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La Biblioteca del Palacio Ducal de Vila Viçosa posee tres grandes libros de coro con repertorio polifónico destinado a la Semana Santa, preparados entre 1735 y 1736 por un copista de la Iglesia Patriarcal. Estos libros de coro contienen todas las obras de Fernando de Almeida (m. 1660) que hayan sobrevivido hasta los días de hoy. La comparación de la música de Fernando de Almeida con la de su cási contemporáneo João Lourenço Rebelo (1610-1661) evidencia las distintas orientaciones en la música sacra portuguesa de principios a mediados del siglo XVII, especialmente cuando observadas bajo las premisas estéticas y composicionales explanadas en la Defensa de la mvsica moderna (1649) del Rey D. João IV. El estilo concertato de Rebelo se acerca de los compositores del Norte de Italia. La inventiva del estilo de Fernando de Almeida, particularmente notable en sus Responsorios a ocho voces para la Semana Santa, incorpora prominentes características barrocas en el molde de la tradición manierista ibérica.

Abstract – The human communicative activity was always determined, over the centuries, by the use of conversational strategies that the interactants put in place in order to exchange information through illocutionary acts, characterized by various discursive and narrative sequences employed to get communicative purposes during the verbal interaction. Through the analysis of four dialogues extracted from two literary Portuguese language works of two different centuries, we demonstrate how the conversational structures of verbal exchanges have not changed over the time, despite the different schools and literary currents that have occurred since the medieval times until the contemporary era. The text chosen are taken from the novels A queda d'um anjo and Amor de perdição: memorias duma família of Camilo Castelo Branco (1825-1890) and from the contemporary work Não há coincidências of Margarida Rebelo Pinto: the choice of these extracts was not random, but taking into account the use of dialogue as a conversational technique, between characters, by these authors who use it in their fiction works in order to involve more actively the reader on the reported events. Keywords: conversation analysis, illocutionary acts, narrative sequences, Camilo Castelo Branco, Margarida Rebelo Pinto. Resumen - A actividade comunicativa humana sempre foi determinada, ao longo dos séculos, pelo uso de estratégias conversacionais que os interactantes põem em prática para trocar informações através de actos ilocutórios, caracterizados por várias sequências discursivas e narrativas empregadas conforme os fins comunicativos que os interactantes querem atingir durante a interacção verbal. Apresentando a análise de quatro diálogos extraídos de duas obras literárias em língua portuguesa pertencentes a dois séculos diferentes, vamos demonstrar como as estruturas conversacionais das trocas verbais não mudaram durante os séculos, apesar das diferentes escolas e correntes literárias que se sucederam desde a época medieval até à época contemporânea. Os trechos escolhidos que serão examinados neste artigo são tirados do romance A queda d'um anjo e Amor de perdição: memorias duma família de Camilo Castelo Branco (1825-1890) e da obra Não há coincidências da autora contemporânea Margarida Rebelo Pinto; a escolha destes excertos não foi casual, mas determinada pelo uso do diálogo como técnica conversacional entre as personagens por parte destes autores que fundamentam às próprias obras de ficção nas trocas conversacionais, envolvendo mais activamente o leitor nos acontecimentos relatados.

Aiming the construction of a new hotel (Hotel Cais de Santarém) using the previous basement of the large storage known as Sommer, located in Rua Cais de Santarém, nºs 40 up to 64, and limited by Rua de São João da Praça northwards and by Travessa de São João da Praça eastwards, in the city of Lisbon, a large amount of archaeological contexts were uncovered that uniquely illustrate the stratification of the city of Lisbon between the Iron Age and the first half of the 20th century. Concerning Roman urban contexts was found a domus with rooms well preserved with painted walls plaster and a pavement covered with mosaic. In this paper the authors will present the monument and further discussions will take place on excavation levels, iconographic and architectural features.

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Resumo Este artigo se dedica a abordar alguns trechos de relato etnográfico, entrevistas e imagens, gerados em um universo de práticas culturais jovens marginalizadas, especialmente a piXação e as turmas de Bate-Bola, ambas muito populares nos subúrbios e nas favelas cariocas, cruzando-os com os conceitos de communitas/liminaridade em Turner e de dispêndio em Bataille. Desse cruzo empírico-teórico, sugere-se que tais maneiras de viver, justamente subjetividades das mais negligenciadas nas escolas e nas cidades, oferecem em suas performances, em seus acabamentos éticos e estéticos, bons indicativos para entender as razões epistemológicas de suas incompatibilidades ao receituário normativo, ou seja, escancaram os limites economica e libidinalmente miseráveis das máquinas de subjetivação que fomentam suas exclusões; justamente porque não cabem, transbordam. Nietzsche, Castoriadis e Maffesoli reforçam o aparato teórico neste trabalho.

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