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Copyright of Zagreber Germanistische Beiträge is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

O objetivo deste artigo é realizar um diálogo entre as contribuições de Marcel Mauss e Maurice Merleau-Ponty, no que diz respeito às reflexões elaboradas por ambos sobre o corpo e a corporeidade. Embora a base teórica do primeiro seja a antropologia e a do segundo, a fenomenologia, ambos se preocuparam em superar a famosa dicotomia inaugurada por Descartes entre pensamento e matéria. O texto busca, além de apontar as aproximações teóricas dos dois autores, mostrar a possibilidade de diálogo entre suas concepções. Procuramos demonstrar que o diálogo entre os autores é possível não só por suas diferenças, mas também por suas semelhanças. Para isso, trazemos algumas contribuições de estudiosos e pesquisadores que, baseados nos autores trabalhados ou em ideias semelhantes, objetivam ampliar a discussão sobre corpo e corporeidade na sociedade contemporânea.The purpose of this article is to make a dialogue between Marcel Mauss and Maurice Merleau-Ponty's contributions in respect to the reflections produced by both of them about body and corporeity. Although the theoretical basis for the first one is anthropology and for the second, phenomenology, both of them were concerned about overcoming the famous dichotomy inaugurated by Descartes between thinking and matter. The text seeks, while pointing out the theoretical approaches from both authors, to show the possibility of dialogue between their views. Our intention was to show that the dialogue between the authors is possible not only by their differences, but also by their similarities. To do so, we bring some contributions from scholars and researchers who, based on the studied authors or on similar ideas, seek to amplify the discussion about body and corporeity in contemporary society.

Copyright of Ornithologische Beobachter is the property of Ala - Schweizerische Gesellschaft fuer Vogelkunde und Vogelschutz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ornithologische Beobachter is the property of Ala - Schweizerische Gesellschaft fuer Vogelkunde und Vogelschutz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Swiss Journal of Educational Research / Schweizerische Zeitschrift für Bildungswissenschaften is the property of University Library of Bern and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanistisches Jahrbuch is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Herz is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Römische Historische Mitteilungen is the property of Oesterreichische Akademie der Wissenschaften Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Arca di S. Antonio in Padua will be interpreted in conjunction with ecclesiastic and faithspecific references directed towards pilgrims coming to St. Anthony's sacred shrine. The saint's presence is to be conceived of as the light of the church, lumen ecclesiae, a title St. Anthony received in the ritual hymn of his canonization. As such, he will be discussed in the context of the divine light of Christ's transfiguration, assuming that the Arca's predominantly white marble and white-gold stucco decoration visualizes a materialized light that enables a vision of a manifest emittance of divine light. This understanding of light's materialization alludes to related ideas from antiquity, underlying the artists' style, which allow the Arca's decorative marble reliefs to visualize eminent divine truths in a grand and appropriate manner. [ABSTRACT FROM AUTHOR]

Copyright of Der Kardiologe is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Der Hautarzt is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zagreber Germanistische Beiträge is the property of University of Zagreb, Faculty of Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HMD: Praxis der Wirtschaftsinformatik is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HMD: Praxis der Wirtschaftsinformatik is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the reflection of the classical principles of architecture and interior design outlined by Roman architecture theorist Vitruvius, particularly his ideas about the design of the Oecus kyzenikos, or dining hall, in Renaissance architecture. The author focuses on the mural paintings in the Odeo Cornaro villa in Padua, Italy, designed by architect and artist Giovanni Maria Falconetto and its owner, the humanist Alvise Cornaro. He compares these murals to those in the Sala delle Prospettive in the Villa Farnesina in Rome, Italy, painted by artist Baldassare Peruzzi, which he suggests were an influence on Falconetto and Cornaro. Other aspects mentioned include landscape painting, Roman domestic architecture, and the architectural philosophy of Roman writer Pliny the Younger.

Copyright of Praxis (16618157) is the property of Aerzteverlag medinfo AG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)