7 results
Search Results
2. ‘Nothing in the World is Finer’: Diplomatic Correspondence as a Record of Versailles, 1670–1715
- Author
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Stephen Griffin
- Subjects
diplomacy ,court ,gardens ,culture ,ceremony ,Fine Arts ,History of the arts ,NX440-632 ,History of France ,DC1-947 - Abstract
Letters and diplomatic reports have always been at the heart of diplomacy. However, in terms of travel literature, ministerial papers are not necessarily related to the genre. Diplomats normally made themselves the focus of attention in their reports, describing their interactions at court and rarely providing detailed narratives on the cities and palaces that they visited. In official correspondence, they might not comment at length on architecture and the manners of the people whose country they were visiting but in letters to friends and family they may reveal more. English diplomats could remark on festivities, construction and other visiting embassies. This paper traces the presence of Versailles, its court and visitors within the correspondence of ministers representing the kings of England, afterwards Great Britain. It aims to account for and describe the presence of the palace within diplomatic correspondence and hopes to trace both similarities and differences in ministerial perspectives.
- Published
- 2020
- Full Text
- View/download PDF
3. En quête d’eau douce : des éoliennes étatsuniennes dans les jardins de Fortaleza
- Author
-
Aline de Figueirôa Silva
- Subjects
windmills ,gardens ,city of Fortaleza ,relations between Brazil and United States of America ,19th and 20th centuries ,Anthropology ,GN1-890 ,Social Sciences - Abstract
This article analyzes the relationship between environmental specificities and the cultivation of public gardens in the late nineteenth and early twentieth century in the city of Fortaleza, in the northeast region of Brazil. First, it examines the planted tree species and the creation of ponds in public gardens relative to hydric aspects and sun abundance in the city. Second, the essay describes the introduction of American windmills, known as cata-ventos in Brazil, by documenting their origin, their utility for pumping underground water stored in iron tanks, the use of this system for garden irrigation, as well as their disappearance. The paper uses iconographic and written documentary sources, such as newspapers, albums, magazines, photos, postcards, as well as chronicler’s reports and memoirs, and specialized literature on American windmills. Thus, it offers new references for garden historiography in Brazil concerning the existence of utilitarian artifacts for maintaining public gardens.
- Published
- 2017
- Full Text
- View/download PDF
4. Paronella Park: Music, Migration and the ‘Tropical Exotic’
- Author
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Annie Mitchell
- Subjects
migration ,queensland ,music ,diversity ,culture ,tropical ,wilderness ,rainforest ,australia ,spanish ,castle ,gardens ,tourism ,history ,Social Sciences - Abstract
The history of Paronella Park is a tale of migration from Europe to far north Queensland; underscored by the music of a diversity of cultures that weaves a rich tapestry through this narrative; set to a backdrop of tropical wilderness in the rainforest of Mena Creek, via Innisfail. Jose Paronella arrived in north Queensland, Australia from Catalonia, Spain in 1911; where he spent many years working as a cane cutter. In 1929 he bought thirteen acres of land on Mena Creek to fulfil his dream of creating a Spanish castle and tourist resort. By 1935 Paronella’s dream had become a reality, with the completed construction of Paronella Park: a Spanish castle, picnic area, ballroom, movie theatre, hydro-electric power system, tennis courts and botanical gardens. Paronella Park became the cultural hub of the Mena Creek-Innisfail area, providing entertainment in movies, dances, balls and theatre. North Queensland was a base for Allied Service personnel during World War II, so musical activities increased greatly during this time with Australian and United States soldiers frequenting Paronella Park on rest and recreation. From this heyday, Paronella Park has survived destruction by cyclones and floods, fire, years of neglect, and finally restoration of much of the property. Over the past decade, Paronella Park has won extensive tourism awards. In 2010, to commemorate Paronella Park’s 75th anniversary, the musical The Impossible Dream was written and performed in Cairns. This paper traces the musical history of Paronella Park, investigates the cultural and musical activities performed there, identifies the bands and musicians who played at Paronella Park, their musical styles and repertoire, discusses the contribution of Paronella Park to tourism in north Queensland, and evaluates the influences of Spanish culture and music on the identity of the Mena Creek community. Music and lyrics from The Impossible Dream are transcribed and analysed to correlate their musical links to entertainment at Paronella Park during the 1930s and 1940s and identify Spanish influences in the musical score. The research also evaluates the impact of The Impossible Dream on recent tourism at Paronella Park, investigates current musical entertainment at Paronella Park and its potential for future development.
- Published
- 2013
- Full Text
- View/download PDF
5. Les regarnis de Versailles et de Trianon à travers vingt commandes aux Pépinières du roi (1753-1772)
- Author
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Felice Olivesi
- Subjects
gardens ,Versailles ,Trianon ,Louis XV ,Charles Lécuyer ,Charles-Nicolas Beaudet de Morlet ,Fine Arts ,History of the arts ,NX440-632 ,History of France ,DC1-947 - Abstract
A collection of documents held in the National Archives in France, in the papers of the Bâtiments du Roi, concern the replanting schedule of the gardens of Versailles and of Trianon, called “regarnis” or replenishment. It comprises twenty orders for plants addressed to the Nurseries of the king between 1753 and 1772, drafted on the same model and containing the same information: quantity, name and destination of each plant. Study of this unbroken series allows connections between plant species and their part in landscaping, thus creating a hierarchy among plants and landscape components. These replanting orders further demonstrate the desire to maintain – as well as the difficulty of doing so – the gardens in their original state and cast new light on the management decisions of various gardens during the reign of Louis XV.
- Published
- 2012
- Full Text
- View/download PDF
6. En quête d’eau douce : des éoliennes étatsuniennes dans les jardins de Fortaleza
- Author
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Silva, Aline de Figueirôa
- Subjects
relações Brasil-Estados Unidos ,Fortaleza ,lcsh:GN1-890 ,moinhos eólicos ,windmills ,lcsh:Anthropology ,éoliennes ,relations between Brazil and United States of America ,lcsh:Social Sciences ,lcsh:H ,relations Brésil-États-Unis ,19th and 20th centuries ,XIXe et XXe siècles ,gardens ,séculos XIX e XX ,city of Fortaleza ,jardins - Abstract
Cet article étudie la relation entre les spécificités du milieu naturel et la culture des jardins publics, entre la fin du XIXe et le début du XXe siècle, dans la ville de Fortaleza, située dans la région du Nordeste brésilien. Il aborde, en premier lieu, la question des espèces végétales et des arbres utilisés ainsi que la création des lacs dans les jardins publics, en rapport avec la question de l’eau et de l’ensoleillement dans la ville. Il se penche ensuite sur la présence d’éoliennes (ou roues à vents) étatsuniennes, en décrivant leur origine, leur utilité pour le pompage de l’eau en sous-sol et son stockage dans des réservoirs métalliques, l’intérêt de ce système pour l’irrigation des jardins. L’article se termine par une analyse des raisons du démantèlement ultérieur de ces dispositifs. L’analyse a été effectuée à partir de documents écrits et iconographiques provenant de journaux, d’albums, de revues, de photographies et de cartes-postales, ainsi que des témoignages de chroniqueurs, de mémorialistes et ouvrages spécialisés dans les éoliennes étatsuniennes. Ce travail vise à élargir le cadre de références disponibles pour l’histoire du paysagisme au Brésil en y introduisant les instruments destinés à l’entretien des jardins. Este artigo reflete sobre a relação entre os atributos do meio natural e o cultivo de jardins públicos entre o final do século XIX e o início do XX na cidade de Fortaleza, localizada na região Nordeste do Brasil. Trata, primeiramente, das espécies vegetais arbóreas utilizadas e da criação de lagos nos jardins públicos, relacionados aos aspectos hídricos e à abundância de sol na cidade. A seguir, aborda a presença de cata-ventos ou moinhos eólicos americanos, documentando sua procedência e utilidade para o bombeamento d’água subterrânea, armazenada em reservatórios de ferro, bem como a relevância desse sistema para a irrigação dos jardins e seu desmonte. O artigo privilegia fontes documentais escritas e iconográficas, a exemplo de jornais, álbuns, revistas, fotografias, cartões-postais, bem como registros de cronistas e memorialistas e literatura especializada sobre cata-ventos americanos, ampliando o quadro de referências para a historiografia do paisagismo no Brasil no que diz respeito à presença de artefatos utilitários na manutenção dos jardins públicos. This article analyzes the relationship between environmental specificities and the cultivation of public gardens in the late nineteenth and early twentieth century in the city of Fortaleza, in the northeast region of Brazil. First, it examines the planted tree species and the creation of ponds in public gardens relative to hydric aspects and sun abundance in the city. Second, the essay describes the introduction of American windmills, known as cata-ventos in Brazil, by documenting their origin, their utility for pumping underground water stored in iron tanks, the use of this system for garden irrigation, as well as their disappearance. The paper uses iconographic and written documentary sources, such as newspapers, albums, magazines, photos, postcards, as well as chronicler’s reports and memoirs, and specialized literature on American windmills. Thus, it offers new references for garden historiography in Brazil concerning the existence of utilitarian artifacts for maintaining public gardens.
- Published
- 2017
7. Les jardins dans l'œuvre de Lodewijk Toeput : entre tradition flamande et culture vénitienne
- Author
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Banner, Anne-Sophie and Ribouillault, Denis
- Subjects
Transferts culturels ,Amour ,Pozzoserrato ,Musique ,Jardins ,Flandre ,Love ,Venice ,Villégiature ,Toeput ,Flanders ,Gardens ,Cultural transfers ,Music ,Villa ,Venise - Abstract
Durant la Renaissance, les œuvres de l’artiste flamand Lodewijk Toeput, dit Lodovico Pozzoserrato, contribuent à enrichir l’iconographie et l’histoire des jardins vénitiens. Elles expriment également la tradition artistique flamande et la culture vénitienne, marquée par l’idéologie de la villa et par l’univers musical. L’union des deux cultures révèle une hybridation symptomatique des échanges culturels entre l’Italie et les Flandres pendant la seconde moitié du XVIe siècle. Ce mémoire situe les représentations de jardins et la figure de l’artiste dans le contexte historique et artistique vénitien du XVIe siècle. Il vise également à analyser les images de jardins du peintre à travers la notion de « transferts culturels » afin de souligner l’association de l’influence flamande et vénitienne. De plus, il sera question de déterminer les conséquences de cette association dans l’histoire de l’art flamande et vénitienne., During the Renaissance, the paintings by Lodewijk Toeput, known as Lodovico Pozzoserrato, contributed to enrich the iconography and the history of Venetian gardens. The works by Toeput also combine the heritage of the Flemish artistic tradition with the Venetian culture, marked by the ideology of the villa and the musical world. By merging Flemish art with Venetian culture, Toeput creates a hybridization symptomatic of cultural exchanges between Italy and Flanders during the second half of the 16th century. This master’s thesis situates the representations of gardens and the personality of the artist within the Venetian historical and artistic context in the 16th century. In addition, this master’s thesis also aims to analyze the painter’s images of gardens through the concept of “cultural transfer” in order to emphasize the combination of Flemish and Venetian influences. This paper will also determine the consequences of this union in the history of the Flemish and Venetian art., Pour respecter les droits d'auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.
- Published
- 2015
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