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The article focuses on the importance of trust in brands in informed and demanding consumer landscape. It emphasizes the need to build and maintain a positive brand perception, credibility, and strong relationships with all stakeholders, highlighting the significance of consistency, authenticity, engagement, and transparency. It mentions upcoming regulatory changes in Europe, requiring companies to provide detailed reports on their environmental and social impact.

The article focuses on blindtest played with drummer Tony Allen in which he was asked to identify several songs including "Time Out," "Alligator Bogaloo," and "Ritual."

An interview with drummer Brian Blade is presented. Blade was asked to comment on several music pieces including "Tell It Like It Is," featuring drummer Art Blakey, "Question and Answer," featuring drummer Roy Hanes, and "Fushsia Swing Song," featuring drummer Tony Williams. Topics include the way Blakey sounds according to Blade, Blade's admiration for Williams, and his appreciation of Hanes. INSET: POP POSITION.

An interview with jazz drummer Guillaume Nouaux on the characteristics of drummers from New Orleans, Louisiana, is presented. When asked about the role of brass bands from New Orleans on the history of jazz, he answered that they developed when inhabitants started to ask for the performance of musicians on different occasions. Further topics include the use of tambourines and bells, and the evolution of jazz from the 1990s up until 2009.

The article presents an interview with jazz drummer Bill Stewart who discusses his experience of studying from drummer John Riley, other drummers from whom he learned music and his contribution in the renaissance of jazz music.

The article presents information on the different styles of jazz drummers from New Orleans, Louisiana. Several excerpts of drum sheet music are presented, including one by jazz drummer John Robichaux, one by drummer Baby Dodds, and one by drummer Zutty Singleton. These excerpts are presented with explanations concerning the specific technique of drummers.

The article presents an interview with jazz musician Nasheet Waits who discusses his musical works with specific reference to his new music "Equality."

The article focuses on the constitution of duos of jazz musicians who worked with jazz record label Blue Note Records and the main editorial policy forming the identity of this record label. Topics include an analysis of the rhythm sections chosen by Blue Note, the hiring policy of the record label in terms of musicians, and the rhythm cohesion in the choices of Blue Note. INSET: Rythmes en orgue.

An introduction to a series of articles on jazz record label Blue Note Records is presented which includes a reflection on the very name of the label, a mentioning of some artists produced by Blue Note, and an overview of its history.

The article presents information about the musical work of jazz drummer Dannie Richmond, who played with jazz double bassist Charles Mingus between 1955 and 1978. Descriptions are given of Richmond's musical training and his ability to play at a fast tempo. Further comments are made concerning Richmond's influences by jazz drummers Max Roach and Philly Joe Jones.

The article presents views of various freelance editors on spiritual aspects of music, jazz music and concert of trumpeter Miles Davis including Laurent de Wilde, Pascal Rozat and François-René Simon.

An image of Joe Morello by photographer Christian Rose is presented.

The article discusses the Jazz musician Ari Hoenig. He came from a family of musicians and music has always played an important role in his life. His rise to prominence in the music industry is outlined, as well as how his passion for music is his greatest influence when he is writing or performing pieces.

The article presents a personal profile for jazz percussionist Thomas Grimmonprez. Quotations are included from Grimmonprez, regarding his early attraction to jazz soloists, his appreciation of his classical music education, and his admiration for jazz musician Peter Erskine. Further comments are made concerning Grimmonprez's views on jazz fusion, his choice of cymbals and drumsticks, and his music release "Bleu."