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Magic, witchcraft, and divination have been intensely exploited fields throughout the history of anthropological thought. One of the relevance for focusing on this topic in the twenty-first century is that no other field could connect better postmodernity to the past and present of “traditional” societies; another possible focal point is that the magic and witchcraft practices give voice to represent fine recorders for social change within contemporary societies. The “Introduction” of this special issue of Martor overviews the research on this topic in Romania, done in the late twentieth century, but also in these past 23 years, and presents the articles that are included in the volume.

Copyright of Carnets: Revue Electronique d'Etudes Françaises / Revista Electrónica de Estudos Franceses is the property of Associacao Portuguesa de Estudos Franceses (APEF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Language & Law / Revista de Llengua i Dret is the property of Revista de Llengua i Dret and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Electronique Internationale Pour la Publication de Recherches Juridiques is the property of Revue Electronique Internationale Pour la Publication de Recherches Juridiques and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

If witchcraft in Lorraine (France) has been widely studied and commented on by medieval and modern historians thanks to the analysis of the context of the Inquisition, books on demonology, witchcraft trials and ordeals such as torture or the stake, this is because it has long been considered and described as a peasant superstition, even a naive belief, which disappeared decades ago. However, since the second half of the 20th century, ethnologists and social and cultural anthropologists have sought to show that witchcraft remains a living social and cultural phenomenon in many regions of France and Europe. In the same way, this article aims to affirm, with regard to the results of a long-term field survey of unwitchers-healers and their clientele, that 21st century witchcraft still constitutes an explanation of misfortune, the disease, which aims to be coherent and effective in the face of events or symptoms deemed unexplained or strange. The article also proposes implicitly to question the status, place and role of contemporary healers in a region of eastern France. It is therefore a question of enriching the reflection on the plurality of the offer of care which is deployed in French society and comes to question the monopoly of scientific medicine. [ABSTRACT FROM AUTHOR]

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Copyright of Synergies Portugal is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synergies Portugal is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synergies Portugal is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Filología Francesa is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An interview with Clémentine Mélois, an author, and Nathalie Fiszman, a publishing director at Seuil is presented. They focuses on the resurgence of the roman-photo (photographic novel) genre in the 21st century. They further explore the current popularity of the roman-photo and how it has become a leisure activity accessible to everyone, particularly through digital platforms and social media.

Copyright of Lendemains is the property of Narr Francke Attempto Verlag GmbH & Co.KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The adverb of quantity autant is used in the formation of several idioms belonging to different grammatical categories. Our study focuses on three idioms containing autant: the idiom with a causal value autant... que and its four variants; the idiom with a concessive value (pour) autant que; the adverbial idiom pour autant, which, depending on the context, can function either as a causal or as an adversative connective. Based on the most recent studies in French linguistics and on the data collected in a parallel bilingual French-Italian corpus of 20th and 21st century prose texts (novels, plays, essays in the humanities), we will present the semantic-syntactic properties of these three French idioms and the main solutions to translate them into Italian. [ABSTRACT FROM AUTHOR]

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Van Rensselaer Potter (1911-2001), the biologist who coined the term "bioethics" in North American scholarship, considers that "real bioethics falls in the context of the ideals of [...] Aldo Leopold", a forester, philosopher and poet who marked the 20th century. Associating Leopold with Potter has the effect of placing bioethics in the family of environmental ethics, which differentiates it from the conventional sense held in medicine and research since the Belmont Report (1979), a declaration that has driven the institutionalization of bioethics in North America. However, dividing bioethics into the "medical" and "environmental" is reductionist. Instead, Potter coins the idea of a global bioethics that addresses issues at their interface, including "land, wildlife, overpopulation, consumption, etc." This article aims to start a new analysis of Potter's thinking, drawing on the legacy of Aldo Leopold in biology. A synthesis of this Potterian vision is proposed to consider his work as a coherent whole that integrates into the great debates that transcend 20th and 21st centuries. This Potterian vision appears as a collective and prospective wisdom in the form of a science of survival and Bioethical creed. Going beyond environmental ethics, this association with Leopold offers a model of complexity that is indistinguishable from the context in which it is embedded, improving the ways in which we intervene in practice in an everchanging world through an adaptive governance and the wisdom of responsibility. [ABSTRACT FROM AUTHOR]

Copyright of Ondina - Ondine is the property of Universidad de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synergies Mexique is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Carnets: Revue Electronique d'Etudes Françaises / Revista Electrónica de Estudos Franceses is the property of Associacao Portuguesa de Estudos Franceses (APEF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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The global health crisis that marks the start of the 21st century has sparked renewed interest in the research community for the great plague episodes that have marked history. The 'black plague' which raged in the middle of the 14th century and decimated part of the European population deeply marked mentalities. The 'Arts of Dying Well' is one of the most original manifestations of the changes that took place during this period in the way of perceiving death and of preparing for it. This article concerns a draft edition of some of the most representative Latin and French versions of these medieval texts. [ABSTRACT FROM AUTHOR]

Copyright of Comparative & International Education is the property of Canadian & International Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Carnets: Revue Electronique d'Etudes Françaises / Revista Electrónica de Estudos Franceses is the property of Associacao Portuguesa de Estudos Franceses (APEF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

There have been plenty of discourses about discredit, crisis, and even the death of contemporary French literature and literary studies by professors and experts of literature from the beginning of the twenty-first century. The present study tries to investigate the nature of declinism and its possible objectives in contemporary literature using a descriptive approach and explain these discourses for the reader following a comparative and contrast approach. The texts are distinguished based on three categories of literature threats by Dominique Viart (2011). There is no doubt that the origin of any concerns for the loss of literature independence during cognitive capitalism is a limited and aesthetic cognition that has been rooted in the nineteenth century and the educational system and literary theories have been always supported. Perhaps, now it is time to reach a general and extrovert definition of literature. The definition allows us to study literature about other modern methods and the real world. It is maybe time to listen to Yves Citton’s suggestion and have a new reading in the literature and end the excellence of traditional monologue readings. [ABSTRACT FROM AUTHOR]

Copyright of Synergies Europe is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politique Africaine is the property of Karthala Editions Diffusion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Contemporary Irish-American poet Eamonn Wall, commuting between continents, has experienced a new form of exile, made of impermanence and mutation. His poetry, which shows this new relation to places, has had to find a language capable of expressing the continuous transformations of landscape as his multiple journeys have led him to apprehend it: no longer stable and delimited. One of Russian émigré Mark Rothko’s band paintings revealed to the poet the motion language he was looking for to express his New Irish experience of places that run into each other. Beyond the static and stating possibilities of communicational grammar, Wall’s poetics undoes the fixity of places, blasts their monumentality and initiates a new way of apprehending the places of the world: in relation to each other. His innovative poetry thereby taps and continues the great Romantic tradition of Wordsworthian “Nature” writing. Both François Jullien and Édouard Glissant will be convoked to read this poetics of transition and relation.

Copyright of Journal of College of Languages is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ethnologie Française is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue des Sciences de l'Education is the property of Revue des Sciences de l'Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A low response rate to European programs and a short English-language bibliometric literature make French education and training sciences (ETS) regarded as little invested in international relationships. However, the creation of a database of researchers and doctoral students during the period of 2014-2018 contradicts this interpretation. Why such distortion? The quantitative study of the base makes it possible to formulate two observations: 1) an important commitment of the teams in multidisciplinary and multicultural approaches answering the requirement of the international institutions and the contemporary stakes in the matter; 2) the absence of support and promotion of national institutions stems from a conception of science activity measurement which does not match the practices of scientific discipline. Scientific and academic, but also socio-political and professional, standpoints differ in the two analyzes; which leads to questioning the relationship that scientific discipline maintains with the international standardization of evaluation. This article questions the hierarchy of disciplines, cultures and forms of research for the benefit of international cooperation in the 21st century with a view to human development. [ABSTRACT FROM AUTHOR]

Copyright of Canadian Journal of Film Studies is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Topiques, Études Satoriennes is the property of Topiques, Études Satoriennes, Journal of the SATOR (Société d'Analyse la Topique Romanesque) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synergies Chili is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synergies Europe is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This text presents the project and artistic path of the Molinari Quartet as led by its founder, violinist Olga Ranzenhofer, who is also its artistic director. The author recounts her remarkable encounters with two great Canadian artists, Guido Molinari and R. Murray Schafer, who influenced the quartet and inspired its members to explore contemporary art and create connections with the audience. She describes and explains the events Le Quatuor selon... and Les Dialogues, which allowed the musicians and the audience to explore the string quartet repertoire of the 20th and 21st centuries through the presentation of complete quartet cycles by important contemporary composers. Olga Ranzenhofer offers a passionate account of the string quartet musician's long and rewarding process, from choosing repertoire to playing in concert, through numerous hours of work and recording a CD. [ABSTRACT FROM AUTHOR]

This article seeks to analyze, from an ethnographic point of view, the local dynamics in an Argentinean microcredit program administered by the national government in the Pampean region during the first decade of the 21st century. The study of interpersonal relationships between promoters and beneficiaries shows that microcredit dynamics develops through practices of both giving-receiving-returning and keeping-rejecting-to-giveback. This is because beneficiaries evaluate the time given to the program as a substitute for the credit they are required to reimburse. I assert that these practices do not make up opposing logics but relational dynamics that motivate a renegotiation of the terms of exchange. The study shows that some cases and events that are considered "failures" from the point of view of the promoters of the program are experienced as mutual aid practices from the point of view of beneficiaries. By contrasting these perspectives regarding solidarity, I intend to show that "failures" in the program are also the expression of a native form of valorization based on the exchange of time for money. [ABSTRACT FROM AUTHOR]

Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Vie et Sciences de l'Entreprise is the property of ANDESE and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanian Journal of Comparative Law / Revista Romana de Drept Comparat is the property of Universul Juridic Publishing House and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)