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An interview with Sandra Gianfreda and Sabian Baumann, curators at the Kunsthaus Zurich, is presented. They discussed the conceptualization and curation process of the exhibition "Apropos Hodler," which aimed to challenge the iconic status of Ferdinand Hodler and explore his work from contemporary perspectives. They emphasized the importance of incorporating diverse artistic voices and mediums to provide a multifaceted understanding of Hodler's legacy.

The article focuses on Reto Boller's artistic interventions at the Museum Langmatt and his latest art-and-building project in Kaiseraugst, Switzerland. It states that he engages with the spaces at the Langmatt museum in anticipation of its renovation, leaving thought-provoking interventions that engage with the forthcoming refurbishment while offering multifaceted interpretations of space and context.

The article presents the discussion on Bernd Sibler born in 1971 in Straubing, Germany, embarked on a distinguished career that seamlessly blended education and public service. Topics include commitment to education extended beyond ministerial roles, with a subsequent term from 2018 to 2022 as the State Minister for Science and Art; and emphasizing the vital intersection of politics and education in shaping the future of the region.

The article focuses on several cultural opportunities and programs available in different regions of Switzerland, featuring initiatives promoting art and cultural collaborations. These include Prozessor, an initiative by 'Kultur macht Schule' in Aarau, seeking projects focusing on sustainability, Twingi 24 exhibition calling for art proposals in Binntal and an anonymous competition by the Thurgau Cantonal Building Office for artistic designs in administrative buildings.

An interview with Heiko Schmid, Chairman, and Sara Izzo, Head of Department, of KiöR Stadt Zürich, is presented. When asked about the changes in the perception of art and the city, they discussed the evolution of their approach in shaping art strategies for public spaces. They delved into the integration of digital and analog realms, emphasizing the hybridity of modern public spaces, exploring the transformational impact of digital technologies on the concept of public.

The article presents the discussion on significant tenor in history still elicits near-unanimous agreement. Topics include Caruso singled out among his contemporaries, such as Fernando De Lucia, Alessandro Bonci, Hipolito Lazaro, or Leo Slezak; and voice, characterized by its power, richness, and emotional depth, revolutionized operatic performance and popularized the art form globally.

The article presents the discussion on production of Leonardo Vinci's opera "Alessandro nell'Indie," originally premiered in 1730 in Rome. Topics include opera portrays the conflict between the Macedonian king Alexander the Great and the Indian king Porus; and Baroque music and Bollywood aesthetics, the production challenged conventional notions of operatic performance, inviting audiences to reimagine the possibilities of the art form.

The article focuses on the use of artificial intelligence and machine learning in the creative process, specifically in the fields of music, visual arts, and text generation. It explores the capabilities of AI tools such as ChatGPT, and MusicLM in performing creative tasks like writing stories, and composing music. It discusses the potential impact of these tools on music education, raising questions about their integration, and the changing goals and content of musical education.

The article explores the art of botanical composition, where pressed plant parts are arranged on surfaces such as canvas or paper and preserved with white wax. It also suggests using various materials like cardboard, bark, and wooden boards as alternative backgrounds for these botanical artworks. It encourages creativity and experimentation in creating unique and visually appealing pieces.

Copyright of Lichtungen is the property of Lichtungen - Zeitschrift fuer Literatur, Kunst und Zeitkritik and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the legacy of Peter Kleinschmidt, known as Arto Phanessi, a multifaceted figure in theatre and arts, particularly renowned for his dedication to Aristophanic works and his establishment of cultural venue "Hofkunst Loipfing", In Germany. It states that Kleinschmidt's unpublished collection "Mondgedichte und -Bilder" is beautifully printed by officin albis, honoring his literary and artistic legacy through artisanal craftsmanship.

The article announces that Virginie Sistek has been awarded the Helvetia Kunstpreis 2024 in Basel, Switzerland, for her impactful artistic practice addressing themes of domestication and subjugation.

The article reflects on societal transformations, philosophical musings, and the role of art in the context of changing realities, referencing various cultural phenomena and events. It analyzes the shift from risk society to an era of exclusion, exploring the impact on institutions like theaters and operas.

The article offers information on a book that celebrates the life and work of a composer, including a well-structured catalogue of works, a significant image section, a brief biography in the form of a chronicle, a discography, and an impressive bibliography. Topics include the main chapters of the book, which focus on musicological analyses, with numerous musical examples illustrating the complexity of the composer's music and how it was inspired by literature and visual art.

The article highlights the recipients of prominent art prizes, including Ishita Chakraborty and Raphael Stucky for the Manor Art Prizes in Aargau and Wallis, Andrea Todisco's accolade from the Bündner Kunstverein, and Belinda Kazeem-Kaminski's achievement of the Otto Mauer Prize in Vienna, Austria.

The article discusses the interplay between exhibition space and action space through various artistic projects at the Haus zur Glocke in Steckborn, Switzerland. It states that Jan Hofer's ongoing project 'Service Public' involves transporting inflatable objects, emphasizing their visibility during transport. It mentions that artist Géraldine Honauer converts communal soup eating into an Non-Fungible Tokens, blurring the lines between physical and virtual spaces.

The article presents the discussion on Irena Haiduk taking the initiative for countering something. Topics include production being not only economical but also aesthetic for long-lasting cycles of production and art; and starting the Initiative for Trade Aesthetics (ITA), a collaboration between the Kunst Halle Sankt Gallen and the oral corporation Yugoexport.

The article presents the discussion on London has long been a city where money and art coexist, sometimes quite literally side by side on its streets. Topics include establishments serve pints to thirsty patrons on the ground floor while hosting theater performances on the floors; and ENO has played a vital role in London's cultural fabric, offering accessible and innovative opera productions to a diverse audience.

An editorial is presented that focuses on the thematic exploration of "haptic" experiences and perspectives in the upcoming issue of LiB 156, diverging from previous themes of memory, analog versus digital, and oral versus written communication. It delves into the tangible and non-virtual realm, aiming to explore how tactile engagement can enhance understanding and connection, exemplified by artists like Wilhelm Holderied navigating through digital challenges to create haptic art.

An editorial is presented that focuses on the collaboration between Alexander Kluge and Sonja Dierks, exploring the conceptual evolution of opera as an open-ended, multi-dimensional art form. It delves into their innovative approach, likening opera to a "Pluriversum" that transcends traditional boundaries by incorporating diverse elements such as sound, and narrative, and positing it as a dynamic space for intellectual and artistic discourse rather than mere adherence to conventional forms.

The article explores the rejuvenating spirit of spring through a playful observation of human interactions with a concrete bench in Thuner Selve-Park, in Switzerland, adorned with brass reliefs by Daniela Keiser and Arno Hassler, capturing snippets of everyday life and inviting passersby to engage with the artwork. It demonstrates how art intertwines with daily experiences.

The article discusses the creation of a database for provenance research on art imports into Switzerland, utilizing meticulous documentation from Sigismund Righini, a Swiss painter and cultural politician, to provide researchers with valuable insights into the country's art importation history.

The article discusses the call for artistic submissions across various disciplines by the canton of Schwyz in Switzerland, emphasizing the opportunity for professional cultural practitioners to apply with compelling artistic statements.

The article announces that Monika Emmanuelle Kazi has been awarded the Bally Award 2024 for her innovative artistic practice exploring the intersection of the private and domestic with economic and social issues.

The article announces that Sung Tieu has been awarded the Schering Foundation Prize for Art in Berlin for her research-based artistic practice exploring often overlooked sociopolitical narratives, particularly related to the Cold War era.

Copyright of Die Politische Meinung is the property of Konrad-Adenauer-Stiftung e.V. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lichtungen is the property of Lichtungen - Zeitschrift fuer Literatur, Kunst und Zeitkritik and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents the discussion on curated sections offer a deeper exploration of specific themes, mediums, or generations within the contemporary art landscape. Topics include emphasizing the dynamic intersection of contemporary art and moving image media; and fitting backdrop for this milestone celebration, highlighting the convergence of artistic innovation and historical resonance.

The article presents a brief profile of artist Chloé Delarue and her works displayed in several exhibtitions. It mentions that Delarue approaches her residency as a unique opportunity to dialogue with researchers, to understand a little of their perceptions and emotions towards discoveries or inventions that transform the reading of world. It mentions about the idea of ​​automation in a concern for the market and for growing capitalism focused its reflection on transformations.

The article discusses Ars floralis, which includes Pop-Art meets Baroque: powerful colors composed in opulent the splendor of flowers creates an impressive staging, Florist master Felix Geiling-Rasmus presents exclusively for g & v this masterful total work of art.

The article highlights the development of the "Mining Map" initiative in Zurich, Switzerland which aims to extend the lifespan of materials by mapping sources of surplus and used materials available for artistic purposes in the city, thereby supporting sustainable artistic production.

The art discusses the Oberaargauer Kunstmonat an art event held in the Oberaargau region of Switzerland.

Copyright of …textile..e.V. Wissenschaft-Forschung-Bildung is the property of Textile e.V. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An editorial is presented that focuses on the concept of "performative installations" by artists such as Sofía Durrieu, Agnes Scherer, and Guy Ben-Ner, exploring how these installations aim to sensitize audiences to their own physicality and societal structures. It also delves into discussions about the current atmosphere's impact on artistic creation, revealing concerns, challenges, inspirations, and sources of encouragement among artists.

The article discusses the work of the sculptor Marianne Schweigler and the relationship between form and content in art. It highlights how her works, ranging from sculptures to metal stelae and other artistic creations, transcend the boundaries of traditional art by delving into the essence of human existence and relationships. It mentions that her works convey a sense of interconnectedness, harmony, and occasionally, irony and social commentary.

Copyright of Blickwechsel is the property of Deutsches Kulturforum ostliches Europa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents a list of several artists and their artworks including Julian Charrière, Isabell Bullerschen and Gerold Miller.

The article informs that artist Wenzel Haller has started a network in Aarau, Switzerland in 1995 from guest studios, one associated art from outside of the western coordinate system like with folklore or war. It mentions Aarau has had a studio for guests for several years and presence of the one-sided white and western-oriented concept of art, and has stood firm in resistance. It mentions that artist Jumana Emil Abboud visited Aarau for the first time in 2002.

The article presents a brief profile of visual artist Raphael Hefti, whose yellow gilet with a sewn-on reflective tape is more than protective clothing when handling heavy metal or toxic gases. It mentions that the pressed sand from negative molds from an aluminum foundry to the Libra; and structural engineers had to release the showroom for the stress test, Firefighters were required to create a metal relief in the next room.

The article informs that several locations in Zurich, Switzerland will become guest rooms for artistic positions. It mentions that the participatory installation "Connecting Dots" by Fiona Könz and Gregor Vogel regarding the current situation due to the Covid-19 pandemic is particularly interesting; and the number of points increases exponentially from poster to poster.

The article presents excerpts from interviews of artists on their in the midst of the Covid-19 pandemic lockdown including Annelies Strba, Agnes Geoffray and Ursula Biemann.

Information on the artlist.net app that is now being added parallel to the journal and the artlog.net research portal is [resented.

The article provides information on the art work painted by Carl Spitzweg including lack of financial success, romanticism and course of individualization and the differentiation of an independent literary system. Topics include individuality and autonomy of the artist, social values and cultural industry.

The article reports on Western art music, accusations of Eurocentrism and the neglect of popular genres. Anyone who makes a musical selection these days, moves into controversial, even mined terrain. He has to maneuver cautiously between the explosive devices of discourse and sovereignty of interpretation, evocation of the past and defense against innovation.

The article offers information on home decoration and interior design trends. It mentions that art lovers will be enthusiastic about pictures on the wall. It also mentions that statements can also be made with individual favorite pieces an upcycling shelf from a former wooden boat symbolizes the idea of sustainability, a large globe with a frame outlines the globetrotter, a smoothly polished tree trunk in the middle of the room or an unusual flower stand testify to the love of nature.

An interview with french writer, photographer, installation artist and conceptual artist, Sophie Calle is presented. When asked about her painting works in museums, she refers to use of arbitrary sets of constraints. She expresses his views on creation of the works of art created by the fictional character.