Search

Ce mémoire de maîtrise en recherche et création explore les modalités d’une structure narrative déclinée en plusieurs points de vue singuliers qui multiplient les aléas du sentiment de trahison, lorsqu’il s’éprouve, pour un sujet, dans l’affect. Il explore en outre la relation de transmission et interroge cet acte lorsqu’il met en relation un adulte qui donne à saisir de lui-même tout ce qui permet à un enfant de se construire. Dans la partie création de mon mémoire, le « roman » Promesses et trahisons met en scène la rencontre d’un maître de musique avec son jeune élève. Nous découvrons les succès et les revers de cette relation exclusive par le biais de trois interprétations différentes. À la confession de l’élève, devenu homme et qui se souvient, succède le journal intime du maître, tel un document d’archives retrouvé et divulgué. Un autre point de vue complètera le récit sous la forme d’une lettre signée par une tierce personne, précédant un épilogue porteur d’un ultime éclairage. L’ouvrage qui nourrit la partie essai de mon mémoire s’intitule Les Portes du sang. L’auteur, Michel Del Castillo, explore une relation mère-fils (adulte et enfant) à travers quantité de témoignages qu’une narratrice tente d’opposer et de corroborer pour révéler l’insaisissable personnalité de celle qui nourrit chez son fils le sentiment de trahison. Dans les deux cas, on y trouve l’objet d’une quête identitaire dont le mystère perdure., This Master’s thesis explores the modalities of a narrative structure declined in several singular points of view, which multiplies the variations on the theme of betrayal, when it is felt, for a human being, on the affective level. It also explores the question of transmission in a relationship where an adult allows a child to develop his own personality. In the creative part of my thesis, the « novel » entitled Promesses et trahisons recounts the relation between a music master and his young pupil. The reader discovers the successes and the setbacks in this exclusive relationship through three different points of view. After the confession of the student, who remembers as an adult his past history, we have access to the diary of the master presented as an archival document. Another point of view completes the story in the form of a letter, signed by a third party, before an epilogue, which will shed a final light on the plot. The book that inspired the essay section of my thesis is entitled Les Portes du sang. In it, the author, Michel Del Castillo, explores a mother-son relationship (adult and child) through several testimonials, which in turn a narrator tries to contrast and corroborate in order to reveal the elusive personality of the character responsible for her son’s feeling of betrayal. In both cases, one finds a quest for identity whose mystery persists beyond the text.

Dans cet entretien, Yves Bonnefoy confie quelques souvenirs et anecdotes de sa relation avec Pierre Jean Jouve qu’il admirait. Témoignage fort sur la versatilité de Jouve qui pouvait reprendre une amitié tout aussi vite qu’il la donnait, Bonnefoy reconnaît à quel point cette rencontre a bouleversé la suite de son œuvre, distinguant les apports fondamentaux, les « affinités électives » mais rejetant aussi la radicalité de Jouve, notamment sur l’érotisme., In this interview, Yves Bonnefoy shares some memories and anecdotes from his relationship with Pierre Jean Jouve, whom he admired greatly. Bonnefoy describes the fickleness of Jouve, who could break off a friendship as quickly as he formed it. Bonnefoy also acknowledges the extent to which this relationship changed the course of his own work, distinguishing between fundamental contributions and “elective affinities,” but also rejecting Jouve’s radicalism, particularly with regard to eroticism.

Auguste-Frédéric-Louis Viesse de Marmont (1774-1852) is the most famous figure in a military family whose genealogy and fame date back to the 16th century. Son of an officer of small nobility, he became acquainted very early with the young Bonaparte and fought with him at Toulon in 1793. Since then, bonds of friendship have been forged between the two comrades in arms. No academic biography has been made of this character whose background is rich and varied and whose memoirs constitute an essential testimony of the history of the First Empire. Marmont had a dazzling career and quickly climbed the ranks of the army. Together with his friend, he campaigned in Egypt, the two campaigns of Italy until becoming Governor General of the Illyrian Provinces from 1809 to 1811 and in this capacity participated in the modernization of this territory. His career continued until 1830, when he was charged with enforcing the July ordinances, a mission to which he failed and which brought his career to an end. But his name remains mainly attached to the act of treason of April 5, 1814, which marked a turning point in the history of the First Empire. Since then, the figure of the traitor has travelled through the 19th century. In this study, the question of Bonaparte’s political ascension will therefore be questioned as to whether it induces that of his comrades in arms. Thus, by evoking the question of networks, biographical study makes it possible to ask the question of the nature of the relations that may exist between men of power and men of arms. The main objective of this work is therefore the following: it is a question of knowing, in a crossed dynamic, how this friendship emerges, how it has evolved since 1792 and how this military morality links the two soldiers. In this way, we will be able to update the marshal’s biography; this will allow in this research to finally elucidate the question of the betrayal attributed to Marmont.; Auguste-Frédéric-Louis Viesse de Marmont (1774-1852) est le personnage le plus illustre d’une famille de militaires dont la généalogie et la notoriété remontent au XVIe siècle. Fils d’un officier de petite noblesse, il se lie très tôt avec le jeune Bonaparte et combat avec lui à Toulon en 1793. Depuis, des liens d’amitié se tissent entre les deux compagnons d’armes. Aucune biographie académique n’a été réalisée sur ce personnage dont le parcours est riche et varié et dont les Mémoires constituent un témoignage essentiel de l’histoire du Premier Empire.Marmont connaît une carrière fulgurante et gravit rapidement les échelons de l’armée. En compagnie de son ami, il fait la campagne d’Égypte, les deux campagnes d’Italie jusqu’à devenir Gouverneur général des Provinces illyriennes de 1809 à 1811 et à ce titre participe à la modernisation de ce territoire. Sa carrière se poursuivant jusqu’en 1830, il est alors chargé de faire exécuter les ordonnances de Juillet, mission à laquelle il échoue et qui met un terme à sa carrière. Mais son nom demeure principalement attaché à l’acte de trahison du 5 avril 1814 qui marque un tournant dans l’histoire du Premier Empire. Depuis, la figure du traître parcourt le XIXe siècle. Dans cette thèse, la question de l’ascension politique de Bonaparte sera donc interrogée pour savoir si elle induit celle de ses compagnons d’armes. De ce fait, en évoquant la question des réseaux, l’étude biographique permet de se poser la question de la nature des relations qui peuvent exister entre hommes de pouvoir et hommes d’armes. L’objectif principal de ce travail est donc le suivant : il s’agit de savoir, dans une dynamique croisée, comment cette amitié émerge, la façon dont elle évolue depuis 1792 et la manière dont cette morale militaire soude les liens entre les deux soldats. Ainsi, nous pourrons mettre à jour la biographie du maréchal ; ce qui permettra dans cette recherche d’élucider enfin la question de la trahison imputée à Marmont.

L’étude porte sur la personne de confiance et les directives anticipées. Initialement conçus comme une aide à la décision médicale, ces dispositifs, récemment réformés par la loi du 2 février 2016, sont devenus contraignants pour le médecin. Cette évolution révèle leur véritable objet : empêcher toute trahison de la volonté du patient en fin de vie. Néanmoins, ni la personne de confiance, ni les directives anticipées ne semblent à même d’abolir la distance qui sépare la volonté du patient, exprimée à l’avance, de son consentement lorsqu’il est à la fin de sa vie. Pour cette raison, on peut douter que ces dispositifs permettent d’éviter toute trahison de la volonté du patient en fin de vie. Ils pourraient même devenir les instruments d’une telle trahison. The subject of the study is the appointed representative of the patient and the living wills, modified by the recent law of 2 February 2016. These measures were first designed to help medical personnel in their medical decisions. With the new law, the patient’s wishes recorded in their living wills have become legally binding on the practitioner. This evolution reveals the real purpose of these measures: to avoid the betrayal of the patient’s wishes. Nevertheless, neither of these measures can reduce the distance between patient’s wishes expressed formally in advance and consent of the end-of-life patient. For this reason, these measures would appear to be useless in avoiding the end-of-life patient betrayal. They have the potential to become the instruments of such a betrayal.

Lisansüstü tezlerin elektronik ortamda toplanması, düzenlenmesi ve erişime açılması konusuna ilişkin yök'ün 18.06.2018 tarihli yönergesine istinaden artık bu tarihten sonra gizlilik şartı aranmayan bütün tezler erişime açılacaktır. Bu çalışmanın amacı, Alman filozofu Arthur Schopenhauer ve Fransız yazar Gustave Flaubert'den etkilenmiş olan Guy de Maupassant'ın, eserlerinde kadın konusunu nasıl işlediğini tematik olarak incelemektir. Maupassant Fransız Edebiyatının kısa öykü yazarlığında temsilcisidir. Pesimist olan yazar çağının ahlaki çöküntülerini eserlerinde göstermektedir. Pesimist konuların yanı sıra kadın teması da yazarın eserlerinde işlediği en belirgin temadır. Kadın teması tezimizin konusunu oluşturmaktadır. Araştırmamız nitel bir araştırmadır. Bu araştırma için yazara ait kitaplar ve kısa öyküler incelenmiştir. Özellikle kadın temasının yoğun olduğu eserleri ele alınmıştır. Yazarın kadını nasıl ele aldığını incelerken 19. Yüzyılda toplumda kadının yeri de araştırılmıştır. Bu yüzyılın başlarında çok fazla hakka sahip olmayan kadın, dönemin sonunda bazı haklarını elde edebilmiştir. Maupassant'ın eserlerinde kadınlar genellikle fahişeler, çeşitli sebeplerle eşlerini aldatan kadınlar, aşk ve evlilik hayatlarında mutlu olamayan kadınlar olarak karşımıza çıkmaktadır. Fahişeler arasında vatansever fahişeler, ailesini geçindirmek veya bu işi meslek olarak yapanlar bulunmaktadır. Evlilik ve aşk konusunda da Maupassant'ın pesimist oluşunun etkileri görülmektedir. Maupassant'ın incelediğimiz eserlerinin genelinde gerçek aşkın olmadığı ve buna bağlı olarak mutlu evliliğin de olmadığı ve evliliklerinde mutlu olamayan kadınların da kocalarını aldattığı tespit edilmiştir. The purpose of this study is to investigate thematically how Guy de Maupassant who was influenced by German philosopher Arthur Schopenhauer and French writer Gustave Flaubert handles women characters in his works. Maupassant is the pioneer of short story writing in French literature. This pessimist writer portrays moral corruptions of his era in his works. Beside pessimism, woman is the theme which was mainly dealt with by the writer in his works. Woman as the theme is the main focus of our study. The study adopts qualitative research. For this study, the writer's novels and short stories were reviewed. Especially the works in which woman was the main theme were examined. While investigating how woman was portrayed in his works, women's position in the society in 19th century was also explored. The women who had very few rights at the beginning of this century were able to obtain some rights towards the end of the century. The women in Maupassant's works generally consist of prostitutes, women who betray their husbands for various reasons, women who are not happy in their love and marriages. Among these prostitutes, there are patriots, those who prefer to be prostitutes to support their family or those who adopt prostitution as their profession. The effect of Maupassant's being pessimist is seen in the issues of marriage and love. In the majority of the Maupassant's works which was reviewed, it was found that there was not real love and as a result of this there was not happy marriage and women who were not happy in their marriages betrayed their husbands.

À la fin de la deuxième partie de L’Éducation sentimentale, le récit de la soirée de Frédéric et Rosanette, qui s’achève rue Tronchet, « dans le logement préparé pour l’autre », est aussi un tableau de Paris le soir du 24 février 1848, date décisive dans le cours des événements révolutionnaires. Flaubert privilégie dans cette page le parcours des deux amants et l’histoire des amours de Frédéric, mais la lecture de près de ce passage permet d’examiner comment le romancier lie très fortement les deux plans, historique et sentimental : par un jeu de hasards successifs, mais aussi par des relations d’analogie, dont la progression et les variations conduisent à donner au drame privé une signification d’ordre historique, ainsi qu’une portée qui se marque par des reprises et des échos, par une sorte de dissémination dans l’ensemble du texte. At the end of the second part of L’Éducation sentimentale, when describing Frédéric and Rosanette’s evening, which ends in Rue Tronchet, "in the home prepared for the other one" ("dans le logement préparé pour l’autre"), the author also paints a picture of Paris on the evening of February 24th, 1848, a date that would change the course of the revolution. In this page, Flaubert focuses on the story of the two lovers, but a closer reading allows to examine how the author intensely connects history and sentiment: he does so through a series of random events, but also through several instances of analogy, both varied and progressive. They give this private drama a sense of historical meaning and also a broader scope through echoes and repetitions, thus disseminating it throughout the text.

Dans la Scandinavie médiévale, la trahison (svíka) tient une place importante. D’abord, parce qu’en tant qu’antonyme de la confiance (trú), elle caractérise un comportement répréhensible qui fait de son auteur un individu infâme, à l’opposé du drengr ayant une attitude constamment honorable. Ensuite, et par conséquence, parce qu’elle constitue souvent un élément clé du ressort narratif présenté dans les sagas, particulièrement les « sagas des chevaliers » dont la Karlamagnús saga constitue le plus célèbre exemple. Cette étude se propose donc de mettre en lumière cette notion cardinale et, à travers la trahison du jarl Guinelon, d’aborder les effets juridiques qu’elle engendre. In medieval Scandinavia, betrayal (svika) holds an important place. First, because as opposite of trust (trú), it characterizes misconduct which made its author a vile person, away from drengr who has constantly an honorable attitude. Second, and as a result, because it is part of the recurrent component of the icelandic sagas, mainly « sagas of knights » whose Karlamagnús saga is the most famous example. This study therefore aims to enlighten this notion and, through the betrayal of jarl Guinelon, the legal consequences it engenders.

From a feminist care perspective, this article analyses how literary and ethnographic approaches represent care work and the relationship between the domestic employee and the employer, thus contributing to make visible the subaltern position of the careworker. The work of literature is illustrated through the example of the novel The Door by Magda Szabò. In this novel the starting point is the will of the writer to repair her betrayal towards the domestic worker Emerenc. Writing a novel, telling Emerenc ‘s life story, thus making her visible, is the way for Szabò to accomplish this reparation. Does this reparation comes from heroisation? In care novels, care-givers occupy the main stage: they are heroines, not in the sense of universal male heroism, but in one that emerges from the care stories read from a gender perspective. The ethnographic approach is considered through the work of Caroline Ibos Qui gardera nos enfants? This fieldwork is an inquiry about the relationship between Ivorian nannies and woman employers in the Paris region. The book relies mainly on the way the nannies tell their lives and migration. It shows why and how the employers need to keep invisible the daily presence of the foreign care worker in order to maintain intact the symbolic order of their appartement.; A partir de la perspective féministe du care, cet article propose une analyse mettant en regard la façon dont les approches littéraire et ethnographique parviennent à représenter la position subalterne de la travailleuse du care et la relation de care entre l’employée et l’employeuse domestique. Le travail de la littérature est étudié à partir du roman La Porte de Magda Szabò. Dans cet ouvrage, le déclenchement de l’histoire est la volonté de la part de l’écrivaine de réparer sa trahison envers l’employée domestique Emerenc. Cette réparation consiste pour Szabò dans l’écriture du récit de l’histoire de la vie d’Emerenc, qui devient ainsi visible. On se demande ensuite si cette réparation passe à travers une héroïsation du personnage de la travailleuse. Dans les romans de care les femmes care-givers occupent la scène principale: elles sont des héroïnes, non pas dans le sens de l’héroïsme universel masculin, mais de celui qui émerge des récits de care au prisme du genre. L’approche ethnographique est considérée à partir du livre de Caroline Ibos Qui gardera nos enfants? Cette enquête de terrain sur les relations entre nounous ivoiriennes et employeuses, en région parisienne laisse une large place aux paroles des nounous. Elle montre comment l’invisibilisation de la travailleuse du care répond à la nécessité pour l’employeuse de garder intact l’ordre symbolique de son appartement en dépit du passage quotidien de la femme étrangère.

International audience; Timeo Danaos et dona ferentes. (Virgile, Énéide, Livre II) Cette phrase de Virgile illustre tout à fait les relations complexes de méfiance et de fascination qui se sont instaurées entre les chefs croisés et l'empereur byzantin au cours de la première croisade. Les Occidentaux se sont méfiés des Grecs et, dans les chroniques, c'est en grande partie sur eux qu'est rejetée la faute, manquement moral qui consista à placer la conquête ou la reconquête de terres au centre des motivations de la croisade. Travailler sur les croisades implique

Lorsque le chercheur pratiquant l’observation participante arrive à la production des résultats de sa recherche, il est confronté à une injonction paradoxale : « dire, sans dire ». Les exigences scientifiques l’enjoignent à communiquer ses résultats, les exigences relationnelles à ne pas dévoiler ce qu’il a observé comme membre d’une culture particulière. Notre pratique de chercheure en anthropologie de la communication nous amène à réfléchir à cette tension entre posture du chercheur comme membre d’une communauté scientifique, et comme membre d’un groupe social. Les théories de la communication nous aideront à comprendre cette posture particulière et les tensions en découlant. When the researcher, while engaging in participant observation, comes to the production of the results of his research, he is faced with a paradox: ‘to say without saying’. Scientific demands make him communicate his results while relational requirements make him not reveal what he observed as a member of a specific culture. Our research experience in anthropology of communication leads us to reflect on this tension between the researcher’s position as a member of a scientific community, and as a member of a social group. Communication theories help us understand this particular attitude and tension arising therefrom. Quando o pesquisador, praticando observação participante, chega à produção de resultados na sua pesquisa, ele é confrontado com uma injunção paradoxal “dizer, sem dizer”. As exigências científicas levam-no a comunicar os seus resultados, as exigências relacionais exigem não revelar o que ele observou como um membro de uma cultura particular. A nossa prática de investigação em antropologia da comunicação leva-nos a refletir sobre esta tensão entre a postura do investigador como membro de uma comunidade científica, e como membro de um grupo social. Teorias da comunicação ajudar-nos-ão a entender esta postura particular e as tensões que dela decorrem. info:eu-repo/semantics/publishedVersion

This paper looks into the traditional couple fidelity-adultery inside French and Italian system, in the light of new «tele-infidelity » forms which are made possible by contemporary computer society. The XIX century case law had already wondered about the question of infidelity when separated from its physical basis, by talking about intellectual, sentimental, platonic affairs. Since the Internet erupted, the problem has become highly topical again. Anyway, the Internet breaks not only the connection between physical adultery and infidelity, but also changes in a deep manner the very idea of betrayal. Dematerialized and spiritualized by now, this idea tends to correspond with disloyalty to the spouse, both in France and in Italy ; even if some resistance and some difference between the two systems remain on this point. The paper is aimed to highlight them., L’étude examine le traditionnel binôme fidélité -adultère dans les systèmes français et italien et à la lumière des nouvelles formes de «télétrahison » facilitées par la moderne société de l’informatique. Une jurisprudence qui remonte au XIXe siècle avait déjà posé le problème de l’infidélité privée de sa base physique, en parlant de liaisons intellectuelles, spirituelles, platoniques. Cette question revient impétueusement d’actualité grâce à internet. Internet, toutefois, ne brise pas seulement le rapport entre adultère et infidélité ; l’idée même d’infidélité vient de se modifier. On peut dire qu’elle se dématérialise en s’approchant de plus en plus de la notion de déloyauté envers le conjoint, tant en France qu’en Italie ; mais entre les deux systèmes persistent et paressent, de temps en temps, des résistances et des différences que cet essai met en évidence., Olivero Luciano. L’infidélité sans adultère à l’époque d’internet – Une comparaison entre la France et l’Italie. In: Revue internationale de droit comparé. Vol. 67 N°2,2015. La comparaison en droit public. Hommage à Roland Drago. pp. 541-565.

Submitted by halves@ufp.pt (halves@ufp.pt) on 2018-05-22T07:27:28Z No. of bitstreams: 1 2570-18105-1-PB.pdf: 1357042 bytes, checksum: 799a9f852a8afc2687388989bdde1ca8 (MD5) Approved for entry into archive by halves@ufp.pt (halves@ufp.pt) on 2018-05-22T07:28:04Z (GMT) No. of bitstreams: 1 2570-18105-1-PB.pdf: 1357042 bytes, checksum: 799a9f852a8afc2687388989bdde1ca8 (MD5) Made available in DSpace on 2018-05-22T07:28:04Z (GMT). No. of bitstreams: 1 2570-18105-1-PB.pdf: 1357042 bytes, checksum: 799a9f852a8afc2687388989bdde1ca8 (MD5) Previous issue date: 2015 info:eu-repo/semantics/publishedVersion

Composition du jury : Monsieur Jean Andreau, EHESS, Paris, Directeur de thèse.Madame Catherine Wolff, Professeur à l’Université d’Avignon et des Pays de Vaucluse, Présidente du jury.Monsieur Jean-Michel David, Professeur Emérite à l’Université Paris 1 Panthéon-Sorbonne.Madame Claire Lovisi, Recteur de l’Académie de Nice.Monsieur Philippe Moreau, Professeur à l’Université de Paris Est Créteil. Thèse soutenue le 20 octobre 2012 à l’Ecole Normale Supérieure (Paris, 45 rue d'Ulm). Résumé : Ce tr...

Pierre Mertens’ novel Les eblouissements, published in 1987, is a fictionalised biography of a famous German poet Gottfried Benn, who made the biggest mistake of his life agreeing to support the National Socialist regime during several months. Mertens reconstructs the poet’s life trying to understand the reasons of his commitment, considered by the intellectuals of that time to be a betrayal. Mertens’ text is an illustration of the relationship between the individual and the historical past and, at the same time, an example of problemising the biographical factor in relation to Great History. Playing with the double signification of the word ‘eblouissement’, the novelist offers his own interpretation of the German poet’s double life.

This MA thesis deals with the text analysis of the Song of Roland. The text analysis focuses in detail on the formal, content, narrative and symbolic aspects of the Song of Roland. All those features are in the context of the literary and historical frame. The Song of Roland is one of the oldest literary pieces of French literature. It is the most famous heroic song belonging to the "Chanson de geste" and it was created in the 11th century. The main characters of the heroic poem are Charles the great, his nephew Roland, loyal friend Olivier, traitor Galeon and pagan king Marsil. The Song of Roland explores not only the family and friend relations, but the important topics are also betrayal and desire for fortune and glory. The Song deals with the matter of faith being asserted in the way which is typical for the middle ages. The story, which takes part in Spain, where the French have been besieging the pagan fort of Zaragoza for seven years, is very interesting from the historical aspects, but were more interested in the narrative - textual aspects, in which we tried to explore the relationships between the narrators. We focused on individual speeches, who speaks to whom and in which way. We asked ourselves three questions, which we have gradually answered. For the need of an analysis of individual speech...

Our goal is to understand whether, and under which conditions a customer can feel betrayed by a brand, as it may happen in an interpersonal context; it is also to show that this feeling is quite different from other reactions, such as dissatisfaction. We then try to find the determinants of this feeling (i.e. a violation of a norm which may destroy the trust established between the customer and the firm), and its likely consequences on the evolution of the relationship. Our qualitative exploratory study enables us to build a conceptual model and to draw a typology of different betrayal feelings, based on the type of norms which are violated by the brand, or company. This research shows that this phenomenon is worth studying since it both severely and durably weakens the brand image, and may lead to the irrevocable loss of the betrayed consumers., Cette recherche vise à montrer qu'un client peut se sentir trahi par une entreprise, à l'instar de ce qu'il peut parfois ressentir dans un contexte interpersonnel, et que ce sentiment est bien distinct d'autres réactions, comme l'insatisfaction. Notre objectif consiste ensuite à déterminer la cause de ce sentiment (i.e., une violation des normes susceptible de détruire la confiance entre le client et l'entreprise) et ses conséquences probables sur l'évolution de la relation entre le client et l'entreprise. Une étude qualitative exploratoire est menée pour faire émerger un cadre conceptuel permettant de dresser une typologie des trahisons commerciales. Cette étude montre l'importance d'une compréhension approfondie du phénomène de trahison commerciale, entraînant pour la marque une détérioration à long terme de son image mais également une perte quasi-irréversible du client trahi.

«И к злодеям причтен»: тема предательства в поэме А. Ремизова Иуда Экспансия «автобиографизма» в произведения Ремизова затрагивала и те сюжеты, в которых «автобиографизм» изначально был невозможен. Ремизов в свои версии апокрифических сюжетов часто включал автобиографические мотивы. Более того, для Ремизова сам факт выбора того или иного сюжета - уже свидетельство его «автобиографичности». Именно этим примечательна поэма Ремизова Иуда (1903). Сюжет предательства Иуды был выбран Ремизовым потому, что эта тема была для него актуальна в связи с фактами его биографии. В жизни Ремизова к моменту написания Иуды были два эпизода, имевшие отношение к теме предательства. И потому поэма Иуда (с ее идеями предательства и отверженности) есть не только объяснение евангельского сюжета, но и объяснение судьбы самого Ремизова. Знаменательно признание писателя: «А слушая Баха Страсти от Матфея, я остро различил в звенящем рассказе евангелиста пробуждение Петра, когда запел петух, и с не меньшей остротой я почувствовал отчаяние Иуды. Какой грех, какое преступление вызвало у меня это чувство? И думаю: не вовремя мое появление на свет. Я как бы втерся непрошенный и в мире нежелательный». Ремизов имплицитно отождествлял себя с Иудой, и его рассказ о судьбе Иуды становится одновременно и рассказом о самом себе., 'Added to the Evil': the Theme of Betrayal in the Poem Judas by A. Remizov The spread of autobiographical themes in Remizov's works was also seen in places, where it was hardly imaginable in the way. Не often added some autobiographical features to his versions of apocryphal stories. Moreover, for Remizov the choice of the apocryphal story is strongly dependent on his autobiographical features. That is why his poem Judas (1903) is worth essential attention. Due to the high importance of the motif of betrayal in his own biography, he also chose it as a subject of his writings. By the time he wrote Judas, Remizov's biography concealed two épisodes tighly connected with the theme of betrayal. Concerning the two themes of betrayal and rejection in the story of Judas, the poem is an attempt not only to give explanation to the evangelic story, but to explain some of his own biography as well. Well-known is writer's saying: 'While listening The Passion of Matthias by Bach I could clearly hear the weakening of Peter in the tinkling story told by the Evangelist, and after the cock-crow did I feel sharply the despair of Judas. What sort of sin or crime caused this feeling in me? I think that I was born into this world in the wrong time. As though I wormed myself into this world without being neither wanted nor welcome.' Remizov implicitly identified himself with Judas and his tale of Judas is simultaneously a tale of himself., Dotsenko Sergei. « Et je fus compté au nombre des scélérats » : le thème de la trahison dans le poème d'Aleksej Remizov Juda. In: Revue des études slaves, tome 77, fascicule 4, 2006. La figure de Judas Iscariote dans la culture russe, sous la direction de Marie-Aude Albert et Serge Rolet. pp. 587-598.

Иуда Леонида Андреева, кто он? Анализ рассказа Иуда Искариот обычно проводится в двух направлениях: либо он обращен к философским проблемам (к «вечным вопросам»), в чем Андреев был признанным мастером, либо ориентирован на политическую ситуацию того времени, когда в свете событий 1905 года тема предательства была очень актуальна. В статье предлагается автобиографическая интерпретация Иуды Искариота. В переписке М. Горького и А. Андреева мы находим свидетельства того, что общение двух писателей по своей тональности, содержанию и даже форме очень напоминает те взаимоотношения, которые установились в рассказе между Иудой и Христосом. Может быть, Иуда Л. Андреева и есть сам Л. Андреев?, Who is Leonid Andreev's Judas? Interpretations of luda Iskariot usually fall into two camps. Some writers emphasise the philosophical problems (the so-called 'eternal issues') in which L. Andreev was considered an expert. Others, however, refer to the contemporary political context, which was, around 1905, especially characterised by the theme of betrayal. Our own reading of luda Iskariot is, on the other hand, essentially autobiographical. Among the correspondence between M. Gor'kij and L. Andreev one саn find a number of letters which, by their tone, subject matter and even certain specific turns of phrase suggest that the relationship between these two writers сап be compared to that between Judas and Christ in Andreev's story. It is possible to view Leonid Andreev's Judas as nоnе other than Leonid Andreev himself., Rolet Serge. Qui est le Judas de Leonid Andreev ?. In: Revue des études slaves, tome 77, fascicule 4, 2006. La figure de Judas Iscariote dans la culture russe, sous la direction de Marie-Aude Albert et Serge Rolet. pp. 599-610.