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The subject of research and analysis in this paper is how the female body was represented in the novel The Bridge written by Jasmina Musabegović. The novel The Bridge was published in 1994. and represents a kind of sequel to the novel Switches from 1986 and a connection with the novel Women. The voice from 2005. Metaphorically and literally this novel represents the connection between the two novels, in fact, a transitional narrative about the maturation and growing up of the main protagonist who, during her stay in a sanatorium, realizes changes in her own body and enters puberty and becomes the body of a women. At the same time, there is a process of identification with the mother and other women who play an important role in the life of the storyteller and who represent a connection during transitions from one stage of life to another. The body as a place in on which meanings are inscribed, becomes the reason for external and internal changes through which the girl who narrates experiences. Because of the sick body, she went to the sanatorium, the biological maturation of the body causes understanding and identification with the mother and sisters, only to remember performative repetition and observation of movements towards and over the bridge, rhythmic combing, and similar body repetitive gestures felt a closeness, understanding, and existence of transgenerational patterns that are transmitted along the female line in the family. This paper brings an analysis and interpretation of those elements in which the female body is represented as one of the primary determinants for self-identification and gender belonging. The theoretical starting point for the analyses of various aspects of the body in this novel is contemporary feminist research based on Elizabeth Grosz's study Volatile Bodies. Special attention will be paid to how a particular image of the human body is formed, as well as the factors that have a direct impact on it.

This paper aims to analyze and interpret the linguistic and stylistic means by which the world of the novel Women. Voices. by Jasmina Musabegović is built. The paper analyzes and interprets the novel’s spoken language stylization, as its main stylistic feature. It is based on the assumption that orality, as a linguistic-stylistic feature of the novel, is primarily realized at the syntactic-stylistic level. In this direction, the elements of expressive syntax, such as spoken (oral) sentence length, elliptical, nominative, and fragmented sentences, as well as syntactic repetitions and accumulations, are especially explored. The mentioned syntactic-stylistic means are investigated to point out their stylistic potential in the revitalization of the tonal, rhythmic, intonation, and intensity values of the spoken language, based on which novelistic voices are generated as the narrative subject of the novel. Also, exclamatory and expressive interrogative sentences are explored in the paper as significant means of conveying emotional-expressive (affective) and intensifying the semantic values of a sentence. In doing so, it is particularly indicated that interrogative sentences, in addition to appearing as elements of expressive syntax, have a significant opening (cataphoric) value in developing the novel's narrative content. In addition, the paper points out the stylistic possibilities and values of the vernacular idiom in the stylization of novelistic expression with folk expression.

The paper deals with Nadija Rebronja’s book 88, which is conceived as 88 piano keys or fragments. The paper recognizes some important links that this book establishes with the mannerist literary tradition, as understood and explained by Gustav René Hocke in his widely acknowledged books Mannerism in Literature and The World as a Labyrinth. Instead of opening up to the totality of all things, 88 resembles a mannerist work that closes itself into its own artistic reality and questions the place that literature and art occupy in today’s world. The paper also deals with the implications that arise from the connection Nadija Rebronja establishes with the tradition of magic(al)realism, particularly regarding the construction of motivational systems and their relation to the phenomenon of magic in this book. By utilising the concepts of simultaneity and catalogue, 88 relates to the tradition of the Russian avant-garde, as understood by Aleksandar Flaker. It is also shown that a reassessment, a significant avant-garde procedure, holds an important place in the 88, since the author re-evaluates the figure of travel and a topos of the town square in relation to classical literature. This reassessment is linked to the tradition of hikaye, instructive stories that have come from the Islamic tradition, as well as a farce - a literary form based on reversal. The final part of this paper deals with the fragmentation in Nadia Rebronja’s88 which can be linked to the atomization within the mannerist literature and the avant-garde understanding of the world. It also explores the ways in which the world created in this book relates to,on the one hand,the “optimal projection” as one of the characteristics of the avant-garde, and the concept of utopia as an alternative to freethinking on the other.

This paper discusses Alija Isakovic's commitment and contributions to the processes of reaffirmation Bosnian language within Serbo-Croatian linguistic unitarism in the second half of the 20th century. We have shown the historical context of the language policy and Isakovic's significant work for the selected theme. The focus of this paper is on the sociolinguistic text "Varijante na popravnom ispitu" and the lexicographic work Rječnik karakteristične leksike u bosanskome jeziku, which represents a kind of struggle for the specificity of the Bosnian variant and characteristic lexicon of Bosnian language in that linguistic norm. The results of Isakovic's work are noticeable in the Yugoslav period (partial change in the field of official language policy), but it's also noticeable in period of state independence when language policy was created based on Isaković's concepts.

This paper deals with the issues of womanhood and democratic household in Little Women, a novel by Louisa May Alcott. The theoretical framework for the research is Barbara Welter’s classic essay on the concept of “true” womanhood in Victorian America. By analyzing the four cardinal traits of proper womanhood as reflected in the novel, the conclusion emerges that Meg, Beth, Jo, and Amy’s growing into womanhood simultaneously confirms the limitation of women’s potential in Victorian America and testifies to the struggle for actualization. The development of the four girls is under the indisputable influence of both the gender discourses that prevail in society and the progressive views of their mother. However, since each girl interprets these visions differently and adapts them to their various personalities, their paths to womanhood are unique. Finally, the paper aims to demonstrate that the March sisters attempt to strike a balance between actualization and adaption to the needs of the family, two equally important, but opposing aspirations. In conclusion, the actualization of the March girls, initially jeopardized by the limitations of patriarchal culture, is further complicated by their desire to remain true to their family’s (mother’s) teaching, which is especially emphasized during Amy and Jo’s attempts to realize their artistic ambitions.

This paper will problematize a teaching methodological approach to the novel Skretnice, in which the students’ communication competencies are put in the foreground. This paper tries to show how interpretation still occupies a special position in the modern teaching methodology of teaching literature by connecting the modern teaching methodological models and students’ needs. In the process of the teaching methodological processing of the novel Skretnice by Jasmina Musabegović, we try to combine the elements of various methodical approaches: interpretation, a problematic, open teaching methodological approach. The goal is to elaborate a reading strategy and development of language skills/competencies: reading, speaking, listening and writing. The novel will be set as a literary template in the function of developing fundamental students’ competencies, in which a teaching methodological interpretation of the novel will be further developed. We will direct the students’ activities towards independent reading, research and writing about the topics and problems raised by the novel and its openness for cross-subject correlations.

Ever since Tommy Orange’s novel There There was published in 2018, Native American urban experience has been pointed out as the novel’s crux. The characters in the novel are Native American but most of them feel estranged from the community since they do not live on reservations, whereby the general implication is that reservations have become ossified as identity markers for many Native Americans. This paper aims to analyze how the novel’s characters use urban areas to create spaces of belonging, thus debunking the myth of the “reservation Indian”. Aided by Edward Soja’s theories on Thirdspace and Robert Tally’s theory of topophrenia, the paper discusses regional powwows, non-profit organizations, American Indian cultural centers, and digital storytelling/narrativization as specific examples of the subject’s awareness of space, their engagement and inscription into space through the practices mentioned above.

At the very beginning of the paper, the historicity of the human desire for the Truth was pointed out, with a special reference to the concept of tasawwuf as a way of searching for the Truth within the Muslim religious tradition. An explanation of the concept of Tasawwuf, as well as its historical development and certain teachings that are practiced within the twelve present Tasawwuf (Dervish-Sufi) orders, was presented. On that occasion, it was pointed out that in the Tasawwuf tradition, the path to knowledge is as important as the knowledge itself (Truth), and according to that, in this paper we especially tried to clarify the organs of cognition: ruh (spirit), aql (mind), qalb (illuminated heart), fu’ad (spiritual heart), hiyal (spiritual imagination) and nafs (soul). Special attention was paid to the concept of the soul (soul) as an organ of cognition, where the existence of seven levels of mental cognition was highlighted. Namely, in the Tasawwuf tradition, seven levels of the soul are mentioned, and those are: “the soul that is inclined to evil” (an-nafs al-Ammara), above which is the “soul that chastises itself” (an-nafs al-Lawwama), which is below the “inspired soul” (an-nafs al-Mulhimma). After the third stage, the spiritual journey moves along paths from “calm” (an-nafs al-Mutmainna), through “satisfied” (an-nafsar-Radiyya) and “one with whom God is pleased” (an-nafs al-Mardiyya) to “pure souls” (an-nafs as-Safiyya, or an-nafs al-Kemaliyya). At the very end of the work, the significance of the spiritual journey (as-sayr as-suluq) is emphasized, during which the dervish, through the spiritual struggle (muyahed) with himself and his personal passions, rises to the cognitive horizons where nothing exists but the Almighty God.

Many authors have recognized the unifying potential of digital technologies. McLuhan introduces the phrase "global village," while Castells writes about the emerging society as "networked." However, the experience of living in a "networked society" has questioned assumptions about the one-dimensional nature of the impact of digital technologies both on global social solidarity and solidarity at the micro level. Castells himself makes a sort of leap by considering the transformation of society from networked to segmented, heralding the end of the traditional concept of mass audience. Through mass and especially new social media, the audience as an interactive subject is open to further segmentation and differentiation. These insights indicate the necessity of reconsidering the impact of new media technologies – on the one hand, on forms of constructing social identity and social connectivity, and on the other hand, on the creation of a digital divide, supported by algorithms and artificial intelligence. Furthermore, certain categories need to be revised/redefined, primarily considering them in the context of social and political divisions that the use of social networks generates and deepens, such as the concept of the "digital divide," originally associated with the problem of unequal access to digital resources. The main aim of the paper concerns contributing to the modernization of research categories used in media and society studies, to make their theoretical and practical application more adequate and tailored to contemporary social reality. The paper will propose new formulations of key concepts, aiming to make the inherent multidimensionality of the discussed categories evident, within the context of the impact of new media and technologies. The ultimate result of the paper is contained in a sort of mapping of how the new media ecosystem supports processes of building social solidarity and creating digital alienation.

The digital age has brought several changes in the understanding of the former mass media and the way of distributing different media contents, but also in the ways of media audience involvement in mass communication processes. Due to the large amount of information and the channels through which it is disseminated and the increasingly fragmented media audiences, the influence of the media on contemporary democratic societies has changed significantly compared to the influence of the mass media in the 20th century. Differences in media representations of social reality, the dispersion of their authors, the number of publications and their reach, as well as the conditioned interpretations of media audiences, have led to the so-called post-truth media constructions of reality, also one of the key features of the 21st century. In this paper, the authors provide an overview of theories about media audiences and generations that have been developed within the communication sciences. They specifically focus on the contemporary trends that have affected the disappearance of the mass audience due to its intense fragmentation as a result of the technology change, and at the end of the paper, they highlight the social changes that arise as a result of the aforementioned processes.

Given the fact that in today's world are more and more different types of violence, this paper deals with individual features of violent crime offenders. The results presented in this paper are part of the scientific research project entitled Croatian Violence Monitor – A Study of the Phenomenology, Etiology, and Prosecution of Delinquent Violence with a Focus on Protecting Particularly Vulnerable Groups of Victims. Secondary data sources were used for the research sample, namely collected court cases of violent crimes committed on the territory of the Republic of Croatia. The objective of the paper was to obtain better insight into certain individual features of violent crime offenders regarding the relationship between the offender and the victim, the offender's marital status at the time of the crime, the offender's parenthood, the offender's disability, the risk of belonging to a particular group, the offender's monthly income, the offender's level of education and the offender's employment at the time of the crime. The specific objective of the paper was to establish the differences in analyzed features considering the offender’s sex. From the point of view of practice, this paper provides certain feedback to experts from various professions who deal with the issue of violence. The analyzed data showed that most offenders of both sexes completed secondary school lasting up to three years (male sex - 65%; female sex - 54.4%), so these data are extremely important for experts in the educational system in terms of prevention of future acts of violence through additional education of students on the harmfulness and consequences of violence.

When Austria-Hungary occupied Bosnia and Herzegovina, it brought many social and cultural changes. One of them was suppressing the widespread culture of holding and carrying arms that existed in Ottoman Bosnia. Holding arms was still possible but under strict control. Firearm holders were, therefore, a very tiny, privileged group inside society. In this paper, we analyze the ethnic/religious and social structure of this group in the case of the Tuzla Circle in 1904. How large was this group? Were there differences along ethnic and social lines in terms of firearm holding rates? These are the key questions we are seeking answers to in this paper, with an aim to get the first insight into the broader picture of firearm holding in the entire province under the Monarchy’s control.

The paper examines the scientific contribution and creative work of the lesser-known Polish linguist, Baudouin de Courtenay (1845-1929), a distinguished Slavist and Indo-Europeanist. The paper discusses numerous aspects of his modernist theories and provides an overview of the most significant reflections on language that can be considered as precursors to contemporary linguistic thought. In his long academic career from the Kazan period to his engagement at the universities of Dorpat, Kraków, Saint Petersburg, and Warsaw, the paper highlights the various influences he exerted on the linguistic research of his time as well as on the later generations of linguists with a special reference to de Courtenay's influence on Ferdinand de Saussure and the development of general and structural linguistics. The paper examines the evolution and development of de Courtenay's thought in various domains such as the theory of phonemes and phonetic alternations, which positioned him as the forerunner of the Prague Linguistic Circle, psycholinguistic research and the definition of language as a psychosocial phenomenon, South Slavic dialectology and lexicology, as well as the study of the use of language in other sciences and disciplines.

This paper analyzes the theory of Islam as a religion that could have formed a rationalistic civilization, based on scientific progress, individualism and democracy. One of the representative studies on this topic is the work of Mustafa Akyol Reopening of Muslim Minds, in which the author uses the method of counterfactual analysis, posing the fundamental question: what would Islamic civilization look like if in the Sunni majority had not prevailed Ash’ari theology, but rationalistic, Mu’tazili theology? Although it could be said that the author of this study does not err when he concludes that Ash’ari occasionalism stopped the development of science in Islam, he nevertheless errs when he claims that the doctrines of voluntarism, predestination, and uncreatedness of the Qur’an, were generators of injustice in Islamic society. In this paper we tried to analyze the metaphysical foundations of these doctrines, re-examine the validity of the hypothesis about their harmfulness, and re-examine whether the observed harmful effects come from Islamic tradition or from the more recent attempts of modernization of Islam.

The subject of this paper is the analysis of the application of the Convention on the Prevention and Punishment of the Crime of Genocide of 1951 before the International Court of Justice in The Hague, in the case of Bosnia and Herzegovina v. Serbia and Montenegro, for violating the provisions of this Convention. This Court shall, by Article IX of the Convention, have jurisdiction in disputes between contracting states, concerning the interpretation, application and enforcement of the Convention, including those relating to the responsibility of a state for the crime of genocide or any other offense established in Article III of the Convention. Article I of the Convention stipulates that states are obliged to prevent genocide and punish the perpetrator. Furthermore, the responsibility of states under Article IX of the Convention relates only to the state’s failure to prevent the commission of genocide and other acts under Article III of the Convention and to punish the perpetrators. An analysis of the text of the Convention and the content of the claim of Bosnia and Herzegovina of 24 April 2006, shows that the claim of Bosnia and Herzegovina falls outside the scope of Article IX of the Convention, which is especially problematized in this paper by the author.

The main goal of this paper is to point out the concept of creativity in teaching, specifically creativity in the teaching of Nature and Society. Nature and society, as a subject, provide many opportunities to express the creativity that we carry within us through the role of a teacher, as well as to teach students how to be creative. The paper highlights examples of different teaching units that indicate ways to encourage creativity in students and awaken their imagination. Through teaching, through tasks that the teacher creatively devises, we encourage students to think creatively and act, in addition to acquiring knowledge more permanently and functionally. Possibilities of creating Nature and Society lessons through creative examples and experiments, as well as evaluating and measuring creativity, were presented. The work results indicated that creative teachers create their fruits, which are called creative students, that they are causally connected, and that creativity is a synonym for an expert and professional teacher.

An opera is a complex, multidisciplinary, stage music genre that primary school pupils in the 8th grade aurally and visually recognize, differentiate, describe, and compare as part of the primary school subject Music Culture. The paper presents the contribution of the preparation and performance of an opera on the case study of Ivan Josip Skender's Šuma Striborova (The Stribor's Forest), an opera for adults and children (to the libretto by Ozren Prohić, based on the fairy tale of the same name written by Ivana Brlić Mažuranić) performed by the pupils of the Bartul Kašić Primary School in Zadar, in July 2023. It is an innovative and unique project in Croatia designed to bring opera closer to young people. The paper presents the Curriculum for the subject of Music for both primary and high schools in the Republic of Croatia, where the case study analysis methodology presents the outcomes within three domains: A – Listening and getting to know music, B – Expressing yourself through music and with music, and C – Music in context, which are realized by participating in the performance of an opera. Furthermore, there are also tasks (material, functional, and educational) that are realized through musical activities such as opera production. The contribution of this work is the possibility and presentation of the pupils’ performance of the ballet and puppet show the Šuma Striborova opera through active listening. During such a performance, the recipients are also active, while the audience reacts to the music and action. Through active listening, one is brought up aesthetically and grows both personally and culturally.

The paper deals with establishing a connection between the labor market and English language teaching for geologists using the CLIL method. This means that the traditional method of learning the language for specific purposes is improved by a more intensive linguistic approach through the 4Cs model (content, cognition, communication, and culture) where academic teaching tries to be intimately connected with real life and the corresponding profession. In achieving that goal, the work offers teaching activities that combine academic and practical knowledge, which are adapted to the current moment and created according to the needs and expectations of users. For the sake of clarity, the paper is divided into the following parts: introduction, the logic of the connection between teaching geology and the labor market, the first part addresses the combination of geology, language skills, and occupations, the second part offers concrete examples of activities and their application in teaching, and finally, the concluding considerations where the importance of autonomous learning as a prerequisite for quality lifelong growth and self-fulfillment is highlighted. Without the ambition to reach the full scope of the described intention in the first year of study, our goal is for students to notice the value and connection between knowledge and the profession so that learning from the first lecture can be meaningful, motivated, and personalized.

This paper explores metonymic uses of the body part “hand” in the English language and „ruka” and „šaka” in the Bosnian language. The paper aims to establish similarities and differences between the languages in terms of conceptual metonymies exploiting these body parts. The paper also tries to determine to what extent conceptual metonymy interacts with or exploits other processes of cognitive thinking, namely chained metonymies and metaphors. The methodological framework of corpus analysis is by the taxonomies of metonymy types developed by Radden and Kövecses (1999) and Kövecses (2002) and patterns of conceptual interaction (Diez Velasco 2000, 2002). The study will show that body-part metonymies can form chained metonymies and that they often serve as a basis for metaphorical mapping.

Katabasis represents a narrative trope which refers to the hero’s journey into the underworld, a descent into the realm of the dead, and whose presence can be found across the world, from ancient mythologies to contemporary literature. The aim of this paper is to point to the possibility of reading Margaret Atwood’s The Handmaid’s Tale as a katabatic narrative, more precisely as a variation of the archetypal hero’s journey into the underworld, where, instead of the land of the past, the descent is directed towards a dystopian future and where, instead of a mythical superhero, the protagonist is a modern-day heroine. Having already tackled the subject of Western capitalism governed by patriarchal power relations, its obsession with controlling nature, especially the process of reproduction, and the ensuing feminist descent from it, in The Handmaid’s Tale Atwood adjusts and adapts the dynamic topos of the katabasis so as to suit the contemporary reality and modern traumas. She presents a female narrator, a superheroine, trapped within the boundaries of a claustrophobic world, where women live subjugated and segregated by the oppressive male regime. Following the generic features of the term katabasis, the paper analyses the katabatic experience of Offred in the Republic of Gilead, a topos of Hell in not such a distant future, where the past has been erased and the citizens, especially the female ones, have been denied any right to identity and individuality. As there are numerous instances of carnivalesque elements, it is possible to approach the community of Gilead from the perspective of the carnivalization of the katabasis, both in the way it was defined by Mikhail Bakhtin and in a modern rendition explained by Linda Hutcheon, i.e. both a positive and an ironizing version of the concept.

This paper focuses on the notions and images of the Arab Spring in the novel The Republic of False Truths by the contemporary Egyptian writer Ala'a al-Aswani. The paper primarily analyzes the main and secondary characters, as well as the heroes and anti-heroes of the revolution, who are grouped into narrative types, and then structured further into representatives of contemporary collectivities of power. The paper also considers the perspectives of the Arab Spring, the consequences of this uprising on Egyptian society, as well as the phenomena of the overemphasized openness of certain concepts, and the destabilizing significance of the absence in the novel.

The premise of the existence of artificial languages is the intention of their creators. Given that language presupposes culture as a certain type of systematic relationship of a community to the objective world, and that idioms are translators of culture, it should be assumed that even in artificial languages we can encounter idioms as units that additionally cohere the existence of the artificial culture. Therefore, in this paper, we will talk about the artlang of Herbert's novels and it will be shown that we must speak of a special type of artlang, which in this paper we call idiolang, since idioms appear as the most common part of the Dune language. They are a result of the writer's focus on culture. Idioms serve as reliable indicators of the authentical fictional culture and signs of social coordination.

The fact that popular culture and music, as part of the mainstream, continuously change and adapt, places them within the framework of contemporary critical theory. In this paper popular music is analyzed through the adaptation of the production of meaning to the dominant ideology and thus enables the understanding of the connection between socio-cultural parameters, language system, political, economic factors, and art. As a reflection of socio-political references, in Serbia, in the last three decades, musical ideas that grew out of the folk and street culture of the city have become intertwined. This paper represents a sociolinguistic analysis of the new musical thought of the singer-songwriter Ana Đurić, who goes by the artistic name Konstrakta, who, within the campaign for the Eurovision Song Contest in May 2022 in Turin, extended her artistic influence beyond the national borders of Serbia. In the analyzed musical content, socio-political and economic concepts of reality in Serbia stand out. From the critical theory standpoint, music is placed sociolinguistically and is interpreted from textual, visual, musical, and non-musical (informative) aspects. The results of such analysis confirm its multimodal function and form a special narrative in which reality in music is represented by music within the framework of reality. Showing the ability to combine the elements of her own both musical and non-musical expression, Ana Đurić proved herself to be comprehensible to an audience of all ages, to those who understand Serbian, but also to others who understand Konstrskta’s parallel, visual language. The narrative she creates leads to the conclusion that the level of music consumption as pure entertainment has become a secondary track of the Serbian musical mainstream. In the strength of Ana Đurić’s social engagement, the recognizable antagonism of old and new musical ideas shapes the original Serbian musical language of the 21st century – clear and independent of the inertia of current musical high-production.

In the Bosnian-Herzegovinian literary field, Alija Nametak established himself as a storyteller and novelist, but not as a poet and playwright. In this paper, for the first time, the poetic and stylistic-formational features of Nametak's poetry published from 1925 to 1932 in the magazines Jugoslovenska njiva, Književnik and Novi Behar are fully presented. His youthful poetry, stratified into an intimate and social thematic-motive register, flirts with contemporary modernist and avant-garde poetic tendencies, which we find in the poetry of Muse Ćazim Ćatić and Hamza Huma. The second part of the paper deals with his dramatic work: from historical drama (Narodna vlada), to comedy (Omer za naćvama and Abdullah-paša u kasabi), all the way to the holy-historical legend (Jusuf and Zulejha). Except for the last play, which remained in the manuscript legacy, in all the others there is a critical attitude towards certain social deviations. While in the drama Narodna vlada Nametak develops a patriotic discourse as a form of anti-colonial resistance, in the comedies Omer za naćvama and Abdullah Paša u kasabi, in the spirit of folk and palanquin carnival culture, he undermines primitivism and stereotyped roles in society. In the drama Jusuf and Zulejha staged the Qur’anic-Biblical historical story about Yusuf a.s. (Joseph.) As a folklorist, Nametak introduced various elements from folk life and customs into the drama, not only to create a context for shaping the character of his characters but also to use their potential for popular, carnival, and subversive distortion of established social and cultural norms and patterns. The poetry and drama of Alija Nametka, in a literary-historical sense, are significant because they reveal this writer to us as the protagonist of a multiple literary identity – it is a kind of identity of resistance which, apart from the already established religious and ethnic one, is realized in the social and feminist dimension as well.

The purpose of this paper is to show how the elements of oral literature interpolate in the contemporary literature for children and youth of the prominent Bosnian-Herzegovinian authors Alija Isaković and Ljubica Ostojić.Firstly, this Paper theoretically elaborates on the presence of the elements of oral literature in the literature for children and youth. These two different literary directions touch each other at their roots, and in the contemporary interpolation, they exist parallelly in the genre re-semanticization of the elements of oral literature. Following theoretical postulates of the most prominent authors from the South-Slavic Interliterary Community in the field of researching oral literature and literature for children and youth, we will show how the linguistic-stylistic heritage is re-interpreted through the traditional oral literary forms in the texts of contemporary authors, and how the elements of orality appear in new narrative structures- short stories and fairy tales of a new type. We will show how the rhetorical and rhythmical values of a text spill over in linguistic audacity, and how old oral structures; folk songs, and folk tales are narratively defamiliarized, deconstructed, and parodied.

The paper aims to establish the idea of Bosnian textology on the basis of the comparative-textological analysis of different editions of Mak Dizdar's Stone Sleeper and Old Bosnian Texts. Different fates and receptions of the two books have been analyzed from the perspective of the Bosnian-Herzegovinian culture and literature in the 20th century, with an emphasis on the crossroads as one of its key topographical figures. The origin of this feature was ascribed to Midhat Begic, even though Mak Dizdar had used it long before him with the same exact meaning that would be dominantly exploited in the future. The paper then problematizes different editions of Stone Sleeper and questions the closing word of textological attempts that aspire to be characterized as authentic and definitive.

This paper deals with an overview of the development of the philosophy of science in Croatia. The philosophy of science deals with the problems of the natural sciences seeks the meaning of science, and rationally looks at science from different aspects as its material object. In Croatia, the philosophy of science developed as in other European nations, therefore inseparable from the development of natural sciences and the social context. The paper presents some of the most significant representatives of philosophers and events that influenced the development of the philosophy of science in Croatia.

The paper discusses the concept of interdisciplinarity from the perspective of humanities and social sciences. As both an idea and practice, interdisciplinarity is understood within the context of the complex dynamics of creating and reshaping institutional arrangements that regulate the processes of knowledge production, distribution, and instrumentalization in Western society, with universities, research centers, and departments at its core, organized according to separate academic disciplines. The paper questions the understanding of disciplines as closed, homogeneous, and static structures of knowledge organization. Instead, it reflects on the complex, multiple, and topological relationships of mutual interpenetration and constitution of disciplines, emphasizing their inherent hybridity, especially within the context of the synoptic identity of humanities disciplines. Furthermore, the paper highlights the moral assumptions underlying interdisciplinary research initiatives. The productivity of the conceptual framework concerning the centralistic, pluralistic, and integralistic models of interdisciplinarity is highlighted in analyzing the possibilities and outcomes of interdisciplinary approaches in social and humanities studies.

The paper problematizes the issue of contradictions of scientific multidimensionality and is devised as a contribution to the topic from the perspective of social epistemology. The paper points to the fact that scientific multidimensionality and interdisciplinarity are some of the unquestionable categories in the defining of contemporary notions of knowledge and science, and that, as such, they inherently possess negative aspects, which must be taken into consideration when reflected on within the current world history. The paper in particular foregrounds the problem of the status of humanities and social sciences which are marked as redundant and practically useless, due to the objective global and political circumstances and the rearguard capitalist logic. Moreover, the paper also discusses the conceptual history and a sort of knowledge stock of the fundamental roots of the modern notion of scientific knowledge, about which we can take more clear positions to contemporary discussions on the topic.

The paper analyzes the discursive strategies of apparent empathy and ideological polarization that were used to legitimize discrimination against covered female students in the Republic of Turkey. We approached this complex social problem from the point of view of critical discourse analysis, which represents an interdisciplinary research area centered on the interest in researching the manipulative use of language. The ban on wearing headscarves in universities in Turkey was the fruit of the Kemalist conception of modernism and hegemony established by the Kemalist elites. An important role in preserving that hegemony was also played by the media, whose primary goal was to legitimize social injustice and protect the social order based on an asymmetric distribution of power. They performed this role of the media through the manipulative use of language within clearly recognizable discursive strategies, which was shown by the analysis of the newspaper text that is the subject of this paper.

The paper presents the results of research conducted with the aim of determining the contribution of textbooks on nature and society of the first cycle of education in the countries of the Western Balkans to the formation of the concept of national symbols and features. In the theoretical part of the paper, a description of the etymology of the official national symbols and features (flag, coat of arms and anthem) of the countries of the Western Balkan region is given. The theoretical analysis method and content analysis method were used. The units of analysis are sentences of the basic textbook content, visual content - pictures, photographs, drawings and questions and assignments in the domain of didactics and methodology instruments. The research included nature and society textbooks for younger elementary school students (N = 23). The results of the research showed that nature and society textbooks insufficiently affect the formation and strengthening of the concept of national symbols and signs, and that there is imbalance in their coverage and development, both as a whole and at the level of individual categories. It has been shown that there is an approximately equal representation of content that promotes national identity, but that the textbooks in the Republic of Croatia have, compared to the others, the most content dedicated to national symbols and signs, while in terms of the representation of basic textual content and their didactic-methodological interpretation, Slovenian textbooks lead the way. The textbooks used in the European Union member states have more content related to national symbols and signs within all analyzed categories. Foreign publishers have proven to be less sensitive to the national narratives of the countries to which they intend the textbook content.

Social protection of persons with disability represents a topic that requires deep analysis of all significant aspects which include social approach, professional support, as well as the needs and capacities of an individual. This paper includes a theoretical framework for understanding social work models with persons with disability, as well as the underpinning critical social work paradigm. The authors used the above-mentioned theoretical framework to conduct the research and find the answer to the research question. Social workers that participated in this research were hand-picked due to their engagement in the health and social institutions that provide residential social care, and work with clients that are capable of actively participating and making decisions on their own during treatment. The method used for data collection in this research was the focus group method and in depth-interviews as a technic. The research findings presented in this paper indicate that traditional models, medical and social models of social work with persons with disability are being used in practice, with some elements of the third model – the embodiment model. The fourth contemporary model that enables the shift in the social work approach from client to person, using the embodiment model has not been recognized by the social workers that contributed to this research. It is also worth mentioning that the elements of the third and fourth social work models with persons with disability have been present in the social workers’ practice. This topic is very much current and requires attention from the science and practice of social work, facing new challenges and at the same time offering new potential directions for research in this social work field.

Starting from the hypothesis that literature represents one of the active mechanisms of social and historical change and that the imagological images it offers have the potential to be written into cultural identity, the paper problematizes the (political-)ideological concept of narrative cultural identity. Having found an example in the contemporary literature of Bosnia and Herzegovina, the work points to the complexity of the relationship between literature and ideology in the process of re/defining, de/constructing, and maintaining cultural identity. The paper concludes that literature has the potential of generating and disseminating an (anti)ideologically based system of knowledge and values, whereby, in terms of its relationship to ideology, it occupies a dual position, becoming, on one hand, an ideal, Althusserian understood, ideological apparatus or a subversive mechanism of the dominant ideology, on the other side.

The characters of children in Samokovlija’s stories left a distinctive and recognizable mark in the literature of Bosnia and Herzegovina. Following the postulates of Ariès, this Paper examines the phenomenon of childhood from the perspective of the changeability in the comprehension of the position of the child and childhood in various social and ideological contexts. The children's characters, according to the considerations included, are contextualized between real and literary–fictional aspects of the Sephardic heritage. Based on the selected examples of Samokovlija's stories about childhood and children, we perceive the author's most important narrative strategies. The Paper also points to how much traditional comprehension of the child and childhood in the literature of Bosnia and Herzegovina, and in the Bosnian – Sephardic literary heritage made typically and characteristically social, cultural, and historical elements of the identity be incorporated in Samokovlija's characters of children.

Taking an interdisciplinary approach, this paper analyses power play, speech strategies, and speech impact in Harold Pinter’s one-act play Mountain Language (1988), in which prison officials exercise power over inmates and their visitors through various tactics of control and subjugation. The paper’s methodological framework of corpus analysis is founded upon the linguistic features of police speak in the English language (a hybrid genre of spoken language police officers use when interrogating suspects), which, we propose, permeates the discourse in Mountain Language. The paper first reflects on discourses on/of power as observed in literary theory, then examines discursive strategies in the play, to illustrate speech impact caused by “conduct-regulating persuasion” and linguistic features of verbal violence. It also reflects on the concept of the persuasive power of discourse, in terms of the impact it may have on the mindset and behaviour of the interlocutor(s).

By applying the figure of a closed circle, the paper aims to interpret the phenomenon of palanka, elaborated by Radomir Konstatinovic in his book titled Philosophy of Palanka. One of the main goals of the nationalism of palanka is achieving completeness, inhibition, and rooting itself in the reality of an island/isolation, thus emphasizing uniqueness, chosen, and perfect nature. Through the prism of the Bible, it is often believed that a nation, chosen by God, should be the one to transfer the message to the rest of humanity. The God-chosen nature could refer to the fact the nation is bearing a universal, messianic message aimed at humanity in total - but it could also mean that the nation, perfect as it is, should not mingle with other nations, but live its circular reality of an island. Konstatinovic points out that a palanka is always somewhere between openness and inhibition, between city and country life. This does not imply that palanka does know its borders so that it could open up - but that it prefers distance, reservation, and residing in its perfection of a closed circle. Relying on the circle - this paper not only provides a new angle for reading the Philosophy of Palanka, but also strives to obtain new insight into the nationalism of palanka.

The necessity to establish a culture of public policy at all levels of state organization in Bosnia and Herzegovina stems from the dissatisfactory position of culture in society, as well as its marginalization. This paper focuses on the creation of a cultural heritage policy. Cultural heritage policy was chosen due to the importance of cultural heritage for Bosnia and Herzegovina and its population but also because of a non-existent solution for the prevention of its decay, devastation, and looting. Cultural heritage policy may be defined as a systemic and planned attitude of the state and its authorities towards the sector of cultural heritage. There is a need to create a cultural heritage policy, as a public sector policy arises in a moment of increased interest among international and national organizations of culture for studying the phenomenon of heritage. The importance of heritage is further increased due to its connections with the economy and tourism. The paper emphasizes that the creation of cultural heritage policy is conditioned by the existence of state/parastate authorities for the sector, by passing the regulations to arrange the sector of cultural heritage, by determining the model for financing the sector, and by adopting strategic documents determining the guidelines for the development of the sector.

Experiential learning is one of the most productive ways of learning and acquiring knowledge. Through personal experience, students develop self-confidence, see more complex relationships in learning subjects, constantly have feedback on their own progress and are constantly in the circle of learning and gaining new knowledge. The paper emphasizes the role of experience in the changes that occur in an individual. Learning styles based on experience greatly influence the success of the learning process. The paper presents some of the theories that define how an individual learns when encountering new content thanks to previous experience, interests and affinities. A description of Kolb’s experiential learning theory, learning styles according to Honey and Mumford, the VARK learning model set by Fleming and Mills, as well as the criteria that experiential learning must meet in order to be efficient and purposeful.

Bearing in mind the specifics of the educational process in the online context and the factors of satisfaction with this type of teaching in a crisis, the paper presents the results of research aimed at examining student satisfaction with distance learning in the conditions of the coronavirus pandemic. The research was conducted on a convenient sample of 505 students in the second cycle of primary school education in the Republic of Serbia. A modified version of the Technology Acceptance Model (Davis 1989) instrument was used for the research. Using factor analysis, we identified two subscales (Attitudes towards distance learning and Motivated behaviour) for which we established criterion validity. The obtained results for the entire scale showed that the respondents moderately positively assessed the factors of satisfaction with distance learning, while female students and respondents from two-parent families rated satisfaction with this aspect at a higher level. The analysis of the differences in the answers obtained concerning the measured socio-demographic variables showed that the answers on the subscale Attitudes towards distance education of the child differ concerning the birth order in the family. On the subscale Motivated behaviour differences were determined concerning gender, school achievement and family structure. In addition to the research limitations highlighted in the paper, the results generally suggest that strengthening the sense of personal control and self-regulation is one of the more essential ways to improve satisfaction, motivation and intention to learn during distance learning.

The paper analyzes the relationship between neoliberal penalty transformation and prison privatization as part of neoliberal market reform. The neoliberal political and economic project characterized by deregulation, individualization, privatization, and commodification has introduced competition, entrepreneurship, and economic efficiency in areas that previously belonged exclusively to the public sector. The alleged need for greater efficiency has led to an increase in private prisons, and the results of this transformation have shown that it is more about achieving economic efficiency at the expense of quality, competencies, and outcomes of services provided in this sector. In this paper, the starting assumption is that the increase in the number of private prisons does not imply the withdrawal of the state concerning the market. In contrast, it raises the question of the regulatory role of the neoliberal state that enables the market of new fields for profit. As a consequence of the tightening of penal policy, mass incarceration is a mechanism for resolving social conflicts caused by the transformation of social policy. Therefore, private prisons are aimed at making a profit by reflecting the spread of neoliberal rationality throughout society. Withdrawal of assistance and support from the social sector and transfer of exclusive responsibility from the social to the individual responsibility of prisoners as rational neoliberal subjects lead to a reduction of rehabilitation goals. In the context of prison privatization, this transformation leads to turning prisoners into a means of earning or cheap labor.

Based on available archival material and periodicals, the author reconstructs the life story of Javer Effendi Baruch, one of the most respected and wealthy citizens of Sarajevo, during the Austro-Hungarian administration of Bosnia and Herzegovina. The personality of Javer Eff. Baruch has not been thoroughly researched in the historiography so far. It is known that Baruch gained a social reputation during Ottoman rule. After the arrival of Austria-Hungary in Bosnia and Herzegovina, he not only managed to preserve and strengthen his social position but also acquired enviable wealth. This paper aims to present the unusual life path of a Sephardic from Sarajevo. The paper analyzes his life path from a supplier for military needs, a customs tenant, a Sarajevo city councilor, to a convict for insulting majesty. Based on the available historical materials, the existence of changes in the relationship between the then administration and society towards Javer Effendi Baruch after 1887 is examined.

The paper discusses the visual response to text as a reading strategy employed to determine which parts or main ideas of the text the reader focuses on while reading. It starts with an assumption that every reading is a unique experience to which readers bring their previous experiences, cultural and social backgrounds, as well as general or specific knowledge. Therefore, the aim of the paper is to provide a better insight into active reading (Carillo 2017) and present results of a case study that, through visual responses to reading, also addresses text processing in a multimodal setting. The methodological framework comprises a visual response task that requires that the readers draw or sketch a visual interpretation of the text. In this way, sketching in response to reading is used as a complementary component and a visualization tool in the reading process (Wilhelm 1995; Fernandes 2018). Based on the results of the research, it is proposed that visual response to reading can be used to enhance multimodal creativity, and vocabulary acquisition and fully immerse readers in the reading process.

The collection of short stories Pobune was mainly analyzed from a literary theoretical perspective. The paper deals with the linguistic analysis of phrasemes modifications and the expansion of phrasemes in the mentioned work. The paper distinguishes between phrasemes modifications and phrasemes variations. Since the term phrasemes in modern phraseology is interpreted in different ways, this paper will analyze those phrasemes that have at least two autosemantic words in their composition, at least one of which has a transferred meaning. In the excerpted corpus, no author's modifications of idioms resulting from the reduction or condensation of certain lexemes were found, but only idioms created by expanding/adding lexemes that affected the modified meanings of those idioms. The aim of the work is the analysis of the author's phrasemes, finding synonymous phrasemes in consulted sources and giving meaning to those author's phrasemes that have not been recorded in both phraseological and general dictionaries of the Bosnian, Croatian and Serbian languages, but also in other consulted sources. Structurally and semantically modified phrasemes are found in the analyzed corpus. The recorded examples of idioms in the five short stories were used only once, and their unrepeatability also affects their more expressive value. The analyzed examples of the author's modifications of phrasemes are an indicator of the writer's ability to make recorded phrasemes more expressive, to change their meanings, and to construct new phrasemes that were not recorded.

Upbringing is a complex life process of building and developing a human being following his/her characteristics. For the process of upbringing to culminate in the formation of intellectually and morally complete and independent people, the question has always arisen as to what it is that makes it effective. The main intention of this paper is to present and analyze fundamental educational guidelines devised and posited by famous philosophers of antiquity –Socrates, Plato, and Aristotle who focused on achieving personal autonomy, without neglecting the fundamental characteristics of socially acceptable frameworks of morality. The paper will present the development of fundamental educational ideas in antiquity, with special emphasis on building the authentic individual and the citizen as one of the main instruments of upbringing both in the past and today.

Mental health, along with physical and social well-being, constitutes the general health of an individual, and it is considered that there is no health without mental health. According to the dual model of mental health, the mental state of an individual does not depend solely on the presence of a diagnosis of mental illness, but also on the subjective feeling of well-being. This means that a person with a mental disorder or illness can have good mental health and vice versa. New approaches in the protection of mental health and the treatment of people with mental illnesses are based on the principles of empowerment, recovery, social inclusion, human rights, multidisciplinarity and multisectoral cooperation. The aim of this paper is to present the concept of recovery of people with mental health problems, starting from a holistic understanding of mental health. Recovery is understood as a process that involves an individual who has hope and is aimed at overcoming psychological suffering, but also experts who shape and conduct their professional procedures with the aim of creating conditions for increasing the well-being and productivity of the individual. Also, the approach to recovery is incorporated into the development and organization of modern Community mental health care services. Under this aspect, the paper will present the development of psychiatric care and Community mental health services on the example of Centers for mental health in Bosnia and Herzegovina. Despite the knowledge and clear documents that focus on mental health care and support services for everyone in the community, there are significant challenges in implementing that type of mental health care system.

This paper presents the composition of the city councils in the Vilayet of Bosnia between 1866 and 1875, from the provincial administration reform until the Herzegovinian uprising. An additional reason for choosing the year 1866 as the initial year is the fact that the yearbooks for the Vilayet of Bosnia started to be published in that year.The central questions of the paper are the religious and social affiliation of the city councils members, as well as the rate of implementation of the principle of electoral equality. Additionally, this paper aims to answer whether, and at what rate, the composition of the city councils in the Vilayet of Bosnia was in line with the 1871 law regulations.

In this paper, the author presents the overview of articles corresponding to the Ottoman era of Bosnia-Herzegovina's history, published in the Institute of History's journal Contributions.Given that the main goal was to collect articles from the mentioned period,this paper contains an overview and brief references to the same, not a critical analysis. In order to clarify certain events or contexts, the author used other relevant works.

This paper discusses the importance of traditional folk lullabies in the education of preschool children and their representation in music education literature and practice. Scientific research indicates the development potential and importance of folk lullabies in early childhood. Serbian folk lullabies are not sufficiently represented in preschool education in central Serbia and Kosovo and Metohija, which is the starting hypothesis of the research presented in this paper. This research aims to determine the extent to which Serbian folk lullabies, as music content, are used in preschool education in central Serbia and Kosovo, and Metohija. The research included a total of 692 participants – preschool teachers and parents. It was found: 1) that Serbian folk lullabies are insufficiently represented in music education literature for preschool age; 2) that preschool teachers and parents are not sufficiently informed about the educational benefit and importance of folk lullabies. The paper contributes to the actualization of Serbian traditional folk lullabies, and their greater representation in music education literature and practice. The descriptive method was used in the research, as well as the analysis and synthesis method.

While the university of today, as a significant institution whose appearance is associated with the Middle Ages, can be considered in the context of the emergence of classical university education, the modern age is facing this institution with new requirements and expectations. This paper aims to consider the changes in the concept of the university, which are accompanied by classical ideals (enlightenment) to all the major influences of the economy and the requirements for the development of innovation and entrepreneurship. The paper aims to concretize the following tasks: to analyze the classical model of the university and its philosophy of education, to analyze the model of higher education that is primarily based on economic criteria, and to consider the need for actualization and development of the third mission. It is concluded that in modern circumstances, the university is facing the challenge of finding a balance between preserving institutional autonomy, independent social criticism, and academic freedom of professors and students, on the one hand, and connecting with the world of work to become a relevant factor in economic development. Within this framework, discussions on the further direction of the development of higher education should be directed at examining the possibilities for the encouragement of humanistic values, for higher education institutions act as a generator of overall social development.

Taking into consideration delicate nature of translation, and the fact that the process could easily trigger (both positive and negative) language transfer, this paper aims to shed some light on the status of the Present Perfect Tense in the process of translating from Serbian into English. Relying on the corpora of data comprising 113 sets of sentences, translated by students majoring in English, we tried to identify how frequent the usage of Present Perfect is. Apart from that – we aimed to determine which verb forms (tenses used in context) in Serbian eventually become Present Perfect in English and whether decisions of such a kind are consistent. The qualitative analysis proved the evasive nature of English Present Perfect; namely, it was shown that, despite some lexical hints used in Serbian sentences, the usage of Present Perfect was inconsistent. In conclusion, the paper suggests the implementation of collaborative teaching practices, with the goal of activating critical thinking, and contrastive analysis and thus improving students’ understanding, as well as their active usage of acquired grammatical notions.