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The Australian Women's Weekly article discusses the cherished memories and experiences of dancers involved in The Australian Ballet's production of The Nutcracker. The ballet holds a special place in the hearts of the performers, with Laura Day and Sharni Spencer sharing their personal connections to the production and their roles. The Nutcracker, originally choreographed in 1892, has evolved over time to become a beloved Christmas tradition, with its enchanting storyline and Tchaikovsky's iconic score captivating audiences worldwide. The production's magical elements, including intricate costumes and set designs, contribute to its enduring popularity and appeal to audiences of all ages. [Extracted from the article]

Terminus Modern Ballet Theatre, founded in 2017 by former Atlanta Ballet dancers, has become a major force in the Atlanta dance scene. Despite initial doubts, the company has thrived and produced 21 world premieres. However, the troupe is currently going through a period of transition, with some questioning if they can continue their tradition of top-tier performances. The organization remains committed to putting the dancer at the center of their work and maintaining a creative and collaborative culture. They are also focused on empowering the next generation of dancers and expanding their budget and resources. [Extracted from the article]

The article focuses on the growing trend among ballet choreographers to draw inspiration from modern literary sources, emphasizing how dance and literature can be intricately intertwined to create impactful narratives. It discusses how this practice bridges the worlds of dance and literature, examining the challenges and rewards of translating books into compelling dance performances and engaging audiences by adding a unique layer of storytelling through movement.

This article provides reviews of various musical performances and recordings related to Tchaikovsky's works. It includes a review of a performance of the Rococo Variations by Faidley, accompanied by the New Hamburg Orchestra and conductor Michael Wittenburg. The reviewer praises Faidley's ability to blend Classical and Romantic elements in the performance. The article also discusses a CD featuring Tchaikovsky's 18 Pieces, op. 72, and critiques the pianist's performance. Additionally, it mentions a YouTube video showcasing a 14-year-old cellist's rendition of Tchaikovsky's Rococo Variations, praising her talent and musicality. The text also includes reviews of Tchaikovsky's String Quartets performed by the Dudok Quartet of Amsterdam and Telemann's late compositions. [Extracted from the article]

James Drinkwater's solo exhibition American Salt: Montauk to the Bowery will show at Nanda\ Hobbs, Sydney from 27 July to 12 August 2023. Drinkwater is represented by Nanda\ Hobbs, Sydney; Edwina Corlette Gallery, Brisbane; and Nicholas Thompson Gallery, Melbourne. ARTISTS James Drinkwater is a painter attuned to the minutia of his adventures. [Extracted from the article]

The article reminisces about the author's experience with ballet and how it still influences her, despite leaving the practice years ago. It explores the transformative power of modern ballet choreography, particularly by Justin Peck, in conveying complex emotions and narratives through movement rather than words.

The article explores the intersection of holiday classics like the New York City Ballet's production of "The Nutcracker" and the Radio City Rockettes' "Christmas Spectacular" with current fashion trends. It highlights how iconic costumes from these performances have influenced modern fashion, with designers drawing inspiration from past designs. The text also discusses the evolving portrayal of Santa Claus in contemporary media, such as Target's commercial featuring a modernized Kris Kringle character. Additionally, it touches on the emergence of "Fashion Santa," a charity-driven character portrayed by a runway model, who brings a more elegant and avant-garde twist to the traditional Santa Claus image. [Extracted from the article]

The article discusses the world premiere of Christopher Wheeldon and The Australian Ballet's production of "Oscar," a ballet based on the life of Oscar Wilde. The ballet combines key events from Wilde's life with elements from his works, "The Nightingale and the Rose" and "The Picture of Dorian Gray." The first act portrays Wilde's trial and conviction, while the second act focuses on his time in prison and his relationship with Lord Alfred Douglas. The ballet is described as the first "out" gay ballet, featuring a historic on-stage kiss between two men. The production incorporates various dance styles, music genres, and costume designs, creating a unique and visually stunning experience. The ballet received a standing ovation on opening night, indicating its positive reception. [Extracted from the article]

While we are all familiar with Boyd's impressionist landscape paintings, curator Sophie O'Brien, with Boe-Lin Bastian, set a new, dare I say sexy, scene for Boyd's legacy. ARTISTS "You've got to start, you've got to make a mark, and go from there", said Arthur Boyd. While we are all familiar with Boyd's impressionist landscape paintings, curator Sophie O'Brien, with Boe-Lin Bastian, set a new, dare I say sexy, scene for Boyd's legacy. [Extracted from the article]

The article discusses the career and accomplishments of San Francisco Ballet (SFB) principal dancer Nikisha Fogo. Topics explored include her association with the Vienna State Ballet before joining the SFB, her participation in SFB's virtual production of the ballets "Swan Lake" and "Don Quixote" in the midst of the coronavirus disease 2019 (COVID-19) pandemic, and brief details about her education at the Royal Swedish School of Ballet in Sweden and Royal Ballet Upper School in England.

The article reviews the opera "Die Zauberflöte" (The Magic Flute), by Joseph E. Köpplinger, at the Munich Staatstheater am Gärtnerplatz, in Germany, on October 22, 2023.

This article highlights various art exhibitions and cultural events happening in Australia. The NGV Triennial in Melbourne showcases the work of female artists, including Yoko Ono and Tracey Emin. The Pt. Leo Estate Sculpture Park features a sculpture by Japanese artist Yayoi Kusama, known for her polka dot creations. The Art Gallery of NSW has two new exhibitions, one featuring the work of Louise Bourgeois, known for her sculptures of spiders. The National Gallery of Australia in Canberra celebrates the work of Emily Kam Kngwarray, an Anmatyerr woman from Utopia. The article also mentions upcoming cultural events such as The Australian Ballet's production of Alice's Adventures in Wonderland and the exhibition Ramses & the Gold of the Pharaohs at the Australian Museum. [Extracted from the article]

The article discusses English National Ballet's new direction under Aaron S. Watkin, focusing on a mixed bill program featuring Balanchine's "Theme and Variations," Andrea Miller's interpretation of Stravinsky's "Les Noces," and David Dawson's "Four Last Songs."

The author reflects on previous appraisals of Frederick Ashton's ballet "Symphonic Variations," with regard to the 75th anniversary of its first performance by Sadler's Wells Ballet. Topics discussed include the premiere of the ballet at the Royal Opera House in London, England on April 24, 1946, the notable choreography and theme of this ballet, and the 2017 revival of the dance by the Royal Ballet.

The article profiles the ballet choreographer Alonzo King and discusses his San Francisco dance company, LINES Ballet. King's family connections to the U.S. civil rights movement are examined, and his adherence to classicism in his dances and intention to break away from the Eurocentricity of ballet are explored. The intellectual nature of his work and the author's assertion that he asks his dancers to intellectually connect to their work are also commented on along with the argument that, unlike other choreographers, he views his dancers as equals.

The article discusses the enduring fascination with Jacqueline du Pré's life, depicted in various art forms despite her untimely death due to multiple sclerosis 36 years ago. Topics include recent portrayals in theater and ballet, controversies surrounding biographical depictions, and the sensitive choreographic approach in conveying du Pré's relationships with the cello and Daniel Barenboim.

The article offers information on the conflict between Marco Goecke, now former ballet director of Hanover State Opera, and journalist Wiebke Hüster. It further discusses about the relationship between critics and artists; Hüster's negative review of "In the Dutch Mountains," Goecke's ballet that had just premiered with Nederlands Dans Theater; and motivating the dance world to engage in efforts to promote understanding among different sectors of the dance ecology.

The article offers information on several articles published in various issue of the periodical related to ballet. Topics discussed include reflection on the oeuvre of a contemporary choreographer to be presented in the October, 2019 issue; Akram Khan's creation in the Cour d'Honneur at the Papal Palace; and the Lifetime Achievement Prize, given to Nacho Duato.

Presents an article about the career of ballet choreographer and director George Balanchine. Challenges faced by Balanchine; His efforts to establish the ballet company New York City Ballet in 1948; Factors that contributed to the success attained by the ballet choreographer; Features of the ballet routines developed by Balanchine.

(Ball confesses his initial disappointment at being cast as Tybalt and not Romeo.) RACHMANINOFF Piano Sonata No. 1 • euntaek k im (pn) • Ms r 1745 (69:53) This CD, titled Debut, is V olume 3 of CME Presents: Russian Piano from the Center for Musical Excellence. Matthew Ball is a convincingly menacing Tybalt, cruelly vindictive and treacherous (here he stabs Mercutio in the back); Marcelino Sambé is a playful, high-spirited Mercutio who has the good sense (unlike many who dance the role) not to overdo the hijinks. [Extracted from the article]

The article discusses the development of new concepts in the choreography of ballet as a dance form in the U.S. It highlights the performance of the Joffrey Ballet of Chicago at the City Center in Manhattan, New York City which was choreographed by Robert Joffrey. According to Benjamin Harkarvy, co-director of the Netherlands Ballet, American dance is the most advanced in choreographic development.

The article focuses on the Stravinsky Festival staged by the New York City Ballet in July 1972 to honor the 90th birthday of the late composer Igor Stravinsky. It states that the festival was also as a celebration of the 40-year partnership between Stravinsky and choreographer George Balanchine that started in 1925. It says that Balanchine himself had overseen the entire detail of the event. Moreover, it mentions that master ballet Jerome Robbins is likely to replace Balanchine once he retired.

A biography of Justin Peck, an American choreographer, is presented. He arrived at the School of American Ballet in 2003, when he was fifteen. He joined the New York City Ballet (NYCB) as a dancer four years later. He worked on Broadway, too, and although he produced some rousing group dances in Steven Spielberg's film version of Jerome Robbins's West Side Story.

The article offers information related to dancer Salomé Pressac. It mentions she studied at Ramberl School of Ballet and Contemporary Dance. It reports her major dancing performances like Aisha and Abhaya, Killerpig, Pre-Sentient. It reports recognition of her work with Rambert2 in the 2018-2019 season.

The article offers information on the series on ballet in the Soviet Union between 1961 and 1990. It mentions about the identification of Simon Morrison the as choreographer's controversial Swan Lake, premiered in late 1969 and fates of the Kirov and Bolshoi Ballets theater during the 1970; and also highlights the direction of Leningrad Maly company including versions of Coppelia and La Fille mal gardee.

The article features Marius Petipa, the 19th century choreographer for ballet dance. Topics discussed include an overview of the personal life of Petipa, his career as a choreographer, the techniques and lessons learned from his ballet step-sequences, his legacy in the world of ballet, and the continuous use of his ballets in modern ballet performances.

In their 60-year history, this will be The AustralianBallet's fifth take on Swan Lake. Last year when, The Australian Ballet announced their2023 season and I saw a "new" Swan Lake on the list, Iasked myself: did we really need another Swan Lake?. [Extracted from the article]