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The article discusses two unknown letters from French poet Jacques Lacan, promoter of musicism, to Jean Royère about the black bird in the rising Sun. It mentions that they discover the role in this affair of Royère, whom Claudel received on October 19, 1925 at his home, rue de Passy, and who seems to act as a mailbox between him and Carvallo. It also mentions that Claudel went to see the Foujita and twelve Japanese painters exhibition, at the Galerie de la grande maison de blanc.

The article provides description of the object intended by Japanese painter, Tomita Keisen for the French government refers to a well-documented event at the end of French poet, Paul Claudel's mission. Topics discussed include role of Parsian's played in the National Museum of Modern Art; and the Claudel's interest in the Japanese art.

The article discusses the Japanese translation of calligraphy of manuscripts. Topics discussed include exhibition by the Japanese painter, Harada Naojirō and the French sculptor, Camille Claudel; comments on the Japanese translation of Claudel's "petites comédies" and sculpted work of Camille Claudel established by Reine-Marie Paris and Philippe Cressent.