Sound architecture is based on the kinetics of sound. Sound traveling between a multitude of loudspeakers describes and defines space. In my work, patterns of moving sound are used as a design element. Using the vocabulary of sound for architectural purposes opens up completely new dimensions for the design. Space is defined by the direction and speed of kinetic sound, and by its color, intensity, pitch, etc. Space itself becomes an event of time. Slowly swinging corridors, leading entrance ways, pulsating fields or rooms-relaxing, inspiring, soothing spaces. The emotional and psychological potential of the world of sound becomes part of the architectural statement. The implications of sound architecture are further defined through psychological, physiological, and medical research. Practical experience shows that spaces designed with kinetic sound can be objectivized. Since the beginning of my work in 1968, I have electronically programmed many examples and I have tested them with full-scale models. It is a new spatial experience with an equally new architectural meaning and message. [ABSTRACT FROM AUTHOR]