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Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lendemains is the property of Narr Francke Attempto Verlag GmbH & Co.KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Van Rensselaer Potter (1911-2001), the biologist who coined the term "bioethics" in North American scholarship, considers that "real bioethics falls in the context of the ideals of [...] Aldo Leopold", a forester, philosopher and poet who marked the 20th century. Associating Leopold with Potter has the effect of placing bioethics in the family of environmental ethics, which differentiates it from the conventional sense held in medicine and research since the Belmont Report (1979), a declaration that has driven the institutionalization of bioethics in North America. However, dividing bioethics into the "medical" and "environmental" is reductionist. Instead, Potter coins the idea of a global bioethics that addresses issues at their interface, including "land, wildlife, overpopulation, consumption, etc." This article aims to start a new analysis of Potter's thinking, drawing on the legacy of Aldo Leopold in biology. A synthesis of this Potterian vision is proposed to consider his work as a coherent whole that integrates into the great debates that transcend 20th and 21st centuries. This Potterian vision appears as a collective and prospective wisdom in the form of a science of survival and Bioethical creed. Going beyond environmental ethics, this association with Leopold offers a model of complexity that is indistinguishable from the context in which it is embedded, improving the ways in which we intervene in practice in an everchanging world through an adaptive governance and the wisdom of responsibility. [ABSTRACT FROM AUTHOR]

Copyright of Synergies Mexique is the property of GERFLINT (Groupe d'Etudes et de Recherches pour le Francais Langue Internationale) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Carnets: Revue Electronique d'Etudes Françaises / Revista Electrónica de Estudos Franceses is the property of Associacao Portuguesa de Estudos Franceses (APEF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ethnologie Française is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This text presents the project and artistic path of the Molinari Quartet as led by its founder, violinist Olga Ranzenhofer, who is also its artistic director. The author recounts her remarkable encounters with two great Canadian artists, Guido Molinari and R. Murray Schafer, who influenced the quartet and inspired its members to explore contemporary art and create connections with the audience. She describes and explains the events Le Quatuor selon... and Les Dialogues, which allowed the musicians and the audience to explore the string quartet repertoire of the 20th and 21st centuries through the presentation of complete quartet cycles by important contemporary composers. Olga Ranzenhofer offers a passionate account of the string quartet musician's long and rewarding process, from choosing repertoire to playing in concert, through numerous hours of work and recording a CD. [ABSTRACT FROM AUTHOR]

Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Quebecois wayside crosses have been described as a tradition attacked on two fronts : by a modernizing postconciliar Catholic church seeking to limit devotionalism and by secularizing officials seeking to create a religiously neutral public sphere. This article explores the often ambivalent interactions between public and private devotions, as well as between Catholicism and "patrimonialisation". It foregrounds questions about the place of preconciliar structures in the built environment of rural Quebec, with the goal of showing how this form of devotionalism is conceived by wayside cross "caretakers" as a new way of living their Catholic faith in the twenty-first century. [ABSTRACT FROM AUTHOR]

Copyright of Swiss Political Science Review is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An interview is presented with Samy Gemayel, a lawyer and the Christian leader of the Lebanese political party Kataëb (phalanges). Gemayel talks about the Civil War in Syria, factors which could lead to Lebanon's involvement in the war, and the continuous conflict between members from the Sunnites and Shiites Islamic groups. Keeping Lebanon neutral and protecting it from the Syrian conflict, the effects of Syrian refugees in Lebanon, and the three reforms for which Kataëb is advocating are also discussed.

Copyright of Lien Social et Politiques is the property of Institut National de Recherche Scientifique (INRS) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cultures et Conflits is the property of Centre d'Etudes sur les Conflits, Revue Cultures & Conflits and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cahiers des Dix is the property of Societe des Dix and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The ARUC Work History Project in New-Brunswick (LHTNB) aims to show that the labour experience is an important and essential part of New Brunswick's provincial heritage. Through partnerships with different community organizations, the research team organized public activities and participated in collaboration projects in many regions of the province. The aim of this essay is two-fold: first the author evaluates the nature and the efficiency of the partnerships developed in Madawaska, an Acadian region of New Brunswick. Did the research team succeed in developing genuine partnerships in Madawaska? Was there a real sense of "sharing authority" between the research team and its community partners in that region? What has been public's role since the project began? Second, the author analyzes the effect of public activities and collaboration projects on the Madawaska community and attempts to draw conclusions from what the research team has learned from these experiences. [ABSTRACT FROM AUTHOR]