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Copyright of Mitteilungen des Deutschen Germanistenverbandes is the property of Vandenhoeck & Ruprecht GmbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arbitrium is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arbitrium is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arbitrium is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Antike und Abendland is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper, panegyric epic poems by Claudian, Sidonius, and Gorippus are considered together for the first time as examples of the late antique reception of the Punica. It is argued that these late antique poets in their works about African campaigns referred to the depiction of Scipio Africanus, the first great Roman victor in Africa, in the last books of the Punica (the "Scipias"). This is suggested by explicit references, scene imitations as well as literal quotations. The paper thus aims to contribute to a better understanding of the impact of the Punica on late antique Latin poetry. [ABSTRACT FROM AUTHOR]

The incunabulum Paris, Bibliothèque Nationale de France, Rés. G. Yc. 236 transmits Angelo Poliziano's hand notes to Virgil's works. This paper offers a survey of the citations from the Flavian poets used by Poliziano to comment on Virgil's Eclogues and Aeneid. My aim is also to provide new information on Poliziano's interest in the Silver Latin epic and, more broadly, on his philological method. [ABSTRACT FROM AUTHOR]

In his poem Peristephanon 4, Christian poet Prudentius praises a multitude of martyrs who will support the Spanish city of Caesaraugusta in the context of the Last Judgment. While it has long been recognized that the text shares some similarities with Horace's Ode 1,2, which celebrates Octavian as a divine saviour, this paper provides the first systematic analysis and interpretation of the connections between the two texts. It demonstrates that Horace's ode not only selectively serves as an intertext, but that Prudentius repeatedly and systematically recurs to this reference text, integrating numerous lexical echoes, as well as conceptual (often contrasting) references. The martyr hymn, also composed in Sapphic stanzas, surpasses the Horatian poem in many aspects and rewrites or falsifies Horace's theological and soteriological conception in a Christian reinterpretation. [ABSTRACT FROM AUTHOR]

The major influence of Claudian on Neo-Latin poetry is well known but the reception of the late antique poet is still poorly studied in its details. This paper examines four typical imitations of Claudian’s splendid description of the realm of Venus. The influence of the ekphrasis will be analysed in Boccaccio’s description of the afterlife (Buccolicum carmen), in Baptista Mantuanus’ depiction of the Garden of Eden (Parthenice), in the exotic landscapes of Lorenzo Gambara’s epic poem (De navigatione Christophori Columbi), and finally in a metapoetic elegy by Girolamo Balbi. [ABSTRACT FROM AUTHOR]

Copyright of Zeitschrift für Celtische Philologie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The essay examines the exclusive journey to Scandinavia of the 34-year-old Austrian poet Arthur Schnitzler in the summer of 1896 on the basis of its documentation in the diary as well as in various correspondences. Especially in his love letters to his mistress Marie Reinhard, the young Viennese author, creates the 'fictional idea of an imaginary journey for two' in order to let her participate in his experiences abroad. On this source basis, Schnitzler's 'touristic view' of the north and Western Norway in particular, as well as its productive reception in his literary work, are discussed in order to show the fictional as well as factual components of his image of the north and of northerness in general. [ABSTRACT FROM AUTHOR]

Copyright of German International Journal of Modern Science / Deutsche Internationale Zeitschrift für Zeitgenössische Wissenschaft is the property of Artmedia24 and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of German International Journal of Modern Science / Deutsche Internationale Zeitschrift für Zeitgenössische Wissenschaft is the property of Artmedia24 and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article examines the thematic focus of Berlin, Germany, in poetry anthologies, particularly during historical periods like the post-WWII division of the city, the building of the Berlin Wall in 1961, and the 750-year anniversary celebrations in 1987. It mentions that these anthologies offer insights into the evolving literary landscape of Berlin, showcasing how various poets captured the essence of the city's transformation and character.

Copyright of Librarium: Zeitschrift der Schweizerischen Bibliophilen-Gesellschaft is the property of Schweizerische Bibliophilen-Gesellschaft and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The text deals with the importance of history and tradition in education. It emphasizes that the future is shaped through reasoned action and that unreasoned action perpetuates the past. The history of education offers a wealth of considerations and experiences that can be utilized or rejected. It also points out the difference between history and tradition and the important role language plays in justifying actions. The text emphasizes the necessity of a canon of texts in education and discusses various functions of history, such as the illustrative-historical and the differentiating-critical function. It also notes that evaluating the past as deficient presupposes a history of progress. Finally, it emphasizes that knowledge of the situation shaped in education is important before taking action. Historical knowledge of the conditions for action is essential for educational action. History shows what people can do and how they can abuse freedom. Historiography can serve as an exemplum and provide examples for future action. Educational historiography often uses the method of problem history, in which supra-historical questions are examined. On the other hand, response history seeks answers in the past to which the systematics have not yet found questions. In terms of girls' education, there is a gap in historiography that needs to be filled. An example of this is the education of men according to Aristotle, while an alternative model has not yet been considered. The text deals with an alternative educational model that is reconstructed based on a poem by the poet Sappho. In the poem, Sappho invites girls to come to an island to receive a comprehensive education. The place is described as a place of tranquility, leisure, and protection from the busy world. It is about an education that is not focused on partial purposes but enables the experience of the whole. The text contrasts this alternative educational model with today's girls' education, which is often focused on economic purposes. [Extracted from the article]

The study examines the use of the hexameter in Greek poetry, particularly in the Iliad and the Theogony. It is determined that the hexameter not only structures the information rhythmically and acoustically, but also in terms of content. In particular, the "Catalogue of Nereids" in the Iliad is analyzed and compared to other lists in the Theogony. It is argued that the hexameter in these lists reflects theological and epistemological decisions made by the poets. The study concludes with an examination of fragments by the poet Empedocles, in which female deities and divine roots are listed. [Extracted from the article]

Copyright of Goethe-Jahrbuch is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Goethe-Jahrbuch is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Goethe-Jahrbuch is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Achtzehnte Jahrhundert is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Deutsches Dante-Jahrbuch is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Deutsches Dante-Jahrbuch is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Deutsches Dante-Jahrbuch is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The liturgies in the St. Ruprecht community in Vienna have been celebrated for 36 years in the Ruprechtskirche. The community emphasizes the careful and experimental design of the liturgy and sees itself as a product of the liturgical reform of the Second Vatican Council. The liturgies are prepared by the liturgy group and are not mere "readings" from liturgical books, but rather prepared events. The community has the freedom to question liturgical regulations and try out alternatives, while at the same time feeling committed to the liturgical tradition of the Church. The liturgies at St. Ruprecht have developed various "places" in the worship service to better utilize the space. The community gathers in the main and side aisles, while the liturgy of the Word takes place at a lectern on the edge of the apse. After the liturgy of the Word, the community proceeds to the altar for the procession of the gifts. There are also other "places" in the church space, such as the baptismal font and the altar with the glass sarcophagus of Vitalis. The liturgies at St. Ruprecht also experiment with the biblical texts that are read and interpreted in the worship services. They expand the lectionary and pay special attention to the readings from the Old Testament. There are also sermon series on non-biblical topics. The liturgical language and the songs play an important role and are oriented towards the language of the biblical poets. [Extracted from the article]

Copyright of Phainomena is the property of Phenomenological Society of Ljubljana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lessing Yearbook is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Jahrbuch der Deutschen Akademie für Sprache und Dichtung Darmstadt is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Jahrbuch der Bayerischen Akademie der Schönen Künste is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Jahrbuch der Bayerischen Akademie der Schönen Künste is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Jahrbuch der Bayerischen Akademie der Schönen Künste is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Goethe-Jahrbuch is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Goethe-Jahrbuch is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Opera Slavica is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Internationales Archiv für Sozialgeschichte der deutschen Literatur is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)