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Copyright of Die Unternehmensbesteuerung (Ubg) is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The saga of the farmer Hans Lang(e), edited and narratologically reworked by several authors and editors, was interdiscursively incorporated into the network of socially formed imaginary complexes over the course of around 500 years. As a result, it became a medium for exercising power and helping to shape social meaning-making processes. In order to trace the discourses in German- and Polish-speaking Pomerania, several sources were analyzed. [ABSTRACT FROM AUTHOR]

Copyright of Zeitschrift für Romanische Philologie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Umsatzsteuer-Rundschau is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Linguistische Berichte is the property of Helmut Buske Verlag Hamburg and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this work is to analyse the challenges that language editors face when editing texts and to investigate the linguistic attitudes and motivation of editors. The paper analyses 10 qualitative in-depth semi-structured interviews with language editors. The average length of each interview is 45 minutes. The research material consists of a total of 7 hours of audio recordings of the interviews, the transcribed recordings make up 100 pages of text. The texts edited by the participants vary in their nature: cultural, legal, film texts, scientific, medical, culinary, business, fiction literature and etc. It has been found that language editors face various challenges in their work: for example, difficulties due to late Lithuanian terminology, liberalising Lithuanian language policy. The linguistic attitudes of the editors have been analysed: the participants in the study do not question the idea of language normalization and explain its importance with various arguments. They stress the prestige of the common language and the difference between public and private language. The participants of the study criticise some aspects of the Lithuanian language policy: some decisions of The State Commission of the Lithuanian Language are questioned, as well as language purism. The most important aspect of language editing, according to the editors, is the fluency and clarity of the text. It was found that most of the informants feel that they contribute to the development of the language and influence the language.

Heuristic is the first step to provide a good critical text edition. It allows to collect all the manuscripts of a work, as well as to order them according to their content. This preliminary work phase is also important in order to obtain essential information about the genre and type of a work, thus providing useful new starting points for a comprehensive study. The paper provides the first results of this work phase within the project that involves editing, translating and providing a commentary on Dionysius of Halicarnassus' 'Epistula ad Ammaeum II'. All the manuscripts of the 'Epistula' can be divided into two groups, which are almost always characterised by two specific and different compositions: the first one allows us to consider the 'Epistula' as a rhetorical treatise providing rhetorical and grammatical remarks about the style of Thucydides; the second clarifies the importance of the 'Epistula' as necessary support to the comprehension of the 'Historiae' of Thucydides. Within these two groups of manuscripts there are some witnesses which present an unusual composition, such as the Parisinus gr. 2755. This case study sheds light on interesting and sometimes neglected aspects of the 'Epistula' and provides a complete analysis of its genre and use. [ABSTRACT FROM AUTHOR]

Copyright of Wittgenstein Studien. Neue Folge is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Orientalistische Literaturzeitung is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

How does Digital Mappa, a browser-based annotation tool, fit into the current landscape of Virtual Research Environments? How is an intuitive WYSIWYG graphical user interface suited for simple (scholarly) editions and image-text representations? What about involving different users via crowdsourcing? For this review, we took three distinct perspectives (user, teacher, and backend admin) and tested the tool for text annotation but furthermore for linking images with text. Digital Mappa proves to be a stable, not-so-easy-to-set-up tool that covers a lot of ground concerning annotation and image linking. Subsuming, we describe a mature system that allows for easy editing, suitable in the classroom. Critically, it has been assessed that the tool refrains from standards (such as TEI XML) and lacks capabilities to involve larger groups (e.g. for crowdsourcing).

Copyright of Kölner Zeitschrift für Soziologie und Sozialpsychologie ( KZfSS) is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Jahrbuch der Bayerischen Akademie der Schönen Künste is the property of Wallstein Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Объект настоящего исследования - монтаж как художественный феномен в отечественной музыкальной культуре второй половины XX столетия. Предметом исследованияв данной статье является творчество выдающегося отечественного композитора Р. Щедрина. Анализ показал, что в музыке Р. Щедрина монтаж приобрел фундаментальное значениеи сформировался как целостный художественный феномен. Монтаж как средство воплощенияиндивидуального творческого замысла предоставляет композитору исключительную свободу,открывая перед ним все достижения музыкального искусства, позволяя активно работать с различными культурными кодами, свободно переплавлять их, воссоздавая самые смелые, художественно значимые философские идеи композитора. Проведенный анализ позволил выявитьхарактерные черты музыки мастера в контексте монтажности: медитативно-конфликтный тип драматургии, высокая степень расчлененности тематического материала, внезапные переключения жанрово-тематических линий, мозаичность, политематичность структур, особый «ход»времени. Новизна исследования заключается в том, что впервые выявлена специфика композиторского письма Щедрина в контексте монтажности, в целом в постановке автором статьи актуальных вопросов, нуждающихся в научном осмыслении и новой исследовательской интерпретации.

GMS MBI is published twice a year and is jointly edited by an editorial board. Anyone interested in joining the editorial board, in writing a review as part of the peer reviewing process or in being in charge of a single thematic issue is invited to express their interest. [ABSTRACT FROM AUTHOR]

Copyright of Deutsches Dante-Jahrbuch is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turkbilig/Turkoloji Arastirmalari Dergisi is the property of Turkbilig/Turkoloji Arastirmalari Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The film image is the fusion of some components (image, music, sound effects, dialogue) made through editing, a means of expression that transfigures reality into an audiovisual image. The creating director gives attention to the sound throughout the film, finds the best visual adaptation, a way to create the subjective image that would fuse much better with the sound, enhancing the artistic impression. In both editing and mixing, we must take into account that the image-sound relationship consists in the fact that the sound complements the images, and the images, in turn, complement the sound. Otherwise, it is not about art, it is about a silent film with added sound.

The article is devoted to a modern problems research of television titles editing of the media addressee by the media addressor. The objectives of work are achieved by application of methods of deductive and inductive logical analysis, descriptive method, content analysis, lexical and semantic, lexical and grammatical, and stylistic analysis, comparative analysis, deep interview and poll of informants. Titles as fragments of media texts of the television program “Time Will Show” act as material of the research. In the article, attention is paid to a problem of television titles editing of the mediaaddressee in which editorial work of the media addressor is often limited to an inscription: “The spelling and a punctuation of the author are kept”. Authors in details analyze television titles of the mass media addressee of the “Time Will Show” program broadcast on Channel 1 of the Russian television; sort a number of examples from other elements of media system subject to influence of the research object and from fiction with justified violation of language norms. Authors offer the answer to a question how the editor has to work with text elements on the screen, support the position with opinions of scientists and results of the comparative analysis of the actual material, deep interview and poll of social networks users. The received results are significant for development of psycholinguistics, pragmalinguistics, cognitive linguistics, linguosemiotics, cultural linguistics, discursive linguistics, in particular, of media discourse theory, influence theory. This is because the peculiarities of verbal self-presentation of the media addressee in television titles characterizing the language personality of the media addressee as the media addressor producing the media message as reaction to a television message of the media addressor, and making influence on the mass addressee – television audience are revealed. The article will be useful to philologists, editors, journalists not only in the theoretical plan, but also in practical work.

Copyright of Romanische Bibliographie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanische Bibliographie is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper presents an insider’s view on the conception, organization and execution of the enormous undertaking of editing The Complete Letters of Henry James. Listing some of the problems the project has encountered, the author honors the people and institutions behind it, and names some of the most surprising and illuminating discoveries it has yielded this far.