Search

Copyright of Zeitschrift für Pädagogik is the property of Julius Beltz GmbH & Co. KG Beltz Juventa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Rechtsextremismusforschung is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Psychosozial is the property of Psychosozial-Verlag GmbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Psychotherapie im Alter is the property of Psychosozial-Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal for Sociology of Education & Socialization / Zeitschrift für Soziologie der Erziehung & Sozialisation is the property of Julius Beltz GmbH & Co. KG Beltz Juventa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Social sin is emerging as a new category in the hamartology of the last 30 years. The search for an exact definition of this concept cannot be carried out simply, and its results are modest. The understanding of structural sin takes place in the context of an image of the human being who understands man as an ethically capable person in relation to his sociality and speaks of him as such. Social sin must be distinguished from collective guilt and linked to social misery. Social sin is seen as a structural rejection of a responsibility for the future. [ABSTRACT FROM AUTHOR]

Starting from the eighteenth-century discourse inaugurated by Leibniz’s Theodizee on evil and its consequences for the idea of human guilt and responsibility, the article provides a reading of Kleist’s drama Das Käthchen von Heilbronn (1808) as a response to Goethe’s Faust. Ein Fragment (1790). It points out some parallels between Gretchen and Käthchen and their opposite fates in the trial they have to face before God and the humans, concluding that Kleist’s drama is conceived as a sort of litotes of Goethe’s Fragment. [ABSTRACT FROM AUTHOR]

In view of the man-made climate crisis that is becoming increasingly apparent, we are struggling with existential fears of the threatening climate changes or of the transformations that are urgently needed socially and economically. Possibly, we are also troubled by deeply felt feelings of guilt that we are partly responsible for the critical changes in the world. Ultimately, we run the risk of falling into hopelessness or panic-like activism. There are ways that focus less on the apocalypse and see the changes which are necessary due to climate change, as an opportunity to design a new world which is a fair place and a place worth living in for humanity, and that it is worth fighting for. Individual psychologists can contribute to the development of social and individual resilience, especially with their focus on the »sense of community« or in Adler's own translation: »social interest«. [ABSTRACT FROM AUTHOR]

The commentary by Christine Kirchhoff in the Yearbook of Psychoanalysis deals with separation difficulties and communication between a patient and her analyst. The author describes her irritation while reading a case vignette by Donnel Stern and criticizes the use of a psychoanalytic language that is foreign to her. She attempts to reconstruct the case vignette and clarifies the terms dissociation and enactment. In the case vignette, a patient is described who desires a family but is concerned that she cannot maintain a relationship. The analyst offers to meet with her outside of regular sessions, which raises questions for the author. It is discussed why the patient feels guilty and why the analyst has difficulties accepting her guilt. The author concludes with reflections on the patient's self-care based on her experiences with her parents. [Extracted from the article]

In the debate regarding ecclesiastical abuse, responsible parties largely disputed their guilt. This article will explore (1) whether one can plead lack of knowledge of relevant facts within organizations by claiming ignorance of administrative procedures, (2) whether one can cite the „Zeitgeist" as a reason for not having been able to recognize a wrong as wrong, and (3) whether pointing out the establishment of rules is sufficient to be absolved of guilt. It will also shed light on (4) whether an organization is justified in apologizing to victims for wrongs they have suffered without involving the perpetrators. The result shows that the aforementioned apology strategies are implausible. [ABSTRACT FROM AUTHOR]

The episcript as defined by Fanita English is a TA concept for a survey of transgenerational transmissions of traumatization, guilt feelings and anxieties. Phenomenology and psychodynamics of the process are described. Episcripts are visible as separate from genuine scripts. Thus, they are hardly reachable for options to deal with them in a constructive way. Intrapsychically, the episcript develops between two issues: projection of unresolved experiences on the part of the transferring parental person on one hand and introjection on the part of the receiving child on the other hand. Structurally, both persons' dynamics are based on processes within their child ego states. Concerning psychotherapeutic treatment of episcripts, therapy of the parent ego state according to R. Erskine is described based on a case example. This process offers options for lifting transgenerational transmissions into the person's awareness and to integrate them. [ABSTRACT FROM AUTHOR]

Copyright of Zeitschrift für Diversitätsforschung und -Management is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of German Language & Literature / Istanbul Üniversitesi Alman Dili ve Edebiyai Dergisi / Studien zur Deutschen Sprache und Literatur is the property of Istanbul University, Faculty of Letters and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article "LVwG Tirol: Unauthorized practice of healthcare and nursing" deals with administrative offenses related to the exercise of the advanced service for healthcare and nursing. It is stated that an administrative offense occurs when someone carries out this activity without recognition of their foreign acquired education or when someone employs someone for this activity without recognition of their foreign acquired education. It is also pointed out that an administrative offense occurs when the reservation of operation form according to the ÄrzteG (Physicians Act) is violated. The decision of the LVwG Tirol from March 17, 2022 refers to the administrative offenses committed by the complainant and the complainant. The fines imposed on the complainants were considered appropriate to their guilt and the decision has a general preventive effect. [Extracted from the article]

In an episode in Virgil's ancient Roman epic "Aeneid", Palinurus, the helmsman of Aeneas, encounters the god of sleep, Somnus, and dies in a tragic and cruel way. An extraordinarily enigmatic episode—because it raises, among other problems, the question of guilt, while probable causes of this guilt remain obscured. Wilfred Bion reflected on this episode for all his life. In several passages of his work he takes it up and traces its—mythical—content in order to transform it into a "model" (in Kant's and Freud's sense), on the basis of which the dangers of interpretation, and of understanding in general, in psychoanalytic treatment can come into view. This article opens with a reading of the episode in Virgil, then presents Bion's readings of the episode and distils their conception of understanding from them. The epistemological and hermeneutical perspectives that emerge in this way are brought together in a third step to form a psychological and historical philosophical outlook. In a fourth and final step, the Palinurus episode is conceived as an allegory of understanding in the act of reading, with the help of which possibilities, methods and dangers of understanding in the philological work situation can be described in more detail. [ABSTRACT FROM AUTHOR]

The article "Totem and Taboo of Inclusive Education" is based on Sigmund Freud's work on the psychodynamics of taboo and examines the compulsive nature of cultural change as politically affirmed by activists and scientists in the field of inclusive education. The analysis focuses particularly on feelings of guilt (for excluding others) as well as ambivalences in the (Oedipal) transference relationship to the father as a representative of privileges and power. The article examines the role of taboo and compulsive dynamics in cultural development and relates them to inclusive education. It is pointed out that moralization and forced inclusion can lead to defense mechanisms against guilt and potentially have opposite effects. [Extracted from the article]

Copyright of Werkstatt Geschichte (Transcript Verlag) is the property of Transcript Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Psychosozial is the property of Psychosozial-Verlag GmbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper discusses various aspects of utopian thinking with reference to the complicated situation at the end of World War 1 and the personal connection between Alfred Adler and Leo Trotzki. The discussion focusses particularly on the shift from a position of hope for change to a totalitarian demand for absolute power. Whilst utopian thinking in the sense of an imaginative phantasy indicates a striving to overcome existing limits and includes the creative potential of new possibilities, omnipotent phantasy (Hanna Segal) involves a shift to totalitarian ideology with a destructive potential that soon became evident in the course of events following the October Revolution in 1917. Ideologies and utopias can be understood in terms of psychic retreats (John Steiner) or timeless states which increasingly become a substitute for reality and lead to an almost delusional denial of feelings of guilt. The dystopian outcome of the »Russian experiment« (Sigmund Freud) is discussed with reference to Jevgenj Samjatin's novel »We« and in the context of current developments. [ABSTRACT FROM AUTHOR]

This article honors the influence of Fanita English on transactional analysis. English has made significant contributions to the development of the theory and popularized various models. Günther Mohr's contribution sheds light on the different models with which English has enriched transactional analysis. Another article deals with positive transactional analysis and shows how the Adult ego state can be activated. It also describes the transgenerational transmission of traumas, feelings of guilt, and fears in psychotherapy. The issue also includes personal encounters with Fanita English and a bibliography of her most important contributions. [Extracted from the article]

Copyright of Praxis der Kinderpsychologie und Kinderpsychiatrie is the property of Vandenhoeck & Ruprecht GmbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Kulturphilosophie is the property of Felix Meiner Verlag GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In an intuitive-associative text, the impressions from three Trialogue-conferences as a psychologist from Moscow and granddaughter of grandfathers who fought against the Germans in the Second World War are described. The identification with the nation, in this case the Russian nation and history, is felt more clearly in contact with others. The connection between the narratives of the victor/conquerer and the occupier, of satisfaction and guilt become comprehensible in their conflictual nature. [ABSTRACT FROM AUTHOR]

Der Artikel fragt nach der Schuld- und Versöhnungsthematik in den Psalmen und biblischen Cantica (psalmähnlichen Gesängen). Nach dem biblischen Befund wird die Frage der liturgischen Verwendung der traditionellen Bußpsalmen gestellt und anschließend der Gebrauch der Klagelieder in der Liturgie der Hohen Woche aufgegriffen. Ein Blick auf Buß- und Begräbnisliturgien und die dort verwendeten Psalmen und Cantica rundet die Bestandsaufnahme ab. [ABSTRACT FROM AUTHOR]

Copyright of Conflict & Communication is the property of Verlag Irena Regener and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article examines the emancipatory potential of an anthropological and psychoanalytically shaped discourse. It reportedly deals with understanding of social life, the end of democracy or previously the end of history, or the end of social formations. It states that title debt constellation intended to stage its own subject by allowing German and Greek poets to meet. It adds that the poets were asked to accept mutual guilt and to reflect poetically on the terms of the possibility of guilt.

The article reports that the eurozone was about to collapse and German banks have Greek ones. It adds that from 2010, the incumbent governments and above all the leading media of both countries established the discursive framework for the collective guilt of all Greek women. It states that the strategy was used to justify radical cutbacks, a process of creating and sustaining shame and guilt and thus legitimizing punishment in the form of radical impoverishment.

After a brief historical outline, the text deals with the emergence of insights into transgenerational transferences and current understandings of mental trauma and various forms of traumatization. At the center lies the question of psychic mechanisms of unconscious transmission in unprocessed traumas. The author inquires into body language and affective communication, beginning in early childhood, and the importance of scenic memory and understanding of nonverbal messages. Different reactions in descendants of survivors of the Holocaust or torture victims and descendants of perpetrators are also taken into consideration. Finally, some conclusions for clinical practice are presented. [ABSTRACT FROM AUTHOR]

The present document is the preface of the Munich Theological Journal. It refers to the so-called Munich Abuse Report, which was published in January 2022 and exposed sexual and spiritual abuse in the Catholic Church. The report also raises questions about the responsibility and guilt of the retired Pope Benedict XVI. The document deals with the processing of the abuse crisis in the Church and addresses questions of responsibility, guilt, sin, and the priesthood. It also includes articles on structural sin, forgiveness and forgiveness rituals, as well as the punishment of abusers in ecclesiastical law. The issue is complemented by a panel discussion on the philosophical theology of the ailing Klaus Müller. [Extracted from the article]

The article focuses on the developmental psychology of medical practitioners dealing with different generations. It mentions about Erikson's psychosocial development model which includes mistrust, shame and doubt, and guilt. It also informs on the feeling of inferiority, insulation, and identity diffusion.

Copyright of Kölner Zeitschrift für Soziologie und Sozialpsychologie ( KZfSS) is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines the relation between art and morality on the basis of two tendencies in contemporary art. Both concern the status of aesthetic form and point to a shifting tendency of moral judgment. These developments will be unfolded through a discussion of Theodor W. Adorno’s ›Aesthetic Theory‹, in which the problem of morality in art is shown to be a problem of aesthetic form. One opposition is central to the ›Aesthetic Theory‹: the imperious work of giving form is seen as the amorality of art, but art nevertheless partakes in morality through the ideal of the achieved form. Guilt and guiltlessness are thus intertwined in aesthetic form. Yet, art at once voices an ›objection to morality‹ through which the relationship between form and morality becomes evident as continuum of cruelty. The paper concludes by linking this dialectical relationship to contemporary art: Where today the concept of form reveals itself as empty, where the universalization and abolition of the concept of form collapse into one another, the cruel gesture of art becomes intolerable. The guilt of form comes to the fore. [ABSTRACT FROM AUTHOR]

The invention of a modern body politic stimulated human sciences like paediatrics, psychiatry and therapeutic pedagogy, anthropology, psychology and others. Studying the socio-cultural and the naked life they defined the normal and the abnormal, the 'educable' and the 'non-educable' child, the 'worthy' and the 'unworthy'. This produced serious effects on children and their parents in cooperation with judicial and police authorities and the modern youth welfare which was started by the city council of Vienna round 1910. Psychiatrists and therapeutic pedagogues agreed on "difficult children" being medically treated. Psychoanalytic concepts of a non-violent education where not used at large scale in the city of Freud. The archipelago of municipal, confessional and private care homes was run to full capacity until violence was officially discussed first time in 1971, when the critique at psychiatry begins too. Most of the care homes and the famous Children Admittance Center were closed around 2000 and became substituted by guided shared flats and Intervention Centers scattered all over the city. Main thesis: pedagogic and psychiatric violence against children and youth of deprivileged social classes was produced by the theories of psychiatry, the racial hygiene and eugenics, especially the psychiatric theory of degeneration and the concept of "psychopathic inferiority", the concept of neglect, the milieu theory, the racist concept of the worthless child, and others. This was fostered by Christian myths of guilt and punishment and Nazi racial anthropology. The violence could take place in the darkness of the care homes shaped as 'total institutions' (Goffman), which were created and kept in order to perform illegal and excessive power over the naked body. [ABSTRACT FROM AUTHOR]

This article develops an ethical approach to a concept of publicity, that enables to practice the liberation from guilt and injustice. The usual narrowing of repentance to the ritual of private confession is not adequate to Christian tradition. It also objects to the task of a theological ethics to call humans to the "liberating reversion into being a creature" (H.G. Ulrich). The concept of publicity against the usual contrast "public - private" is developed from the juxtaposition "public - hidden". On this way it shows theological criteria for public relations. [ABSTRACT FROM AUTHOR]

A case study of a group music therapy program is presented. The author discusses a series of group therapy sessions, including one incident surrounding the music of New Age German musician and convicted child abuser Oliver Shanti, which aroused feelings of shame, guilt, and discomfort in the therapist. The consequences of this experience and the feelings which it produced are examined in the context of a group therapy setting.

The article provides an historical overview of the concept of "survivor's guilt" in the literature of psychoanalytic discourse primarily since the end of World War II. The author quotes from the writings of well-known Holocaust survivors, such as psychoanalyst Bruno Bettelheim and professor and author Elie Wiesel, as survivors who confirm their consciousness of feeling guilty. She then discusses the three main arguments concerning survivor's guilt. Included are arguments of psychiatrists Sándor Ferenczi and Anna Freud that the guilt feeling is an unconscious identification with the aggressor, the argument of psychiatrist Robert Jay Lifton that the guilt arises from identification with lost loved ones, and the theory of Joost Meerloo that the guilt is an illness similar to melancholy.

Rationale: Diagnosis of a malignant disease can cause serious psychological problems in patients as well as their intimate partners. Aim: This study investigated anxiety, depression, posttraumatic symptoms and feelings of guilt in patients and their partners segregated by sex. Method: In a clinical representative sample 248 cancer patients and 154 of their partners were assessed using standard questionnaires shortly after diagnosis and again six and twelve months thereafter. Results:Cancer patients' female partners most frequently indicated psychopathology that required treatment (29% anxiety, 33% depression, 17% posttraumatic symptoms). Conclusion: Cancer patients' female partners are at high risk of developing psychopathology. Hence they routinely should be included in patient exploration and, if need be, referred to psychooncological treatment. [ABSTRACT FROM AUTHOR]

This paper deals with the significance of defences against guilt and shame in the therapy of sexually border violating youths. After explaining the concepts of guilt and shame the author portrays particular affects of shame that may significantly influence the therapeutic situation. He argues that it is crucial to take into account affects of shame in order to work though guilt feelings. He goes on to consider interventions regulating shame and the meaning of shame experiences within the respective biographies. Finally, he emphasizes the necessity within therapy to allow adequate room for the wish for compensation. [ABSTRACT FROM AUTHOR]

The article presents a discussion on German composer Hans Pfitzner's operas "Der arme Heinrich" and "Das Herz." Particular emphasis is placed on the role of the human heart in each of the operas. Further themes noted as central to the operas include guilt, spiritual transformation, and eternal love.

This article examines Roberto Rossellini's almost forgotten cinematographic adaptation of Stefan Zweig's Angst. The plot focuses on a bourgeois female figure, Irene Wagner, who is being blackmailed by a woman who pretends to be the ex-fiancée of Irene's lover. Irene, who is afraid that the blackmailer might jeopardize her family life, does not know that it was her husband who arranged the blackmailing to punish her. While Zweig aims at representing the psychological effects of fear, Rossellini changes the setting (postwar Germany instead of imperial Vienna) and highlights the moral aspects of betrayal and revenge by emphasizing the fact that both Irene and her husband are guilty. [ABSTRACT FROM AUTHOR]