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Recent models such as XLS-R and Whisper have made multilingual speech technologies more accessible by pre-training on audio from around 100 spoken languages each. However, there are thousands of spoken languages worldwide, and adapting to new languages is an important problem. In this work, we aim to understand which model adapts better to languages unseen during pre-training. We fine-tune both models on 13 unseen languages and 18 seen languages. Our results show that the number of hours seen per language and language family during pre-training is predictive of how the models compare, despite the significant differences in the pre-training methods., Accepted at Interspeech 2023

Spatio-temporal grounding describes the task of localizing events in space and time, e.g., in video data, based on verbal descriptions only. Models for this task are usually trained with human-annotated sentences and bounding box supervision. This work addresses this task from a multimodal supervision perspective, proposing a framework for spatio-temporal action grounding trained on loose video and subtitle supervision only, without human annotation. To this end, we combine local representation learning, which focuses on leveraging fine-grained spatial information, with a global representation encoding that captures higher-level representations and incorporates both in a joint approach. To evaluate this challenging task in a real-life setting, a new benchmark dataset is proposed providing dense spatio-temporal grounding annotations in long, untrimmed, multi-action instructional videos for over 5K events. We evaluate the proposed approach and other methods on the proposed and standard downstream tasks showing that our method improves over current baselines in various settings, including spatial, temporal, and untrimmed multi-action spatio-temporal grounding.

In this paper, we first extend the recent Masked Auto-Encoder (MAE) model from a single modality to audio-visual multi-modalities. Subsequently, we propose the Contrastive Audio-Visual Masked Auto-Encoder (CAV-MAE) by combining contrastive learning and masked data modeling, two major self-supervised learning frameworks, to learn a joint and coordinated audio-visual representation. Our experiments show that the contrastive audio-visual correspondence learning objective not only enables the model to perform audio-visual retrieval tasks, but also helps the model learn a better joint representation. As a result, our fully self-supervised pretrained CAV-MAE achieves a new SOTA accuracy of 65.9% on VGGSound, and is comparable with the previous best supervised pretrained model on AudioSet in the audio-visual event classification task. Code and pretrained models are at https://github.com/yuangongnd/cav-mae., Accepted at ICLR 2023 as a notable top 25% paper. Code and pretrained models are at https://github.com/yuangongnd/cav-mae

While deep learning has been incredibly successful in modeling tasks with large, carefully curated labeled datasets, its application to problems with limited labeled data remains a challenge. The aim of the present work is to improve the label efficiency of large neural networks operating on audio data through a combination of multitask learning and self-supervised learning on unlabeled data. We trained an end-to-end audio feature extractor based on WaveNet that feeds into simple, yet versatile task-specific neural networks. We describe several easily implemented self-supervised learning tasks that can operate on any large, unlabeled audio corpus. We demonstrate that, in scenarios with limited labeled training data, one can significantly improve the performance of three different supervised classification tasks individually by up to 6% through simultaneous training with these additional self-supervised tasks. We also show that incorporating data augmentation into our multitask setting leads to even further gains in performance., Presented at ICLR 2019 Limited Labeled Data (LLD) Workshop

We introduce PixelPlayer, a system that, by leveraging large amounts of unlabeled videos, learns to locate image regions which produce sounds and separate the input sounds into a set of components that represents the sound from each pixel. Our approach capitalizes on the natural synchronization of the visual and audio modalities to learn models that jointly parse sounds and images, without requiring additional manual supervision. Experimental results on a newly collected MUSIC dataset show that our proposed Mix-and-Separate framework outperforms several baselines on source separation. Qualitative results suggest our model learns to ground sounds in vision, enabling applications such as independently adjusting the volume of sound sources. Keywords: Cross-modal learning; Sound separation and localization, National Science Foundation (U.S.) (Grant IIS-1524817)

We introduce PixelPlayer, a system that, by leveraging large amounts of unlabeled videos, learns to locate image regions which produce sounds and separate the input sounds into a set of components that represents the sound from each pixel. Our approach capitalizes on the natural synchronization of the visual and audio modalities to learn models that jointly parse sounds and images, without requiring additional manual supervision. Experimental results on a newly collected MUSIC dataset show that our proposed Mix-and-Separate framework outperforms several baselines on source separation. Qualitative results suggest our model learns to ground sounds in vision, enabling applications such as independently adjusting the volume of sound sources.