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What are the narrative functions of the present tense in medieval narrations? In order to address this question, the paper brings together linguistic observations on tense semantics and a literary analysis of ›Wilhalm von Wenden‹ by Ulrich von Etzenbach. It shows that the present tense can refer to three different kinds of ›now‹, i. e. the ›discourse now‹, the ›story now‹, and the ›recipient's now‹. In all three contexts, the present tense is not used as a narrative tense but rather indicates a speaker's voice commenting on the events. This leads to the hypothesis that the development of the ›narrative present‹ (as common in modern novels) is based on two requirements: The decoupling between the ›discourse now‹ and the diegetic world as well as the decoupling between the author and the fictional instance of the narrator. [ABSTRACT FROM AUTHOR]

This preface to the special theme section “Historical narration in pre-modern Japan” addresses the terminological ambiguity of the expression “historical narrative” and its varying implications in the framework of literary studies. The individual papers approach the topic in a philological manner from different angles, i.e., from literary, historical, linguistic, and buddhological points of view. This preface introduces all the essays in this theme section and outlines their commonalities. [ABSTRACT FROM AUTHOR]

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‚Three Wishes for Cinderella‘ (Tři oříšky pro Popelku / Drei Haselnüsse für Aschenbrödel) is one of the most successful fairy tale films in Czech and German TV. Produced in 1973, it is shown up to now regularly around Christmas in both countries. Every year around the same time, at Moritzburg Castle near Dresden, which has been chosen as place of the ball in the movie, one can see a special Cinderella exhibition. In his paper the author investigates the question of the success of this film. He presents the conditions of the Czech-German joint production during the time of the so called normalisation after the Prague Spring. He compares the story and figures with its literary models (Božena Němcová, Brothers Grimm), and discusses some theories about the modernity of characters, especially of Cinderella as a modern emancipated woman. The core of the paper is the analysis of the narrative structure itself, which may be considered as the secret to the success of the movie. [ABSTRACT FROM AUTHOR]

‚Three Wishes for Cinderella’ (Tři oříšky pro Popelku / Drei Haselnüsse für Aschenbrödel) is one of the most successful fairy tale films in Czech and German TV. Produced in 1973, it is shown up to now regularly around Christmas in both countries. Every year around the same time, at Moritzburg Castle near Dresden, which has been chosen as place of the ball in the movie, one can see a special Cinderella exhibition. In his paper the author investigates the question of the success of this film. He presents the conditions of the Czech-German joint production during the time of the so called normalisation after the Prague Spring. He compares the story and figures with its literary models (Božena Němcová, Brothers Grimm), and discusses some theories about the modernity of characters, especially of Cinderella as a modern emancipated woman. The core of the paper is the analysis of the narrative structure itself, which may be considered as the secret to the success of the movie. [ABSTRACT FROM AUTHOR]

The question, whether and how spatial and social disadvantages overlap and what this means in terms of individual achievements is of crucial importance to rural sociology. Empirically, however, only few studies on this topical issue are available so far. The paper presents the conceptual and methodological approach as well as selected findings of a recently completed cross-national, German-Czech research project. Our research focusses on three socially disadvantaged groups: persons experiencing difficulties in the labour market, single parents and elderly persons living alone. They are living in four rural peripheries in Eastern Germany and Czechia, regions which are similar in their distance to metropolitan areas, low population density, weak economic structure and poor accessibility of public and private services. Our main interest is on the question whether social and spatial disadvantages accumulate and lead to a double disadvantage. We conducted 113 qualitative interviews in both countries. Overall, most respondents rate their lives in the four regions positively. Often, they describe a rural idyll, naming for example direct access to nature as important source of their well-being. However, they also point to a variety of everyday challenges due to a lack of services and infrastructures and the need to have access to a car and to travel long distances. They highlight the important role played by rural and small towns (and their supply services) in rural peripheries. Social relationships are also important for well-being. The respondents’ everyday narratives attest to the fact that they have found multiple ways of dealing with spatial constraints. Thus, our results paint a nuanced picture of rural peripheries where social and spatial disadvantages do not necessarily accumulate and people do not inevitably see themselves as disadvantaged – either socially or spatially. Central to this is a high degree of agency, manifesting in a variety of coping strategies. The respondents apply these to meet daily challenges and to live more self-determined lives than the spatial structures of a rural periphery and the conditions of various forms of social disadvantage would initially suggest. [ABSTRACT FROM AUTHOR]

Copyright of Berichte zur Wissenschafts-Geschichte is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The study presented in this article investigates the temporal unfolding and multimodal orchestration of meaning in a narration. Two aspects are focused on. First, the temporal and multimodal orchestration of conceptual spaces in the entire narrative is described. Five conceptual spaces were identified which were construed by multiple visual-kinesic modalities and speech. Moreover, the study showed that the conceptual spaces are often created simultaneously, which, however, does not lead to communication problems due to the media properties of the modalities involved (see also Schmitt 2005). The second part of the analysis zoomed in onto the phase of the narrative climax in which the multimodal production of the narrative space with role shift dominated. By applying a timeline-annotation procedure for gestures (Müller/Ladewig 2013) a temporally unfolding salience structure (Müller/Tag 2010) could be reconstructed which highlights certain semantic aspects in the creation and flow of multimodal meaning. Thus, specific information "necessary" to understand the climax of the narration was foregrounded and made prominent for a co-participant. By focusing methodically and theoretically on the temporal structure and the interplay of different modalities, the paper offers a further contribution to the current discussion about temporality, dynamics and multimodality of language (Deppermann/Günthner 2015; Müller 2008b). [ABSTRACT FROM AUTHOR]

This paper examines conversational data of German everyday narratives in audiovisual footage of face-to-face encounters and in log files of Facebook's instant messenger. The qualitative analysis is focused on the interjection boah as a means of narrative activity, paying special attention to its multimodal form and its media dependent functionality. The preliminary findings show that boah is used to signal to the communication partner the utterer's noticing of something unexpected: be it an observed object or event, a communicative action, or a recalled memory. On a phonetical level, it is possible to distinguish two forms of boah: a marked form and an unmarked form. Which of these two forms is instantiated in interaction depends on the intensity of unexpectedness (or the enactment of unexpectedness). In everyday narratives, the marked form is often found to be expressed by the recipient. In contrast to the face-to-face data, our instant messenger data shows that, here, almost without exception boah is only used by the storyteller. This conspicuous finding can be explained by the specific temporality of instant messaging which results from the structural media conditions that instant messengers or e. g. internet relay chats similarly impose on the use of communicative means like interjections. We finally discuss how this dialectic relation between communicative function and mediality prompts further analyses of other communicative means, for example, the pattern of everyday narratives itself. [ABSTRACT FROM AUTHOR]

The paper argues for a revision of the textual history of the Old Russian Skazanie o Drakulě. According to its editor Lur'e (1963) the text had been produced by Fedor Kuricyn in 1485 and transcribed by well-known copyist Efrosin in 1486 and in 1490. Lur'e characterises the Skazanie as a politically motivated description of a "cruel but righteous sovereign", produced by the diplomate Kuricyn and comparable to Western Renaissance political treatises. Lur'e's statements only argue ex negativo and fail to match the textual evidences. 1: Our paper shows in detail, that the two main redactions of the text, both datable in the 90's of the 15th c., display mutual dependencies and require a protograph as their common ancestor which needed much more time to develop than is left between Kuricyn's assumed return from Moldavia to Moscow in the middle or at the end of 1485 and Efrosin's first transcription in February 1486. While the textual history of the Skazanie cannot be historically aligned with Kuricyn's mission to Moldavia and his return to Moscow in 1485, there is no argument left to attach the name Kuricyn to the text at all. 2: The reception of the Skazanie until today is based on the assumption that the text would characterise the reign of 'cruel' Ivan IV. There is no objective argument for this suggestion, but numerous counterarguments. 3: The paper characterises rhetoric strategies in the narratives about Drakula, showing, among others, a connection with a South German (Bavarian) episode, and pointing to the possible origin of a historically relevant question (the "sister" of the Hungarian King). [ABSTRACT FROM AUTHOR]

Copyright of Nasleđe is the property of University of Kragujevac, Faculty of Philology & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Balzac's Le Chef-d'œuvre inconnu is about an artist who grapples with the problem of a fantastic imagination. The narrative refers to the 16th and 17th century of art, which serves as basis for a fantastic meta-fiction that thematically goes beyond the art of painting. The novella can provide great insights for studies in the fantastic insofar as nothing fantastic actually happens, but it rather discusses the principles of the fantastic imagination and aesthetics on a meta-level. This paper intents to show how a discussion of art theory, which puts a blank canvas into a central position, is evoked through the staged description through intermedial connections of the protagonists. Thus, the paper proposes that Balzac's text approaches the neo-fantastic by questioning the fantastic style via meta-fictional commentary. Through fantastic meta-fictionality a paradigm is constituted on a poetological level that bids farewell to fantastic romanticism in both content and form. [ABSTRACT FROM AUTHOR]

This paper analyzes, in light of visuality, two fantastic narratives from Japan, Lafcadio Hearn's (Koizumi Yakumo's) The Story of Kwashin Koji and Kōda Rohan's Kwanga-dan, both of which are based upon the unique picture theory that "in any picture of real excellence, there must be a ghost". While in Hearn's narrative we witness the subversion of the subject-object-relation and the radical change of the visual as well as the spatial, in Kōda's narrative the transformation of the microcosm (picture) to the macrocosm (world) is also accompanied by a sensual change. Both texts dealt with in this paper are seemingly situated in the dichotomy between the 'Japanese' and 'Western' aesthetic, but, when taking into account texts by other Japanese as well as Western authors as the representatives of such aesthetic concepts, we find that all things considered, this dichotomy is violated. On the basis of these considerations, an intersection between the 'Japanese' aesthetic and one of the latest tendencies of the 'Western' studies of culture, the 'iconic turn', is pointed out in the conclusion. [ABSTRACT FROM AUTHOR]

The Lives of Saints as well as fairy-tales eventually tell of animals which have the gift to speak. The categorization of phenomena like speaking animals is dependent on the epistemic structure of the narrated world. On the example of ‘speaking deers’ the paper outlines, that in hagiographic literature speaking animals are reported as miracles, which are to testify either the holiness of a place or the person they are speaking to. On the contrary, in fairy-tales speaking animals are part of the expected actors to appear in the structure of the narrated world and are not marked as miracles, at all. Consequently, the semiotic status of such phenomena can be differentiated: hagiography tends to symbolical or metaphorical meaning, fairy-tales to allegoric meaning. The difference between symbolic and metaphorical meaning in hagiography is shown in comparing two episodes including a speaking deer as if Christ himself is speaking. In Vita Placida, the deer has the specific and contextually supported gnostic meaning ‘soul’, while in Vita Huberti the deer only takes iconically induced metaphoric meaning (wearing cross-like antlers = carrying the cross), but in the fairy-tale the deer is an allegory of a human character trait and thus can be substituted by another allegory without change of context. [ABSTRACT FROM AUTHOR]

This contribution explores the interface between pagan divination and scriptural prophecy in Augustine's works. Both angels and demons function as intermediaries between humans and the divine realm, which makes it possible to interpret one prediction in various ways, either as an authentic scriptural prophecy or as a foretelling inspired by demons. A close reading of Augustine's treatise De diuinatione daemonum and De ciuitate Dei 7,34/5 forms the theoretical frame of this paper which discusses one example of a divination narrative in three works by Augustine. The story of the medium in Endor who predicts King Saul's death is mentioned in De doctrina christiana, Epistula 43 and De cura pro mortuis gerenda. A comparison of these three references shows that Augustine uses the versatility of this divination/prophecy narrative. He seems to emphasize different aspects of the narrative as the communicative purpose of the specific text requires. The picture that emerges from Augustine's works is not that of a clear transformation of pagan divination into scriptural prophecy, but that of effective rhetorical use of the versatility of a given narrative. [ABSTRACT FROM AUTHOR]

This paper argues that the corporate annual report is not only a document comprising retrospective accounts of financial position and performance, but also a text that points to the future by means of presenting dreams, aspirations and fantasies. However, these dreams are not to be seen as irrational deviations from the rationalistically oriented discourse of accounting. Quite to the contrary, the three corporate dreams identified in this study – the colonial dream, the evolutionary dream and the efficiency dream – are part of the ongoing self-narration of the company, in which it tries to display an allegiance to a set of appropriate aspirations that are considered legitimate in contemporary global capitalism. Drawing upon ideas from narrative theory, annual reports from 2005 to 2010 collected from NASDAQ OMX Stockholm have been analyzed with the purpose of understanding how corporate dreams are used in financial communication. These corporate dreams contribute, the paper argues, to the construction of legitimacy and trust.

Robert Walser’s text „The Walk“ enacts a narrative that is genuinely describable as one, on the border“ to non-narrativity. This paper takes a look at how „The Walk“ uses indicators of narrativity / narrativeness in order to subvert them, especially by dissolving narrative times. This leads to narrative performativity. Its narrative techniques are mirrored in the very Walserian self-description of eating a meal. In the central episode of the „The Walk“ the protagonist eats „pieces“ (German „Stücke“), what in Walsers terminology means both sweets and narratives („Prosastückli“). This leads to a circle of intertextuality, in which the writer reads his own text and re-writes it at the same time. Nonetheless, „The Walk“ is not a pure manifestation of self-reflexivity because its non-systematic narration is undeniable. Walser’s „The Walk“ formulates and follows a poetics of „narrating-as-writing“ which highlights both performativity and materiality of the act of narration. [ABSTRACT FROM AUTHOR]

Copyright of GAIA: Ecological Perspectives for Science & Society is the property of Oekom Verlag GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper deals with the semantics of ‚barbarism' in Jonas Lüscher's novella Frühling der Barbaren (2013). It aims to show that the text incorporates the concept of ‚barbarism‘ into what Lüscher himself calls a „narratology of social complexity“: a narrative mode that enables literary texts to serve as platforms for the reflection of moral problems. Lüscher achieves this by referring to specific intertexts by Friedrich Nietzsche and Ingeborg Bachmann while subtly modifying and distorting them. In doing so, Frühling der Barbaren acquires a diagnostic and genuinely critical quality: with this sleight of hand, which could be considered a prime example of ‚barbarian theorizing‘ (Walter Mignolo, Maria Boletsi), the novella evokes existing narratives only to recode them into a sardonic critique of global capitalism. [ABSTRACT FROM AUTHOR]

This research report presents recent German scholarship on good and bad deaths in medieval narrative sources to an English-speaking audience. Current publications are thus concisely illustrated in their design and with their results. [ABSTRACT FROM AUTHOR]

In my paper I discuss belonging to a community as a lived experience aiming at interrogating with Hannah Arendt the dynamics of constituting or reshaping communities through action. The ungraspable »we« of communities allows for both constraining narratives and initiating new forms of belonging as a response to the need to belong. Acting together creates communities which can overturn the often painful experience of belonging to unbearable social units. [ABSTRACT FROM AUTHOR]

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The paper attempts to reconstruct the writing of published case histories. Due to the establishment of a scientific classification system in psychiatry there were at the Charité several changes from the late 1870s onwards: (1) Not only was the documentation in the clinical records altered significantly, but also (2) the archive was reorganized into a double filing system and (3) the casuistic made a development from describing seldom or sensational cases into a mode which aimed to unfold psychiatric theory through 'typical cases'. Original medical records, the internal documentation of psychiatric observation, will be compared to their published version. Both, the narrative of a case study and the documentation in the clinical records reveal performative processes of observation and documentation. [ABSTRACT FROM AUTHOR]

The main intention of this paper is to bridge the gap between an understanding of historiography as a work of literature and as a work of scholarly research. The topical emphasis in meta-history on representation darkens the insight that interpretation is a methodological procedure of historical cognition. Both aspects of the historian's work are mediated by each other. [ABSTRACT FROM AUTHOR]

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Der Beitrag bezieht über zwei Narrative zu einer Vision Stellung, die hoffentlich in greifbarer Nähe ist. Die Aussichten beziehen sich auf die Selbstorganisation und den neu zu gestaltenden Kreislauf des Wissens, wofür sich Bibliotheken zuständig fühlen. The article takes a position on two narratives on a vision that is hopefully within reach. The two outlooks refer to the self-organization of libraries and the new cycle of knowledge to be designed, for which information institutions feel responsible. [ABSTRACT FROM AUTHOR]

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The article focuses on how dominant institutions construct univocal emotional scripts to reinforce their power, but alternative emotional expressions found in unofficial sources can challenge narratives, revealing more nuanced emotional experiences. It explores this dynamic by analyzing visual and acoustic materials, such as unofficial murals in Tehran, Iran depicting "martyrs" and official recordings from the Berlin Lautarchiv during World War I, to uncover historical significance of emotions.

The article focuses on the nuanced production of knowledge within German-speaking Southeast European studies. It encompasses three primary topics such as the challenges faced during field research, the complexities of defining and accessing communities, and the methodological approach, exploring the self-reflective aspects of research, and the historical and local context of the research field, particularly concerning the narratives of the descendants of immigrants from the village of Hamroth in Romania.

English as a Foreign Language (EFL) pre-service teacher’s identity is a process where language, as an object of study, is a tool in the mediation for scaffolding the identity of future teachers. Identity construction is not an isolated process. Instead, it is the result of a continuous and social process that embraces a variety of factors and the tension of diverse forces, struggles, and adjustments that the individual deals with. In the last two decades, an increasing number of qualitative studies focused on EFL teachers’ professional identity have appeared. To identify how professional identity is constructed, it must be understood as a product of discourse, practice, and relationships. Moreover, identity is developed through the stories (narratives) describing life encounters that have shaped who they are as teachers. Both discourse and narratives help teachers define and redefine themselves as professionals through the meaning they give to their lived experiences. Hence, the purpose of this paper is to address discourse and narratives as two research perspectives to investigate EFL pre-service teachers’ professional identity. First, the link between qualitative and identity studies is presented. Then, discourse analysis and narratives as methodological alternatives are introduced. Finally, implications and reflections for teacher education are discussed.

Copyright of Münchener Theologische Zeitschrift is the property of EOS - EDITIONS SANKT OTTILIEN and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für die Alttestamentliche Wissenschaft is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Hardly any management theory nowadays fails to take culture's influence on today's organizations into account. At the very foundation lies the belief that the intercultural boundary can be determined externally—by etic view. In my paper I show how much emic organizational reality differs from etic view. Hereby, I refer to two years of fieldwork that I conducted in a global high-tech company at sites in Germany, Austria and India. I choose this approach to trace culture as an open process of sense-making in practice. Through interpretative anthropological means, I identified several discourses of collective identity that were constructed narratively—often regardless of the presumed etic border of "Germans" vs. "Indians." In summary, this paper makes the following contributions: Firstly, it shows how emic and etic categorizations of the cultural other can differ in a complex environment. Secondly, it looks in depth into the emic categorizations of "the Other" and how they are constructed narratively. Thirdly, it draws conclusions for the field of intercultural communication. URN: urn:nbn:de:0114-fqs0901440

Copyright of Journal for Business, Economics & Ethics / Zeitschrift für Wirtschafts und Unternehmensethik is the property of Nomos Verlagsgesellschaft mbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)