theories of equivalence, overt and covert translation, foreignisation and domestication, and the remainder, and demonstrates some fertile connections between transcription and translation. These connections help us to think about some broader political and cultural issues in relation to transcription and academic discourse, the complexity of equivalence and the central role of the situated transcriber. URN: urn:nbn:de:0114-fqs100223

Starting from the historical and epistemological problem of "visibility", this article discusses the role and authority of "experience" in the field of (feminist) history and historiography. The article criticizes the foundational function of "experience" in the works of traditional historians such as R. G. Collingwood or E. P. Thompson and points out that experience has to be seen as a part of the history of the production of knowledge. In fact, there is no pre-discursive or non-historical experience because all experience has a discursive history. Therefore experience itself has to be historicized in order to understand its active role in the construction of identities and the constitution of societies. Hence, the experience of women, homosexuals or opposition groups does not represent any order of things and is no mimetic visualization, but allows us to reflect on the discursive productivity of experience. The article concludes that historians should not naturalize experience, but analyze its operations and redefine its meaning. Experience should not be the starting point of historical explanation, but that which historians want to explain. [ABSTRACT FROM AUTHOR]

Copyright of Soziale Welt is the property of Nomos Verlagsgesellschaft mbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)