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The article focuses on the interdisciplinary approach of Entreprise & Société to understand the complex relationships between economic actors and societal factors, highlighted by addition of new editors. It discusses the current growth of the journal, featuring increased submissions and enriched sections, while also reflecting on societal themes like inclusion, ethics, and corporate responsibility. It presents insights from influential figures like Henry Mintzberg on societal issues.

The article focuses on editor speeches, particularly interviews, as the predominant form of expression among editors. It mentions a specific example, "Profession éditeur," which transcribes interviews conducted as part of a mission initiated by the Ministry of Culture in 2008. It states that the interviews were carried out by journalist Olivier Le Naire and accompanied by online access to photographs.

The article examines the work of Richard Wagner in the journal "Mercure de France." It mentions a century after the composer's birth, figure of Wagner became a source of tension as soon as first shots were fired, both in France and within the editorial staff of the journal, the Franco-German war was re-enacted, between the critics of Germanic Kultur on the one hand, and the advocates of dispassionate musical criticism on the other.

The article explores French writer, Jean Paulhan's dual role as both author and editor, concentrating on his meticulous corrections and annotations in a copy of the second edition of "Entretien sur des faits divers." It is reported that Paulhan's engagement with his own text, seen through marginalia, showcases a dynamic conversation within the margins, emphasizing his unique approach to shaping the narrative.

The article humorously explores the concept of possessiveness and territoriality in the context of books. It highlights the various names associated with books, such as authors, editors, and translators, as markers of ownership. It reflects on the peculiar ways in which individuals assert their connection to books through annotations and marks.

The article offers information on Swiss editor Eugenie Zahn, and Swiss historian Arthur Piaget. Topics discussed include their childhood, educational background, and professional qualification. Also being discussed are their achievements and contributions towards the field of history and French academic works.

To launch a new journal is never an easy task. Given the wealth of digital journals on Antiquity available today, what is the point of creating another one? This question, along with many others, will have occurred to anyone who has ever entertained the notion of becoming a journal editor.

Copyright of I2D: Information, Données & Documents is the property of ADBS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A prolific author, editor of dozens of books, genius clinician of perversions and borderline states, didactic analyst of important analysts, Masud Khan was expelled from the British Psychoanalytical Society and then partially rehabilitated. This paper studies his career. [ABSTRACT FROM AUTHOR]

Este trabajo contribuye a establecer una perspectiva histórica de la singular línea de aparición que fue teniendo la obra del escritor griego fuera de Europa. Se destacan algunos episodios que tienen que ver con sus obras traducidas y Sudamérica.This article is a contribution to the establishing of a historical perspective of the singular line of appearance which the work of the Greek Writer had outside Europe. Several episodes which are related to the translations of his works and South America are highlighted.

With this issue, much of it edited in isolation during a global pandemic that is itself historic, I bring to a close my editorship of Historical Studies. It has been [...]

The academic community has often identified the exciting possibilities offered by the advent of touchscreen handheld devices for the dissemination of digital scholarly editions, and yet there remains little advancement into this area by scholarly editors. If tablets can be utilised successfully as a platform for editions it is crucial to first identify the preferences and habits of the user base. The aim of this paper will be primarily to convey the findings of a comprehensive user study and other related research so as to provide a body of data that could aid the scholarly community in designing effective tablet interfaces and to posit some suggestions on their role in the dissemination of scholarly editions.

Copyright of Australian Journal of French Studies (Liverpool University Press / Journals) is the property of Liverpool University Press / Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Politix is the property of De Boeck Universite and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the work of the French bookstore owner and publisher Jean de Tournes. The author examines the editorial choices that Jean de Tournes made during the period from 1542 to 1564. Particular attention is paid to the vocabulary used in his introductory passages to published works. The relationship between the commercial and literary meanings of these introductory texts is examined in this article. The relationship between printers, editors and authors is also a subject of discussion.

The cofounder of the journal tells the story of the origins and subsequent development of Circuit over the course of the decade in which he was Editor-in-Chief. Examining the intellectual context which saw the inception of the journal, the author emphasizes the importance of Circuit as a forum of important aesthetic debates. Some of the themes mentioned include issues on post-modernism, musique actuelle and electroacoustic music. [ABSTRACT FROM AUTHOR]

An overview of the history of the periodical "Les Cahiers des Dix" is presented. The editorial team, since the creation of the journal, is described, which includes Clément Marchand, Lucius Laliberté, and Christian Laliberté. The value of friendliness, important to the editors of this periodical, is emphasized. Details on the exhibition dedicated to the 75th anniversary of the journal, held at the Laval University, in Quebec, Quebec, from March 21, 2011 to April 1, 2011, are provided.

What place should be given to annotated scores in a music library? In general, librarians are only interested in authors and those secondarily responsible such as editors, arrangers, illustrators, etc. If later additions to the printed document such as the musician's annotations, deserve more attention, then librarians must find a means to integrate these special collections or think of a technique to catalogue them, in a way best suitable to a future researcher. [ABSTRACT FROM AUTHOR]

Presents information on the journal "The Urban Life." Focus of the journal on the works related to town planning and scientific research; Information about the editing director of the journal; Inclusion of the works of several historians in the journal. INSETS: Un usage de la nébuleuse Sévigné;La nébuleuse incarnée: portrait d'Auguste….

The editorial experience of Jacques Hébert affords us the opportunity to examine the role of the editor in the cultural development of a society and on the fragile autonomy of publishers in a market dominated by large, foreign distributors. Journalist, polemicist, world traveller, author of several travelogues, Jacques Hébert founded two general publishing companies, the Éditions de l'Homme in 1958 and the Éditions du Jour in 1961. Both publishers had an important impact on the cultural history of modern Québec. Both were closely linked to the debates of the Quiet Revolution and the promotion of children's literature in Québec. During his editorial career, from 1958 to 1974, Hébert published more that a thousand books. Inventor of the one dollar book that was distributed in newsstands with the clear intend of fostering debate, Hébert edited and discovered several important Québec authors, some of whom gained international recognition. His withdrawal from the publishing scene is due, in part, to a crisis in the Québec book scene in the 1970s. [ABSTRACT FROM AUTHOR]