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1. NOTES

9. FRONTMATTER

12. Cover

15. INTRODUCTION

17. REFERENCES

20. Superhero Physiology: The Case for Captain America

21. The Metabolic and Physiological Demands of a Simulated Fire Ground Test Versus a Live-Fire Training Evolution in Professional Firefighters.

22. The racialized celebrity other in perfume advertisements.

25. Astaxanthin Reduces Heart Rate and Carbohydrate Oxidation Rates During Exercise in Overweight Individuals.

28. College Bowl Sponsorship and the Increased Commercialization of Amateur Sports.

29. Device-guided slow breathing alters postprandial oxidative stress in young adult males: A randomized sham-controlled crossover trial.

30. Cultural Argument and Organizational Constraint in the Comic Book Industry.

32. Plugging back into The Matrix: the intertextual flow of corporate media commodities

33. The commodity flow of U.S. children's television

34. Representations of the Working Class in Trump-Era Advertising.

36. New Media and the Commercial Sphere: two intersecting trends, five categories of concern

39. Assessment of Granulocyte-Colony Stimulating Factors Use at a community-based teaching hospital and compliance with National Comprehensive Cancer Network guidelines.

40. Acute kidney injury associated with piperacillin-tazobactam versus other antibiotics combined with vancomycin in critically ill patients: A retrospective cohort study.

41. Hypercommercialism, televisuality, and the changing nature of college sports sponsorship

42. Film and Comic Books

44. Media, Markets, and Democracy

45. Fifty Years of Super Bowl Commercials, Thirty-Two Years of Spectacular Consumption.

46. Online Quizzes as Viral, Consumption-Based Identities.

47. Fetishizing Flo: Constructing Retail Space and Flexible Gendered Labor in Digital-Era Insurance Advertising.

48. Impact of prescription drug-monitoring program on controlled substance prescribing in the ED.

49. Hypercommercialism, Televisuality, and the Changing Nature of College Sports Sponsorship.

50. Sexualized Branded Entertainment and the Male Consumer Gaze.

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