Search

The introduction of the angel and later the Tudor sovereign gold coins in the late 1400s became part of a political rhetoric aimed at mediating the king’s image, power, and wealth. However, it also played a part in the legitimation of the Tudor dynasty during the later stages of the Wars of the Roses, a time of Yorkist pretenders and foreign opposition to Henry VII’s reign. As only the rightful king was believed to have the gift of healing, Henry VII appropriated both coins and ritual from the Plantagenet dynasty associated with the sanctity of kingship. Ordinary objects bearing the King’s image were imbued by the people with supernatural and political powers. How could the religious function of contact relics also facilitate the use of the non-religious Tudor gold sovereign and other denominations by mimicking the iconography and ritual use of the angel? And how were these coins used as part of political rhetoric to legitimate the claim for the throne to support a myth of royal succession and prove Tudor right by appealing to the public? This article argues that the coins created and empowered the King with saintly abilities, granting the object carrying the King’s image a reliclike power, further fusing the image with people’s belief in the legitimate King’s God-given power of healing. The visual migration or transfer of an image’s symbolic properties, in this case the transference of its sacred properties to secular objects, mediated both the literal and conceptual image of the King as part of political legitimation against the Yorkist pretenders and foreign powers

Scholars have traditionally dated the Royal Chapel at Pyrga, Cyprus to the year 1421 and attributed it to the patronage of the island’s Latin ruler Janus de Lusignan (r. 1398-1432). However, more recent stylistic, iconographic, and epigraphic analyses present a convincing argument for dating the chapel to the mid-fourteenth century. Ironically, though the chapel is most frequently associated with the death of Janus’s wife Queen Charlotte, the portraits of a Latin king and queen both appear as living, albeit anachronistic, attendants at Christ’s death in the chapel’s decoration. Their prayerful attitude at the base of the Cross on Golgotha, in conjunction with programmatic emphasis on sickness/death, salvation, and intercession, implies that the foundation was intended to be something other than a memorial funerary chapel for a specific royal person. This article, which supports a mid-fourteenth-century date, will argue that the chapel instead functioned as an ex-voto or visual prayer for the salvation of the Cypriot people from an outbreak of plague on the island. Evidence points to King Peter I de Lusignan (r. 1358-1369) and Queen Eleanora as likely patrons of the chapel and the role of St. Peter Thomas—monk, papal procurator, and bishop—as instigator of royal penitential display as a means of countering the spread of plague. Important to this revised date and context is the clear invocation of the True Cross—relic and palladium par excellence of the Crusades—that held special importance in the religious culture of Cyprus and for its royal dynasty.

In this paper the different processes of medieval memory construction of Saints Adrian and Natalia are studied through the presence of their relics in the altars of some churches in Rome, León and Lisbon. Following the martyrdom of Saint Adrian in the East and the transference of his mortal remains by his wife to Byzantium, it was between the 7th and the 13rd centuries that their worship was developed in the Iberian Peninsula therefore creating significant worship strategies. This had consequences in written sources, architecture and epigraphy, points of investigation of this article.

On the basis of ethnographic fieldwork which was conducted among some Carmelite and Augustinian monastic groups (in France and in Italy), the aim of the present paper is to investigate the nature of relic-objects from an anthropological perspective. These are probably one of the most significant reified examples of the so-called ‘sacred’ as tangible evidence in contemporary western societies. Considering the case of the remains of Breton Blessed Françoise d’Amboise (1427-1485), the analysis will be focused on the transformation process human remains undergo to be turned into relics, this process being implemented by specialised secluded nuns. A number of issues will be addressed, such as the types of relational processes and strategies (including protagonists, situations, material and ideological systems) that are most relevant for these objects to be assigned and preserve their sacred power.