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Robyn d’Avignon tells the history of West Africa’s centuries-old indigenous gold mining industries and its shared practices, prohibitions, and cosmological engagements.

In recent years, migration across urban centers and national borders has radically reshaped West African societies and sparked a global debate on the legal and cultural processes of immigration. Along newly constructed international highways in southeastern Senegal, young men and women travel between regional centers and their hometowns in the wake of a gold-mining boom that has brought new opportunities as well as risks.Previous scholarship on migration has often emphasized the movement of bodies and things. In The Verbal Art of Mobility in West Africa, instead of considering language primarily as a way to describe mobility as it happened, author Nikolas Sweet positions language as an essential infrastructure through which individuals forge material connections and communication channels across space and borders. This reinterpretation of migration emphasizes that language is a form of social action in its own right—one that does not merely reflect experiences in the world but can bring things into being. Mobility emerges not only from an individual's given mobile history, but also through an attention to the linguistic resources deployed in everyday interactions with others.Based on ethnographic research on social interaction, verbal creativity, and mobility in southeastern Senegal, The Verbal Art of Mobility in West Africa reveals how migrants use language to build social networks and mitigate risk amid socioeconomic and environmental precarity.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Over the past few decades, scholars have traced how Indian Ocean merchants forged transregional networks into a world of global connections. East Africa's crucial role in this Indian Ocean world has primarily been understood through the influence of coastal trading centers like Mombasa. In Inland from Mombasa, David P. Bresnahan looks anew at this Swahili port city from the vantage point of the communities that lived on its rural edges. By reconstructing the deep history of these Mijikenda-speaking societies over the past two millennia, he shows how profoundly they influenced global trade even as they rejected many of the cosmopolitan practices that historians have claimed are critical to creating global connections, choosing smaller communities over urbanism, local ritual practices over Islam, and inland trade over maritime commerce. Inland from Mombasa makes the compelling case that the seemingly isolating alternative social pursuits engaged in by Mijikenda speakers were in fact key to their active role in global commerce and politics.

Woven together as a text of humanities-based environmental research outcomes, Himalayan Climes and Multispecies Encounters hosts a collection of historical and fieldwork-based case studies and conceptual discussions of climate change in the greater Himalayan region.The collective endeavour of the book is expressed in what the editors characterize as the clime studies of the Himalayan multispecies worlds. Synonymous with place embodied with weather patterns and environmental history, clime is understood as both a recipient of and a contributor to climate change over time. Supported by empirical and historical findings, the chapters showcase climate change as clime change that concurrently entails multispecies encounters, multifaceted cultural processes, and ecologically specific environmental changes in the more-than-human worlds of the Himalayas.As the case studies complement, enrich, and converse with natural scientific understandings of Himalayan climate change, this book offers students, academics, and the interested public fresh approaches to the interdisciplinary field of climate studies and policy debates on climate change and sustainable development.

Set against critiques of neoliberal capitalism in the present, Infrastructural Attachments argues that the technopolitics of austerity have been the organizing logic of statecraft in Kenya since the late nineteenth century, calling into question the novelty of austerity as a mode of governance and a lived experience. Using infrastructures as a lens to explore state formation over the long twentieth century—roads in the early colonial period, radio broadcasting from the interwar through the postwar periods, and mobile phones and digital financial services in the present—historian Emma Park reveals that as the state drew on private capital to make up for limited budgets, it inaugurated a peculiar political-economic form: the corporate-state. For more than a century—in pursuit of minimizing costs and maximizing profits—the corporate-state crucially relied on the exploitation and expropriation of its subject-citizens. By foregrounding these workers, Park interrogates how Kenyans'knowledge and expertise has been rescaled and subsumed, quietly underwriting the development of infrastructural expertise, the circuits of finance upon which (post)colonial infrastructural expansion has been premised, and the forms of profit-making it has enabled.

There is no shortage of Black characters in Miguel de Cervantes's works, yet there has been a profound silence about the Spanish author's compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes's cultural purview and literary corpus.In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes's work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.

Rural Disease Knowledge examines the ways in which knowledge of rural spaces and environments, on the one hand, and infectious diseases, on the other, have become inter-constituted since the late nineteenth century. With contributions by leading anthropologists and historians of medicine, it examines the epistemic co-constitution of the rural and of infectious diseases. Ranging from Brazil, Argentina, and Colombia to Java, Tanzania, West and South Africa, and Britain, the chapters cover diverse geographies, timelines, and diseases, including plague, brucellosis, leishmaniasis, yaws, yellow fever, nagana, sleeping sickness, and Chagas disease. The book considers how human interactions with infectious diseases have impacted ways of knowing and acting on rural spaces and environments, and in turn how human interactions with rural spaces and environments have impacted ways of knowing and acting against infectious diseases. It reflects on how the rural has been configured as a space of either health or sickness over the centuries and around the globe, the role of rural landscapes in the epistemic emergence of microbiology and tropical medicine, and the interaction with global processes such as European imperialism, the emergence of capitalism, and postcolonial nation-building projects. The studies engage with current debates on decolonizing knowledge and highlight how local disease knowledge has troubled and unsettled hegemonic medical perspectives and created new ways of understanding the relationship between diseases and rural spaces and environments. The volume will be of particular interest to scholars of medical anthropology, global health, and the history of medicine.

Explaining how the legacy of colonialism and the nature of the liberal economy play a significant role in the development of Africa today, keeping Africa poor and dependent, this book explains how trade liberalization, deregulation, and privatization had opened doors for the New Scramble for Africa.Green technology and the high demand for electronics have intensified Africa's role as a supplier of raw materials, natural resources, and cheap labor and as a large market of more than one billion people in the global economy. This unique ethnographic study, with elements of autoethnography, starts with the author's journey to Bulyanhulu, Tanzania, one of the largest gold mines in Africa, and moves to a broader analysis that reveals the systemic violence of resource extraction. Focus groups, interviews, and observations demonstrate the lack of distributive justice and intersectional equality in the process of land acquisition and resource extraction, described by villagers in racialized and gendered terms as exploitative and part of a racist system that fails to provide a fair distribution of benefits to local people.Recolonizing Africa examines resource conflicts among local people, governments, and transnational corporations from Europe, North America, and Asia, revealing how global systemic violence and irresponsible business practices precipitate economic inequality between African and financially rich nations – threatening peace and security, indigenous rights, and the environment.

Scholars have sometimes maintained that the study of the history of African religions is an impossible endeavor. Some have contended that African religions do not have a history unto themselves, apart from their interaction with the newer religious traditions of Islam and Christianity. Others concede that such a history exists, but believe the source materials are insufficient to reconstruct such a history. This book speaks directly to these critics. The history of African religions becomes in many ways like a pentathlon, expecting the scholar who conducts such research to work with written texts, to learn African languages, to live within a community where these religious traditions are practiced, to study material culture, both sacred and mundane, and a variety of archaeological sources from tree rings to stone circles and gravesites. By relying on the existing corpus of written texts, oral traditions, linguistic analyses, descriptions based on participant observation, and various types of archaeology, Robert M. Baum demonstrates that African religious history is nearly as old as humanity itself. Baum has spent his entire academic career focused on the historical study of African religious traditions, as far back as accessible sources will permit. This volume traces the history of African religions beginning with early hominids and their ritual and burial sites through ancient Egypt, North and Northeast Africa, and Africa south of the Sahara from the Fourth Millennium BCE to the birth of Islam in the Seventh Century.

How Colombian mining communities navigate state power in a context of criminalization and political neglectIn the Chocó rainforests of Colombia, local and settler miners turn to gold as a means to get by and get ahead on the margins of capitalism. They eke out livelihoods while worrying about the declining richness of subsoils, their heightened persecution by state troops, the stigmatizing language of politicians, and the extortion of paramilitaries and guerrillas. Underground Politics follows the everyday sociopolitical life of this supposedly lawless gold frontier, revealing how gold-mining communities in Chocó navigate state power in a context of criminalization and political neglect.Drawing on ethnographic encounters and conversations in mining regions, Jesse Jonkman traces how miners and their surrounding communities reappropriate the state's legal and bureaucratic tools for their own ends. Far from being outside of state governance, or only on the receiving end of it, mining stakeholders involve legal categories and representatives of the state in their daily organizational practices, rendering mundane and lawful a livelihood that official discourses deem destructive and illegal. In so doing, they bring about another kind of state presence in their gold frontier, through what Jonkman calls “underground politics”—the process by which those ostensibly working outside of state structures are nonetheless active participants in bottom-up state-making.In Chocó, gold gives rise to social and ecological violence. Yet, Jonkman shows, it also ties into cultural ideals of autonomy, stories of identity and prosperity, and local political formations that simultaneously erode and confirm the authority of the state. Underground Politics unearths contentious forms of extractive organization that, while contradicting the formal regulatory framework, are nevertheless constitutive of state power.

Independent Africa explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations.Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a'third way,'in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize.Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders, and the shared ideas that informed their endeavors at nation-building and worldmaking.

In Subterranean Matters, Andrea Marston examines the ongoing history of Bolivian mining cooperatives, an economic formation that has been central to Bolivian politics and to the country's economy. Marston outlines how mining cooperatives occupy a contradictory place in Bolivian politics. They were major backers of left-wing president Evo Morales in 2006 and participated significantly in the crafting of the constitution that would declare Bolivia a plurinational state. At the same time, many Bolivians regard mining cooperatives as thieves because they derive personal profits from the subterranean mineral resources that are the legal inheritance of all Bolivians. Through extensive fieldwork underground in Bolivian cooperative mines, Marston explores how these miners—and the subterranean spaces they occupy—embody the tensions at the heart of Bolivia's plurinational project. Marston shows how persistent commitment to nation and nationalism is a shared feature of left-wing and right-wing politics in Bolivia, illustrating how bodies, identities, and resources fit into this complex political matrix.

Set against the ongoing corporate enclosure of West Africa's goldfields, A Ritual Geology tells the untold history of one of the world's oldest indigenous gold mining industries: Francophone West Africa's orpaillage. Establishing African miners as producers of subterranean knowledge, Robyn d'Avignon uncovers a dynamic “ritual geology” of techniques and cosmological engagements with the earth developed by agrarian residents of gold-bearing rocks in savanna West Africa. Colonial and corporate exploration geology in the region was built upon the ritual knowledge, gold discoveries, and skilled labor of African miners even as states racialized African mining as archaic, criminal, and pagan. Spanning the medieval and imperial past to the postcolonial present, d'Avignon weaves together long-term ethnographic and oral historical work in southeastern Senegal with archival and archeological evidence from Burkina Faso, Côte d'Ivoire, Guinea, and Mali. A Ritual Geology introduces transnational geological formations as a new regional framework for African studies, environmental history, and anthropology.

Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dry season. Although they identify themselves as Mande, the unique styles and types of objects the Folona women make, and more importantly, the way they form and fire them, are fundamentally different from Mande potters to the north and west.Through a brilliant comparative analysis of pottery production methods across the region, especially how the pots are formed and the way the techniques are taught by mothers to daughters, Barbara Frank concludes that the mothers of the potters of the Folona very likely came from the south and east, marrying Mande griots (West African leatherworkers who are better known as storytellers or musicians), as they made their way south in search of clientele as early as the 14th or 15th century CE. While the women may have nominally given up their mothers'identities through marriage, over the generations the potters preserved their maternal heritage through their technological style, passing this knowledge on to their daughters, and thus transforming the very nature of what it means to be a Mande griot. This is a story of resilience and the continuity of cultural heritage in the hands of women.

In African Motors, Joshua Grace examines how Tanzanian drivers, mechanics, and passengers reconstituted the automobile into a uniquely African form between the late 1800s and the early 2000s. Drawing on hundreds of oral histories, extensive archival research, and his ethnographic fieldwork as an apprentice in Dar es Salaam's network of garages, Grace counters the pervasive narratives that Africa is incompatible with technology and that the African use of cars is merely an appropriation of technology created elsewhere. Although automobiles were invented in Europe and introduced as part of colonial rule, Grace shows how Tanzanians transformed them, increasingly associating their own car use with maendeleo, the Kiswahili word for progress or development. Focusing on the formation of masculinities based in automotive cultures, Grace also outlines the process through which African men remade themselves and their communities by adapting technological objects and systems for local purposes. Ultimately, African Motors is an African-centered story of development featuring everyday examples of Africans forging both individual and collective cultures of social and technological wellbeing through movement, making, and repair.

An innovative contemporary history that blends insights from a variety of disciplines to highlight how a storied African cancer institute has shaped lives and identities in postcolonial Uganda. Over the past decade, an increasingly visible crisis of cancer in Uganda has made local and international headlines. Based on transcontinental research and public engagement with the Uganda Cancer Institute that began in 2010, Africanizing Oncology frames the cancer hospital as a microcosm of the Ugandan state, as a space where one can trace the lived experiences of Ugandans in the twentieth century. Ongoing ethnographic fieldwork, patient records, oral histories, private papers from US oncologists, American National Cancer Institute records, British colonial office reports, and even the architecture of the institute itself show how Ugandans understood and continue to shape ideas about national identity, political violence, epidemics, and economic life. Africanizing Oncology describes the political, social, technological, and biomedical dimensions of how Ugandans created, sustained, and transformed this institute over the past half century. With insights from science and technology studies and contemporary African history, Marissa Mika's work joins a new wave of contemporary histories of the political, technological, moral, and intellectual aspirations and actions of Africans after independence. It contributes to a growing body of work on chronic disease and situates the contemporary urgency of the mounting cancer crisis on the continent in a longer history of global cancer research and care. With its creative integration of African studies, science and technology studies, and medical anthropology, Africanizing Oncology speaks to multiple scholarly communities.

Contemporary megaprojects have evolved from the discreet, modernist projects undertaken in the past by centralized authorities to encompass everything from large-scale construction to space exploration. Contemporary Megaprojects explores how these projects have been impacted by cutting-edge technology, the private sector, and the processes of decentralization and dematerialization. With case studies ranging from mega-plantations in Southeast Asia to ocean mapping to sports events, the contributions in this collected volume demonstrate the increasing ambition and pervasiveness of these projects, as well as their significant impact on both society and the environment.

This volume provides up-to-date information on what has happened in the African ‘land rush', providing national case studies for countries that were heavily impacted. The research will be a critical resource for students, researchers, advocates and policy makers as it provides detailed, long-term assessments of a broad range of national contexts. In addition to the specific questions of land and investment, this book sheds light on the broader international political economy of development in different African countries.

Waste Siege offers an analysis unusual in the study of Palestine: it depicts the environmental, infrastructural, and aesthetic context in which Palestinians are obliged to forge their lives. To speak of waste siege is to describe a series of conditions, from smelling wastes to negotiating military infrastructures, from biopolitical forms of colonial rule to experiences of governmental abandonment, from obvious targets of resistance to confusion over responsibility for the burdensome objects of daily life. Within this rubble, debris, and infrastructural fallout, West Bank Palestinians create a life under settler colonial rule. Sophia Stamatopoulou-Robbins focuses on waste as an experience of everyday life that is continuous with, but not a result only of, occupation. Tracing Palestinians'own experiences of wastes over the past decade, she considers how multiple authorities governing the West Bank—including municipalities, the Palestinian Authority, international aid organizations, NGOs, and Israel—rule by waste siege, whether intentionally or not. Her work challenges both common formulations of waste as'matter out of place'and as the ontological opposite of the environment, by suggesting instead that waste siege be understood as an ecology of'matter with no place to go.'Waste siege thus not only describes a stateless Palestine, but also becomes a metaphor for our besieged planet.